James Henry News

In January, the stage is never dark at the Center House Theatre as Seattle Shakespeare Company will present two plays in rotating repertory seven days a week.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) is proud to announce the NY premiere of acclaimed writer Edmund White's play TERRE HAUTE, directed by George Perrin and starring Peter Eyre and Nick Westrate. Produced by nabokov and Karl Sydow, TERRE HAUTE begins previews on Tuesday, January 13 for a limited engagement through Sunday, February 15. Opening Night is Sunday, January 18 at 7:15 PM.

In January, the stage is never dark at the Center House Theatre as Seattle Shakespeare Company will present two plays in rotating repertory seven days a week.

Variety reports that a creative team is to be assembled for a musical based on Roald Dahl's 1982 book - James and the Giant Peach.

Turtle Shell Productions presents the world premiere of Martin M. Zuckerman's To Walk in Darkness

Turtle Shell Productions presents the world premiere of Martin M. Zuckerman's To Walk in Darkness

South Coast Repertory will present The Heiress, the psychological drama of love, innocence and betrayal by Ruth Goetz and Augustus Goetz. Helmed by Artistic Director Martin Benson, The Heiress will run from Oct. 17 through Nov. 16 on the Segerstrom Stage. Low-priced previews are available from Oct. 17 through Oct. 23. Opening night is Oct. 24. Press night is Saturday, Oct. 25 at 8:00 p.m. Tickets to The Heiress may be purchased online at www.scr.org, by phone at (714) 708-5555 or in person at the SCR box office.

South Coast Repertory today announced the cast and creative team for The Heiress, the psychological drama of love, innocence and betrayal by Ruth Goetz and Augustus Goetz.

American Conservatory Theater (A.C.T.) announced Jean Racine's passionate play Phedre as one of its productions for the 2009-10 season in a first-time coproduction with Canada's prestigious Stratford Shakespeare Festival.

They came from around the corner and as far away as London, Italy and New Zealand to pay tribute to a legend of film and stage and a good friend and neighbor, Roy Scheider.

New York Theatre Workshop (NYTW) announced that due to critical acclaim and sold-out houses 'The Sound and The Fury (April Seventh, 1928'), will extend its run through Sunday, June 1, at NYTW.

New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Acting Managing Director Fred Walker have announced that The Sound and The Fury (April Seventh, 1928), based on part one of the novel by William Faulkner, created by Elevator Repair Service (ERS), and directed by John Collins, will begin performances Tuesday, April 15, at NYTW, 79 East 4th Street, between Second Avenue and Bowery. Opening night is scheduled for Tuesday, April 29 at 7:00pm. The production will run through May 18.

Cabaret and concert star Andrea Marcovicci brings her own captivating high style to the role of the magnificent and mercurial fashion doyenne, Gabrielle (Coco) Chanel in 42nd Street Moon's upcoming production of Coco. Alan J. Lerner and Andre Previn's musical memory play - unseen anywhere since the early 1970s -- will preview April 24 and 25, open on April 26, and run through May 11.

Westport Country Playhouse will present a Sunday Symposium on 'The Writings of Henry James,' following the October 14 at 3PM matinee performance of The Turn of the Screw, a thriller adapted by Jeffrey Hatcher from the story by Henry James, directed by Loy Arcenas.

New York Theatre Workshop has announced plans for NYTW's 25th anniversary season, beginning June of this year

The Finborough Theatre's staging of Joseph Sobol's play 'IWitness' from January 2 to 27 joins a number of other recent London stage productions that highlight in differing ways courageous defiance of Nazism in Germany. In 'The Sound Of Music' Captain von Trapp's refusal to bow to Nazi German rule and join their navy inspires him to flee his beloved Austria with his wife and family and 'Climb Every Mountain' to head for freedom. In 'Cabaret', Cliff Bradshaw finally opens his eyes to the reality of the Nazi menace that is beginning to raise its ugly head in the once divinely decadent Berlin and takes his leave of the city, while Sally Bowles refuses to accept what is happening around her. In Martin Sherman's 'Bent', concentration camp inmate Max Berber stages the ultimate defiance by eventually openly admitting his homosexuality and taking his own life. And in total contrast the musical 'The Producers' promotes Mel Brooks' premise that the best way to oppose the ideology of nazism is to ridicule it.