The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present the New York Premiere of Pedro Reyes' Manufacturing Mischief, written by Paul Hufker and directed by Meghan Finn (Doomocracy with Creative Time at the Brooklyn Army Terminal) at The Tank (312 West 36th Street between 8th and 9th Avenues), June 5-24.
New York Theatre Workshop held it's 2018 Annual Gala last night, April 15. The gala celebrated John Tiffany, the Tony Award-winning Director of Once, which had its world premiere at NYTW, as well as Harry Potter and the Cursed Child; along with Barbara Cutler Emden, who is celebrating 25 years of arts advocacy and exceptional service on the NYTW Board of Trustees.
Writer Alex Borinsky reunites with the creative team behind Clubbed Thumb's Of Government - director Jeremy Bloom and composer Joe White - for this new piece by their inventive company Rady&Bloom. An arts collective gathers to celebrate their director's birthday; fueled by Moscow Mules, the partygoers sprawl across the apartment, decompressing from their ongoing rehearsal process. They speculate about the end of the world.
Japan Society presents a staged reading of Manhood by Japanese playwright Hideto Iwai, led by director Sarah Hughes, taking place Monday, March 26 at 7:30 PM at Japan Society (333 East 47th Street). Manhood marks the 13th installment of the Society's Play Reading Series of contemporary Japanese plays in English translation, introducing topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S. This event, part of Japan Society's 110th Anniversary Season, aligns with the Spring 2018 Performing Arts focus on deepening the Society's relationship with New York artists.
Today, The Ground Floor: Berkeley Rep's Center for the Creation and Development of New Work announced the 21 projects selected for its 2018 Summer Residency Lab. Chosen from a new record of 690 submissions, the eclectic and ambitious slate of projects are the most ever housed by the Lab in its seven-year history.
Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spalding Gray, Fran Lebowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.
Japan Society presents a staged reading of Manhood by Japanese playwright Hideto Iwai, led by director Sarah Hughes, taking place Monday, March 26 at 7:30 PM at Japan Society (333 East 47th Street). Manhood marks the 13th installment of the Society's Play Reading Series of contemporary Japanese plays in English translation, introducing topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S. This event, part of Japan Society's 110th Anniversary Season, aligns with the Spring 2018 Performing Arts focus on deepening the Society's relationship with New York artists.
Five-time Obie Award-winning theater company Clubbed Thumb (Maria Striar, Producing Artistic Director; Michael Bulger, Associate Artistic Director) is proud to announce the line-up for SUMMERWORKS, its annual series of new plays. Now in its 23rd season, SUMMERWORKS will run May 19 through June 30 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: TIN CAT SHOES by Trish Harnetiaux and directed by Knud Adams; WILDER GONE by Angela Hanks; and PLANO by Will Arbery and directed by Taylor Reynolds.
Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spaulding Gray, Fran Leibowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.
The Drama League (Gabriel Stelian-Shanks, Executive Artistic Director) has announced the theater directors and ensembles chosen to develop new plays and musicals as part of the 2018 Drama League Artist Residency Program. Public work-in-progress presentations will be held periodically throughout the year at The Drama League Theater Center, 32 Avenue of the Americas, in Tribeca. Schedules are available at www.dramaleague.org or by calling (212) 244-9494.
Hopping and bopping, Little Bunny Foo Foo takes over Actors Theatre.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present the World Premiere of Rebecca Patek's CHASM, directed by Meghan Finn at The Tank (312 West 36th Street between 8th and 9th Avenues) February 28-March 4. Performances will be Wednesday, February 28 at 7pm, Thursday, March 1 at 11am & 7pm, Friday, March 2 at 7pm, Saturday, March 3 at 7pm, and Sunday, March 4 at 4pm & 7pm. Tickets ($20/$15 students & seniors) are available for advance purchase at www.thetanknyc.org.
Directed by Actors Theatre Artistic Director Les Waters, Little Bunny Foo Foo will begin preview performances January 9, open January 11 and run through February 4 in the Bingham Theatre as part of the Brown-Forman Series, with the production underwritten by D. D. Williamson.
Artistic Director Les Waters and Managing Director Kevin E. Moore have announced the cast and creative team for the world premiere of Little Bunny Foo Foo.
The Tank will present the World Premiere of PILLOWTALK by Kyoung's Pacific Beat written and directed by Kyoung H. Park and presented as part of The Exponential Festival at The Tank (312 West 36th Street between 8th and 9th Avenues), January 11-27.
Artistic Director Les Waters and Managing Director Kevin E. Moore have announced the cast and creative team for the world premiere of Little Bunny Foo Foo.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. The OBIE Award-winning institution has drawn a diverse audience to its historic home at the Henry Street Settlement on the Lower East Side and has garnered a wealth of critical acclaim across artistic disciplines. The work Abrons presents reflects the social and political challenges of our times in ways that are programmatically integrated into broader conversations that affect New York City and beyond.
Artistic Director Les Waters and Managing Director Kevin E. Moore have announced the cast and creative team for the world premiere of Little Bunny Foo Foo.
The Tank will present the World Premiere of PILLOWTALK by Kyoung's Pacific Beat written and directed by Kyoung H. Park and presented as part of The Exponential Festival at The Tank (312 West 36th Street between 8th and 9th Avenues), January 11-27.
Barker Room Rep announced today that Sam's Tea Shack, an interactive play originating in New York, will be presented at the Atwater Village Theater, November 16 18. The exclusive late night showings are part of a trio of performances produced by Barker Room Rep, Los Angeles-based experimental theater company, which also includes the West Coast premiere of Erin Courtney's A Map of Virtue, November 2 18 and Real Talk / Kip Talk with Kippy Winston, executive produced by Eliza Bent and directed by Sarah Hughes, November 10 & 11.
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