Henry Jenkinson News

The Acting Company has announced the 2019 Summer Repertory Season, along with complete casting and creative teams. Native Son and Measure for Measure will play July 14 through August 24, 2019 at the Duke on 42nd Street (229 W. 42nd Street), with opening night for both plays set for Sunday, July 28, 2019. Single tickets and subscription packages are on sale now.

The Acting Company announces the cast and creative teams for its 2019 Summer Repertory Season. Native Son and Measure for Measure will play July 14 through August 24, 2019 at the Duke on 42nd Street (229 W. 42nd Street), with opening night for both plays set for Sunday, July 28, 2019. Single tickets and subscription packages are on sale now.

The Newest play from British playwright Billie Aken-Tyers is to be presented at Theatre Lab on March 2nd at 7pm by the Ophelia Theatre Group. The play, set in a small town in the North East of England, follows the story of a young millennial trying to find her place in the world without her Father. Steph's Dad has just died, and it's up to her best friends Ant and Harry to pull her through the worst year of her life. In a year of transition, three friends discover who they are, how to grieve and that growing up is realizing that no one knows how to be a grown up, all through the medium of a good old fashioned Pub Quiz.

Juilliard Drama begins its inaugural year under the leadership of Obie-winning director Evan Yionoulis, Richard Rodgers Director of the Drama Division. Current acting director Richard Feldman will resume his role as associate director and faculty member. The 2018-19  season features fully staged productions showcasing Juilliard's Group 48 acting students in their fourth and final year in the program.

Shakespeare on the Sound (Claire Shannon Kelly, Artisitic Director and Christine Larsen, Managing Director) celebrate its 23rd season with Shakespeare's beloved comedy A Midsummer Night Dream, directed by Artistic Director? Claire Shannon Kelly. Set in the Jane Austen time period, audiences will be transported into a magical forest where they will embark on a sentimental quest together with Shakespeare's iconic characters. Performances began on Thursday, June 14 in Pinkney Park (177 Rowayton Avenue, Norwalk, CT) and will continue through July 1. OPENING NIGHT is TONIGHT, Saturday, June 16, 2018 at 7:30 p.m.

Shakespeare on the Sound (Claire Shannon Kelly, Artisitic Director and Christine Larsen, Managing Director)will celebrate its 23rd season with Shakespeare's beloved comedy A Midsummer Night Dream, directed by Artistic Director? Claire Shannon Kelly. Set in the Jane Austen time period, audiences will be transported into a magical forest where they will embark on a sentimental quest together with Shakespeare's iconic characters. Performances will begin on Thursday, June 14 in Pinkney Park(177 Rowayton Avenue, Norwalk, CT). Opening Night is scheduled for Thursday, June 14, 2018 at 7:30 p.m.  Performances will continue through July 1.

Performances begin TONIGHT for the Shakespeare on the Sound's immersive production of Macbeth. Directed by Artistic Director Claire Shannon Kelly, Macbeth will transform the idyllic Pinkney Park (177 Rowayton Avenue, Norwalk, CT) on the Five Mile River to the eerie Scottish Highlands to create an immersive experience for the audience; Macbeth's journey will be their journey too.  

Performances begin tonight for the Shakespeare on the Sound's immersive production of Macbeth. Opening Night is Saturday, June 17, 2017 at 7:30 p.m.

Performances begin TONIGHT for the Shakespeare on the Sound's immersive production of Macbeth. Directed by Artistic Director Claire Shannon Kelly, Macbeth will transform the idyllic Pinkney Park (177 Rowayton Avenue, Norwalk, CT) on the Five Mile River to the eerie Scottish Highlands to create an immersive experience for the audience; Macbeth's journey will be their journey too.

Directed by Artistic Director Claire Shannon Kelly, MACBETH will transform the idyllic Pinkney Park on the Five Mile River to the eerie Scottish Highlands.  Kelly wants the production to be an immersive experience for the audience; Macbeth's journey will be their journey too.