The Metropolitan Opera has announced the launch of The Met: Live at Home, a streaming platform that allows audiences to watch the Met’s acclaimed series of live simulcasts from any device in the comfort of their homes—the latest effort by the company to reach as broad a public as possible.
Roundabout Theatre Company has announced complete casting for the Special Benefit Concert Reading of The Pirates of Penzance. The concert will be taking place on Monday, October 17, 2022 at the American Airlines Theatre.
Roundabout Theatre Company will present a special Benefit Concert Reading of The Pirates of Penzance, the Tony Award-winning musical adapted by Rupert Holmes, with music by Arthur Sullivan, libretto by W.S. Gilbert and direction by Scott Ellis.
As a process-focused performing arts organization, Works & Process continued to provide opportunities and fees for artists throughout the pandemic, and pioneered the bubble residency model to support their work safely. The fall 2022 season will feature the official world premieres of works created by New York artists.
The Center for the Arts at George Mason University announced today its 2022/2023 season of mainstage performances, featuring a diverse lineup of artists and ensembles across many genres, as part of Great Performances at Mason and the Family Series.
The Metropolitan Opera today announced its 2022–23 season, which features seven new productions, the most in ten seasons. Opening Night is September 27 with the company premiere of Cherubini’s Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar’s new staging, conducted by Carlo Rizzi.
Opera Columbus takes on mid-20th-century American political intrigue, communism and the “lavender scare” in a work that the Chicago Tribune called “one of the most accomplished New American Operas.” 1950s Washington D.C. serves as a backdrop for Fellow Travelers, composed by Gregory Spears with a libretto by Greg Pierce, based on Thomas Mallon's 2007 bestselling novel of the same name.
Originally commissioned for Cincinnati Opera's 100th anniversary in 2020 and postponed due to the COVID-19 pandemic, Castor and Patience receives its much-anticipated world premiere in July 2022.
Lyric Opera of Chicago today announced the company’s 2022/23 Season, featuring productions of classic operas, a continuing long-term focus on developing and presenting new work, plus the return of Lyric’s annual spring musical.
Originally commissioned for Cincinnati Opera's 100th anniversary in 2020 and postponed due to the COVID-19 pandemic, Castor and Patience receives its much-anticipated world premiere in July 2022.
Every once in a while, a show comes along that takes you completely by surprise. For me, this recently happened with Des Moines Metro Opera's one-night-only performance of FELLOW TRAVELERS at Hoyt Sherman Place.
Learn more about the full lineup here, which includes A Streetcar Named Desire, Rigoletto, Fellow Travelers, and Agrippina. Plus, learn more about how to purchase tickets, including subscriptions!
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have announced this year's six recipients of the Alfred P. Sloan Foundation Initiative commissions. The commissioned writers are Kate Attwell, Mia Chung, Noah Diaz, Julia Izumi, Ife Olujobi, and Stacey Rose.
Cincinnati Opera is pleased to announce the casting of principal roles for composer Gregory Spears and librettist Tracy K. Smith's new opera Castor and Patience, which will have its world premiere in Cincinnati, July 16 - 26, 2020, highlighting the company's 100th anniversary season.
OPERA America has awarded $220,000 in Repertoire Development Grants to The American Opera Project (New York, NY) in consortium with Seagle Music Colony (Schroon Lake, NY), Beth Morrison Projects (New York, NY), Houston Grand Opera, Lyric Opera of Chicago, San Diego Opera and The Dallas Opera. The grants provide technical and financial support to OPERA America Professional Company Members and their producing partners to enhance the quality, quantity and creativity of new American opera and music theater.
When I first saw Boston Lyric Opera's promotional images for Fellow Travelers, a new opera by Greg Pierce and Gregory Spears, in a production that premiered at Minnesota Opera, I was incredibly wary. Photos of conventionally attractive white men in their boxers clinging to each other in a fit of passion next to images of an un-subtle cross forebodingly hung on a stage used to advertise an opera (the art form relied upon to convey narratives of lovers separated by tuberculosis, conquests by Valkyries, and murders outside of bullfights) feels like an equation for overbearing reminders of overwrought queer storytelling tropes. My assumptions were proven resoundingly incorrect by what may well be the classiest gay porn to mask itself as high art since the ceiling of the Sistine Chapel was completed in 1541. Based on Thomas Mallon's 2007 novel of the same name, Fellow Travelers tells the story of an ill-timed affair between government employees Timothy Laughlin and Hawkins Fuller during the 1953 Lavender Scare, in which Eisenhower's Executive Order 10450 required the firing of over 5,000 queer, ostensibly queer, or queer-adjacent government workers.