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Review: TO KILL A MOCKINGBIRD at Rochester Broadway Theatre League

What did our critic think of TO KILL A MOCKINGBIRD at Rochester Broadway Theatre League? The relevance of “To Kill a Mockingbird” is bewilderingly on the nose. How is it that a 60+-year-old story about racism and the brokenness of the American criminal justice system feels as topical and fresh in 2023 as it did in 1960?

Harper Lee's TO KILL A MOCKINGBIRD and THE CHER SHOW Headline 23-24 Broadway in Thousand Oaks Season

The American Theatre Guild, the largest not-for-profit touring Broadway presenter in the nation, unveils its highly anticipated 23–24 Season for the Bank of America Performing Arts Center. The BROADWAY IN THOUSAND OAKS SERIES will include the following touring productions: THE CHER SHOW, PRETTY WOMAN: THE MUSICAL, LITTLE WOMEN, and Harper Lee’s TO KILL A MOCKINGBIRD. 

TO KILL A MOCKINGBIRD Comes to the Bushnell

The Bushnell is thrilled to announce that tickets are on sale now for the highly anticipated First National Tour of Harper Lee's To Kill A Mockingbird. The limited engagement will run for eight performances only from June 27 through July 2, 2023.

Feature: TO KILL A MOCKINGBIRD at Ohio Theatre

Actor Justin Mark doesn’t remember reading TO KILL A MOCKINGBIRD when he was in high school. Now he’s living in an English teacher’s twisted, TWILIGHT ZONEish fantasy, as he performed in the Harper Lee classic over 500 times in the last two years.

The Lied Center Reveals Lineup For 2023-24 Season

The Lied Center’s 2023-2024 season will feature more than 30 events including top artists and ensembles from around the world in dance, classical music, jazz, musical theater, comedy, family, illusion, and more.  

Review: THE LAST FIVE YEARS at Desert Theatreworks is terrific.

Desert Theatreworks has done a fabulous job with its final presentation of the season, THE LAST FIVE YEARS, a one act, two-character, mostly sung-through musical by Jason Robert Brown. Mr. Brown's take on the disintegration of a marriage, which unfolds before the audience's eyes and ears in eclectic musical styles, is emotionally powerful. The music, performed live by a keyboard and violin, and the superb on-stage performances in the production, help make this one of the most memorable shows I've seen.

Review: HARPER LEE'S TO KILL A MOCKINGBIRD Commands 'ALL Rise' At Straz Center For The Performing Arts

Harper Lee’s To Kill a Mockingbird was adapted for the stage by Aaron Sorkin and opened on Broadway at the Schubert Theatre in December of 2018. The play is set in 1930s Alabama and follows the story of Atticus Finch, a small-town lawyer in his defense trial of Tom Robinson, an African American man wrongfully accused of rape. However, Sorkin’s adaptation differs from the book by Lee, in which we see Atticus as the protagonist here, unlike the portrayal of Scout in Lee’s novel. Witnessing Atticus as the protagonist of the story we go on an emotional journey, and are able to see the change in Atticus as the show progresses. As Sorkin developed his adaptation, the production was faced with its own legal disputes. One being with the Lee estate in regards to its faithfulness to the original narrative, and the other to exclusivity rights regarding the use of the script by Christopher Sergel.

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