George Mann News

Combining striking visuals and physical storytelling with dynamic projection and a resonant  soundtrack, Ad Infinitum's new non-verbal solo show explores a powerful journey of love, loss, and what it means to be a parent.

MimeLondon is a new curatorial project created by Helen Lannaghan and Joseph Seelig, the directors of London International Mime Festival (LIMF), which ended in 2023 after five decades of award-winning success.

As part of the brand new curatorial project MimeLondon, created by former directors of London International Mime Festival (LIMF) Helen Lannaghan and Joseph Seelig, Shoreditch Town Hall has announced the productions it will be hosting as part of the programme.

Told through the eyes of Medusa as she watches the battle of Troy, Ad Infinitum takes a look at the alternative stories of the most notorious women in Greek mythology in a show co-created and performed by long-term collaborator Deborah Pugh.

Told through the eyes of Medusa as she watches the battle of Troy, Ad Infinitum takes a look at the alternative stories of the most notorious women in Greek mythology in a new show co-created and performed by long-term collaborator Deborah Pugh.

From 22 March, for a limited four-week release, the original 2015 Bristol Old Vic production of Pink Mist will be available on demand. The prodution was co-by George Mann and John Retallack and brought Owen Sheers’ visceral poem about the impact of war on servicemen and their families searingly to life on stage.

Bristol Old Vic today announced an ambitious range of digital work running Feb-May to keep people entertained through the Spring and beyond, allowing stories to be shared and creativity to flourish in new ways once again.

Ad Infinitum in association with HOME presents WHERE YOU ARE, a free online mini-festival of short films, podcasts, Q&As, talks and discussions exploring themes of freedom, transition, resistance and care.

Manchester arts venue HOME are spearheading a plan to take brand-new live experiences from the homes of artists into the homes of their audiences, defying the coronavirus outbreak.

Following their work with D/deaf artists for productions including Light and Extraordinary Wall [of Silence] (touring 22 Jan - 22 Feb), Bristol-based Ad Infinitum have announced a new programme for D/deaf directors which will be launched in 2022. The company will be working with D/deaf artists over the next two years to research, design and create a platform that will enable D/deaf directors to flourish.

Through three powerful coming-of-age stories, Extraordinary Wall of Silence, a new devised show from Bristol-based Ad Infinitum co-commissioned by HOME, Birmingham Hippodrome, Bristol Old Vic, Newbury Corn Exchange, In Good Company and in association with Salisbury Playhouse, supported by The North Wall, traces the oppression and ignorance faced by the Deaf community to one pivotal point in history.

With stories drawn from real-life testimonies collected through 40-hours of interviews with Deaf people from all over the UK, Ad Infinitum presents Extraordinary Wall of Silence, a new production shedding light on a relatively undocumented history of oppression experienced by Deaf people which comes to Birmingham Hippodrome's Patrick Studio on 22 & 23 Jan.

Chloe lives in a world with only one colour, a world that is completely grey. But at night, when she's wrapped up tight, her dreams are colourful and bright. Transforming stages around the UK into a vibrant world of colour and rhyme, join Chloe on her courageous journey to unleash all seven shades of the rainbow in this extraordinary and wholly original tale of bravery, self-expression and fighting for what your heart knows to be true. Ad Infinitum's first full length show for children, Chloe and the Colour Catcher is a call to arms for young activists and future world-changers to speak out against what's wrong and to celebrate their differences.

With stories drawn from real-life testimonies collected through 40-hours of interviews with Deaf people from all over the UK, Ad Infinitum presents Extraordinary Wall [of Silence]*, a new production shedding light on a relatively undocumented history of oppression experienced by Deaf people. Helen, Alan, and Graham are told they are impaired and need fixing. As they begin to question the world around them, three powerful coming-of-age stories unfold, uniting them in a struggle against violence, ignorance and oppression. Connected through a shared past, they are transported to a crucial moment in 1880 that would impair the way the world views D/deaf people for over a century. The production premiered at Bristol Old Vic in October 2019 and now tours to seven arts venues across England.

Award-winning theatre company Proteus present a highly physical re-imagining of Shakespeare's Macbeth as a corporate thriller set against the backdrop of the 'greed is good' culture of 1980s Britain. The show will be at the Connaught Theatre, with performances on Friday 8th November at 2pm and 7:30pm and on Saturday 9th November at 7:30pm.

Embarking on a UK tour following its successful run in London and Basingstoke, award-winning Proteus' adaptation of Macbeth takes Shakespeare's macabre tragedy to the tumult of the trading room floor. Directed by Mary Swan, the artistic director, this Macbeth is a gripping corporate thriller set in London during the stock market crash of 1987.

With stories drawn from real-life testimonies collected through 40-hours of interviews with Deaf people from all over the UK, Ad Infinitum presents Extraordinary Wall [of Silence]*, a new production shedding light on a relatively undocumented history of oppression experienced by Deaf people. Helen, Alan, and Graham are told they are impaired and need fixing. As they begin to question the world around them, three powerful coming-of-age stories unfold, uniting them in a struggle against violence, ignorance and oppression. Connected through a shared past, they are transported to a crucial moment in 1880 that would impair the way the world views D/deaf people for over a century.

Artistic Director Tom Morris today announced the completion of the 2019 programme and reflected on the impact and legacy of Bristol Old Vic's Year of Change in 2018.

Set in London during the stock market crash of 1987, this new adaptation of Shakespeare's Macbeth by award-winning theatre company Proteus takes the macabre tale to the trading room floor. The entirely BAME cast have worked closely with Theatre Ad Infinitum's George Mann to create a highly physical, major new interpretation of a classic. Directed by Mary Swan, the artistic director of Proteus, this Macbeth is a gripping corporate thriller.

Set in London during the stock market crash of 1987, this new adaptation of Shakespeare's Macbeth by award-winning theatre company Proteus takes the macabre tale to the trading room floor. The entirely ethnically diverse cast have worked closely with Theatre Ad Infinitum's George Mann to create a highly physical, major new interpretation of a classic. Directed by Mary Swan, the artistic director of Proteus, this Macbeth is a gripping corporate thriller.