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Interview: Gordon Bovinet, Vienna's Old Deuteronomy, Visits THE JELLICLE BALL

Gordon Bovinet has had long and storied career in Musical Theater, Opera and as one of the most in-demand vocal coaches in Europe. He is in town this week to celebrate his 80th birthday and to take in a performance of the show that launched his career: CATS – or in this case: CATS: JELLICLE BALL!

How Often Do Shows Go From Off-Broadway to Broadway in Two Separate Productions?

This season, three plays are receiving Broadway debuts which already made significant noise off-Broadway in their original productions, years ago. Becky Shaw, Bug, and Marjorie Prime will all be opening on Broadway in early 2026 in brand new productions. The first and last are spending time on Broadway at the Hayes under the auspices of Second Stage while Bug is being presented by Manhattan Theatre Club at their home, the Friedman. 

BWW Q&A: Tara Kromer Talks SWEENEY TODD At Athens Theatre

Prepare for a dark journey through the sinister streets of Victorian London with Sweeney Todd. Follow the vengeful barber as he seeks justice, aided by the cunning Mrs. Lovett and her rather… unique meat-pie business.

Video: Watch the Trailer for Palace Theatre Documentary PLAYING THE PALACE

The trailer has been released for Playing the Palace, a new feature documentary chronicling the history and recent transformation of Broadway’s Palace Theatre. The documentary features interviews with Bernadette Peters, Joel Grey, Heather Headley, Ben Platt, and more.

Breaking Down the Different Stephen Sondheim Revues

This time, the reader question was: Other than Old Friends, what are the other Sondheim revues and what makes them different? This marks the theatre world’s fifth major Sondheim revue and the first since the theatre legend passed away in 2021. 

Review: Comedy Tonight! MasterVoices Does THE FROGS, Or Why Isn't Sondheim at the Met?

MasterVoices, under Ted Sperling, found THE FROGS irresistible—and the result was a hit, or, as Shakespeare wrote in “Hamlet”: “A hit, a very palpable hit.” With its libretto by Burt Shevelove and Nathan Lane (and Nathan Lane again), it fit the stage of Jazz at Lincoln Center’s Rose Theatre very nicely indeed.

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