Joseph Fiennes to Play Gareth Southgate in James Graham's DEAR ENGLAND
by Aliya Al-Hassan
- Feb 21, 2023
The National Theatre has announced Dear England, a new play by James Graham telling the story of the England men’s football team under Gareth Southgate. Directed by Rupert Goold, Dear England will play in the Olivier theatre from June with Joseph Fiennes cast as Gareth Southgate.
Review Roundup: What Did the Critics Make of Sam Mendes' THE LEHMAN TRILOGY?
by Aliya Al-Hassan
- Feb 9, 2023
The National Theatre and Neal Street Productions’ The Lehman Trilogy makes a triumphant return to London following an acclaimed season in Los Angeles and a highly lauded run on Broadway, winning 5 Tony Awards® including Best Play. Directed by Academy Award®, Tony Award® and Golden Globe winner Sam Mendes, The Lehman Trilogy features a cast of three playing the Lehman brothers, their sons and grandsons, in an extraordinary feat of story-telling told in three parts on a single evening. Hailed by The New York Times as 'a genuinely epic production', The Lehman Trilogy is the story of a family and a company that changed the world.
Review: THE LEHMAN TRILOGY, Gillian Lynne Theatre
by Aliya Al-Hassan
- Feb 9, 2023
Sam Mendes' The Lehman Trilogy has criss-crossed the Atlantic since 2008, picking up numerous nominations and awards along the way. An epic history of Western capitalism and a masterclass in theatrical storytelling, it now makes a dazzling return to the West End’s Gillian Lynne Theatre.
Photos: Inside Rehearsal For THE LEHMAN TRILOGY in the West End
by Stephi Wild
- Jan 3, 2023
Rehearsal images have been released for the National Theatre and Neal Street Productions’ critically acclaimed, five-time Tony Award® winning production of The Lehman Trilogy which begins a limited 17-week run at the Gillian Lynne Theatre on 24 January.
Super Bowl LVI Halftime Show Documentary Sets Premiere
by Michael Major
- Dec 20, 2022
The 90-minute feature offers a behind-the-scenes look at the making of one of the most iconic musical performances of the year. This year’s show starred music legends Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent, marking a historic moment that placed the hip hop genre on the iconic stage like never before.
2022 Year in Review: Cindy Marcolina's Best of 2022
by Cindy Marcolina
- Dec 21, 2022
After two years of absolute doom and uncertainty, 2022 began with a sprinkle of glimmer on the horizon. Masked up and cautious, we came back to theatres properly. Admittedly and unfortunately, I found the return underwhelming and gave very few glowing 5-star reviews. I still loved a good number of productions, but it’s a far cry from struggling to whittle it down to a Top 10. Nonetheless, it was an exciting year.
National Theatre Announces DANCING AT LUGHNASA, DIXON AND DAUGHTERS, and More
by Stephi Wild
- Nov 22, 2022
The National Theatre has announced three new productions for 2023 and the revival of the critically acclaimed The Father and the Assassin. A new production devised by The PappyShow will tour directly to 55 schools across England, and National Theatre Live brings The Crucible, Othello and GOOD to cinema goers around the world.
Review Roundup: THE CRUCIBLE, Starring Erin Doherty
by Aliya Al-Hassan
- Sep 29, 2022
Arthur Miller’s gripping parable of power and its abuse returns in a new staging by director Lyndsey Turner at the National Theatre, starring Erin Doherty. So what did the critics think?
Review: THE CRUCIBLE, National Theatre
by Cindy Marcolina
- Sep 29, 2022
In a society riddled with fake news, that bends over backwards to regulate a woman's body, justifying its laws with a magical book, The Crucible is frighteningly relevant.
Review: DON GIOVANNI, Royal Opera House
by Franco Milazzo
- Sep 14, 2022
With the opening night delayed due to the death of Queen Elizabeth II and coming at a period of national mourning, this latest revival of Kasper Holten’s take on Don Giovanni is as cathartic an experience as it gets.
Review: SALOME, Royal Opera House
by Franco Milazzo
- Sep 12, 2022
If you thought horror as a genre wasn’t something opera dabbled in, think again. The fourth outing for David McVicar’s 2008 production of Richard Strauss’ is as bloody and gruesome as it gets in Covent Garden.
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