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Guerilla Opera's Community Series Begins This Month

Guerilla Opera's Community Series will begin this month with the first two of several monthly workshops in their 17th Season, that explore how opera interacts with other art forms. These workshops explore Guerilla Opera's groundbreaking productions and include fascinating guest speakers pushing the boundaries of opera.

Review: Plenty of High Notes at Unusually Low-Key Richard Tucker Awards Gala

An historic recording of golden age tenor Richard Tucker singing “Sound an Alarm” from Handel’s JUDAS MACCABEUS” set the tone for the Richard Tucker Music Foundation’s Gala concert at Carnegie Hall. There was wonderful singing ahead of us—but of a certain kind. Like many other classical organizations, the Tucker Foundation, has found that, as Charles Dickens said in “A Tale of Two Cities,” “It was the best of times, the worst of times.” The “best” is for the quality of the singers that the foundation has supported through varying kinds of grants. The “worst”? Money from the usual donor pool is in shorter supply than usual, which meant a less elaborate evening

Interviews: Hablamos con los protagonistas de BAILO BAILO

BAILO BAILO, el musical homenaje a Raffaella Carrà, se estrena oficialmente este viernes 3 de noviembre en el nuevo Teatro Capitol de la Gran Vía madrileña. El espectáculo se presenta como una libre adaptación realizada por Federico Bellone a través de la película EXPLOTA EXPLOTA.

Photos: First Look At North Carolina Opera's LA TRAVIATA

North Carolina Opera is presenting Verdi’s LA TRAVIATA this weekend at Raleigh Memorial Auditorium in the Martin Marietta Center for the Performing Arts in downtown Raleigh, NC. Get a first look at photos!

Review: Lewiston Public Theatre Opens Season with World Premiere of PAINT NIGHT

The Public Theatre in Lewiston opens its 2023-24 season with the world premiere of Cary Crim’s latest work, PAINT NIGHT, a heartfelt exploration of the complexities and conflicts that confront mothers and daughters in our contemporary world.  The six-character play, directed by Janet Mitchko, strikes some familiar chords and appears to resonate with the theatre’s audience.

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