Ginger Rogers News

Jill Senter and Company will return to The Laurie Beechman Theater, where they played to a capacity crowd in May, in CELEBRATE THE MOMENT: A New Nightclub Revue, written, arranged and conducted by Elliot Finkel with choreography by Joanna Rush and directed by Walter Willison, on Wednesday, July 17th and Wednesday, August 7th, at 7PM.

Despite the valiant efforts of the cast, a strikingly handsome set, and beautiful costumes, PRIVATE LIVES will not be (pardon the pun) everyone's cup of tea. The material is dated and generally appeals most to an older audience segment and those who long for the days of Fred Astaire and Ginger Rogers (not that there is anything wrong with that). To be clear and fair, many audience members at the charming Dorset Playhouse where this production of PRIVATE LIVES continues through July 6th enjoyed the presentation thoroughly.

Katy Lipson for Aria Entertainment, Hope Mill Theatre and Ray Rackham Theatrical are delighted to announce that Harriet Thorpe and Tim Flavin will star as Vera and Beauregard respectively in the first professional UK revival of Jerry Herman's much loved musical MAME. They join the previously announced Tracie Bennett in the title role.

'Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.'  Borrowing a phrase from cartoonist Bob Thaves to argue for more women in positions of power, feisty politician Ann Richards came to national attention when she delivered the keynote address at the 1988 Democratic National Convention.  

This summer Independent Shakespeare Co. (ISC) presents the romantic comedy Twelfth Night at the Griffith Park Free Shakespeare Festival, directed by ISC Co-Founder and Managing Director, David Melville. Twelfth Night will begin previews on Saturday, June 29 at 7pm, will open on Saturday, July 6 at 7pm and perform through Sunday, September 1 at the Old Zoo in Griffith Park.  All ISC summer Shakespeare productions are FREE to the public!  Twelfth Night is the first of two productions being presented at this year's Griffith Park Free Shakespeare Festival. Pericles begins Saturday, July 27 and will run in repertory with Twelfth Night.

Complete casting has been announced for The Cape Playhouse's starry upcoming production of Oscar Wilde's timeless classic, The Importance of Being Earnest.

Sierra Madre Playhouse inaugurates a projected ongoing film series, Off the Screen @ SMP, in which we'll feature midweek screenings of films that are in some way related to our current live mainstage productions.

Based on Thornton Wilder's 1954 play titled The Matchmaker, Hello, Dolly! follows famed New York City matchmaker Dolly Gallagher Levi as receives her toughest challenge yet. She must travel to Yonkers to find a suitable match for the miserly 'well-known unmarried half-a-millionaire' Horace Vandergelder. She successfully matches many others in the city, including Horace's niece and his two young clerks, but everything seems to go wrong when it comes to matching Horace.

The Delray Beach Playhouse announces their 2019-20 Season Subscriptions for the Main Stage Series plays, Musical Memories and Nostalgic Concert Series.

The Sonoma Speaker Series is partnering with Transcendence Theatre Company to bring Donna McKechnie to our stage! McKechnie is a professional dancer, singer, actress, choreographer, and author whose illustrious career has spanned more than 50 years. She is regarded internationally as one of Broadway's foremost singing and dancing leading ladies.

Jill Senter will premier her new show CELEBRATE THE MOMENT: A Nightclub Revue written, arranged and conducted by Elliot Finkel with choreography by Joanna Rush and directed by Walter Willison at The on Monday, May 20th at 7PM at The Laurie Beechman Theater, 407 West 42nd Street.

42nd Street is everything that theater should be; beautiful, touching, funny, impressive, and magical. It is why we go to the theater. There's no better way to spend two and a half hours than watching a group of extremely talented performers sing and dance their way through iconic songs and set pieces. Go to this show - you won't be disappointed.

42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.

Isabel Leonard is one of, if not the, most in-demand opera singer in the world today. For the last decade her star has been on the rise all around the world both on the opera and concert stages. This season at The Met alone she's performing in three different production, singing three roles that could not be more starkly dissimilar: the title role of Nico Muhly's Marnie, Claude Debussy's Melisande and the upcoming Blanche de la Force in Poulenc's 'Dialogues of the Carmelites'. Given the rigor of her schedule, we are thrilled that she found a few minutes to chat with us about her upcoming performances in Dialogues... as well as answering some burning questions that the entire opera world is dying to find out. For example:

There's an unfortunate guffaw in the otherwise well-calibrated British thriller of '46, 'Dead of Night,' when Mervyn Johns (Glynis' dad), sensing he's sinking into insanity, brings a shaky hand to his forehead and says, 'I've got to get to a mental specialist.'

Feinstein is superb in concert at the Gordon Center for Performing Arts in Owings Mills, MD.

Michael Rader, Producing Artistic Director of The Cape Playhouse, today announced the creative teams for the 2019 summer season. The six-play season features three plays and three musicals- and includes directors Hunter Foster, Marcia Milgrom Dodge, Matt Lenz, Joyce Chittick and more.

Musical theatre is the land of collaboration, and anyone who's ever tried to write a musical knows that it can be a land filled with landmines. But for the ladies of the new musical Marie, Dancing Still, their collaboration seemed downright fated.

QUACK playwright Eliza Clark is very good at sharp, rapid-fire dialogue, and she gives the actors plenty.