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RACE Opens At Wellfleet Harbor Actors Theater

Wellfleet Harbor Actors Theater opens the 2019 season of live theater with Race, by David Mamet, June 5-28. Race is directed by Jackie Davis, with stage and film actors Johnny Lee Davenport, John Kooi, Bill Mootos, and Tyra Ann-Marie Wilson. Performances are at 8:00 p.m., Tuesdays through Saturdays (with one Monday performance on June 24). Two preview performances, June 5 and 6, begin at 7:30 p.m. Opening night is June 7, at 8 p.m.

Trinity Rep Announces MARISOL

Trinity Rep will conclude its dynamic 2018-19 Season with the primal and poetic Marisol by Obie award-winning playwright Jos Rivera. This production focuses on the sensational search for hope among the ruins.

BWW Review: BLACK ODYSSEY is a Celebration of Music, Love and Loss

The Homeric epic The Odyssey, is at its core, a story of a man trying to return home after a war. black odyssey is much the same, but instead of Odysseus, hero of the Trojan war, we follow Ulysses Lincoln, a black man who joined the army to earn some money for his young family, but who was pulled into an unexpected war after the attacks of September 11, 2001. This retelling blends the classic story of The Odyssey with lots of music, fantastic costumes, heartbreak and laughter. Unlike the character of Odysseus, who seems most himself when he's fighting, killing or talking his way out of a situation; Ulysses Lincoln is a man who wants to go home, but who is also feels unworthy because of things he did during the war. He's a much more human character, played with perfect humility and inner turmoil by Joe Wilson Jr. Knowledge of the original story of The Odyssey may make certain in-jokes in this play slightly funnier, but there's absolutely no need to slog through that tome before experiencing this excellent production.

Trinity Rep Announces BLACK ODYSSEY

Trinity Rep will continue its 2018-19 Season with the epic tale of black odyssey by Marcus Gardley. Inspired by Homer's Odyssey, this story examines Ulysses Lincoln's journey home from war when the world - and the gods - are against him. This adventure brings the combination of history and heart together in a poignant and imaginative story that will captivate audiences. This production will feature resident acting company members, Jude Sandy and Joe Wilson, Jr. as co-directors, with Joe Wilson, Jr. as Ulysses Lincoln. black odyssey runs January 3 - February 3 with press opening on Monday, January 7 at 7:30 pm. Tickets start at $25. More information can be found at www.trinityrep.com/odyssey.

Photo Flash: Chita Rivera Joins The League Of Professional Theatre Women's for ORAL HISTORY

On Monday, May 7th The League of Professional Theatre Women (Kelli Lynn Harrison & Lisa Rothe, Co-Presidents), an organization which has been leading the gender parity conversation and championing women in the professional theatre for over 35 years, presented the final Oral History event of their 2017-18 season with two-time Tony Award winner Chita Rivera in the Bruno Walter Auditorium at the New York Public Library for the Performing Arts (111 Amsterdam Avenue at 65th Street). Ms. Rivera talked about her life and illustrious career with Broadway World's lead correspondent, Richard Ridge, host of Backstage with Richard Ridge. 

BWW Review: DAYS OF ATONEMENT: The Strength of Sisterhood

Israeli Stage presents the North American premiere production of Hanna Azoulay-Hasfari's DAYS OF ATONEMENT, a dramatic exploration of the Moroccan-Israeli immigrant experience through the eyes of four estranged sisters who reunite when their mother goes missing on the eve of Yom Kippur. Producing Artistic Director Guy Ben-Aharon directs the stripped-down staging featuring a quartet of strong, complex performances from Jackie Davis, Adrianne Krstansky, Ramona Lisa Alexander, and Dana Stern.

BWW Review: BARBECUE: A Dysfunctional Family Roast

BARBECUE is a play about which one cannot say too much without ruining its considerable effect. Here's the minimalist FYI, things you need to know but that won't give anything away. It is written by Robert O'Hara, directed by Summer L. Williams, and features an ensemble cast of ten actors who all give great performances and disappear into their richly drawn characters. Taking place on a raised pavilion in a pastoral park, the lovely setting belies the serious nature of the subjects (substance abuse, family dysfunction, race) that BARBECUE serves up on a platter. And one more thing - it's a comedy.

The 6th Annual Boston One-Minute Play Festival Returns: Nasty Women Strike Back!

The Boston One-Minute Play Festival (#1MPF) returns with a twist: the sixth annual festival will celebrate the works of all women-identified playwrights and directors, as part of 1MPF's National Women's Initiative. Boston joins New York, Minneapolis, Chicago, South Florida, and other cities including an all women-identified cohort of artists this season. The aim of this program is to get a cohort of women-identified theatremakers in the room, uphold the important themes, ideas, conversations, and dialogues that bubble up to the surface, and hold space for valuable community conversations.

Anserine Productions Presents DON'T KNOW NOBODY THAT BOOGIES ANYMORE

Anserine Productions is proud to present its very first production of Don't Know Nobody That Bo ogies Anymore, by Andy Gaus, directed by Jackie Davis. The show opens Wednesday September 7, with a low­price preview on Tuesday, September 6. It will run Wednesday through Sunday at 8 p.m. from September 7, 2016 through September 25, 2016 at the Black Box at the Arsenal Center For the Arts, 321 Arsenal St, Watertown, MA 02472.

BWW Review: BOOTYCANDY: Shock Therapy

The New England premiere of Robert O'Hara's BOOTYCANDY at SpeakEasy Stage Company is based on the author's own experiences of growing up black and gay in America. Similar in structure and tone to THE COLORED MUSEUM, it is a series of loosely connected vignettes that rely on humor and satire to confront racial, sexual, and cultural stereotypes. Summer L. Williams directs an outstanding cast of five actors who portray nearly two dozen characters.

SpeakEasy Stage's New England Premiere of BOOTYCANDY Begins Tonight

From tonight, March 12, to April 9, 2016, SpeakEasy Stage Company will present the New England Premiere of BOOTYCANDY, a shockingly funny and saucy spin on race, sex, and sexuality, written by award-winning playwright and director Robert O'Hara.

SpeakEasy Stage to Present New England Premiere of BOOTYCANDY

From March 12 to April 9, 2016, SpeakEasy Stage Company will present the New England Premiere of BOOTYCANDY, a shockingly funny and saucy spin on race, sex, and sexuality, written by award-winning playwright and director Robert O'Hara.

SpeakEasy Stage Company to Present New England Premiere of Robert O'Hara's BOOTYCANDY

Named one of the Top Ten Plays of 2014 by The New York Times, BOOTYCANDY is based on the author's own experiences growing up black and gay. The play unfolds in a series of loosely linked vignettes that take no prisoners when confronting racial, sexual, and cultural stereotypes. With outrageous humor and real heart, O'Hara tests how we talk about our bodies at home, in church, and in the theatre.   (Please note that BOOTYCANDY contains strong language, adult content, and nudity). 

BWW Review: SATURDAY NIGHT/SUNDAY MORNING: Women's War Stories

Playwright Katori Hall's lively play about seven African-American women awaiting the end of World War II in a Memphis beauty parlor/boarding house shows a slice of life with authenticity, empathy, and humor. Dawn M. Simmons directs an ensemble of wonderful actors, and the design team brings out the flavor of 1945 Memphis.

Lyric Stage's SATURDAY NIGHT/SUNDAY MORNING Cast, Creative Team Announced

In the tradition of the moving Intimate Apparel and hilarious By the Way, Meet Vera Stark, Saturday Night/Sunday Morning is a 'fresh, spontaneous, and highly watchable'* play that brings together seven African-American women in a Memphis beauty parlor/boarding house during the waning days of World War II. As they wrestle with the uncertainty of what the future will hold when, and if, their men return, they fight dirty - with each other and with their own fears and desires, uncovering newfound friendship and love. Katori Hall is an exciting new theatrical voice best known for her play The Mountaintop, about Martin Luther King, Jr.'s final night before his assassination.

BWW Reviews: Excellent Performances Lift Weak Script of Wilbury Group's RAPTURE, BLISTER, BURN

There are many ways a playwright, filmmaker, writer or artist can work their themes and messages into a creative work. In some cases, those themes are delivered subtly, with nuance, so they're almost imperceptible at first but land in the audience's mind long after they've witnessed the work of art. At the other end of the spectrum, important messages can be put at the forefront, told in forceful and undeniable ways so that the audience is immediately confronted with them. Both of those approaches can and do often work. Unfortunately, in the Wilbury Group's current production of Rapture, Blister, Burn, the messages are delivered at the expense of a captivating compelling story or engaging characters.

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