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AIN'T TOO PROUD is Coming to The Fox Theatre in March

Fifth Third Bank Broadway in Atlanta has announced the First National Tour of AIN’T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS, the new Broadway smash hit musical that will play in Atlanta at the Fox Theatre March 8-13, 2022 as part of the Fifth Third Bank Broadway in Atlanta 40th anniversary season.

BWW Interview: Alani iLongwe's PARADISE Is Anything But BLUE

The Geffen Playhouse west coast premieres Dominique Morisseau’s PARADISE BLUE November 18, 2021 (already in previews). Set in the jazz-filled Paradise Club in Detroit (circa 1949), Stori Ayers directs the talented cast of Tyla Abercrumbie, Wendell B. Franklin, Alani iLongwe, John Earl Jelks and Shayna Small. Had the chance to throw out a few queries to the multi-tasking Alani.

Study Up on Irving Berlin and Celebrate Broadway's Return with #NoBusinessLikeShowBusiness

Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.

The Fire This Time Festival To Release Anthology With Methuen Drama

 On February 10, 2022 New York City’s Obie Award-winning The Fire This Time Festival will release an anthology entitled 25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth and Black Theatre.

Full Cast and Creative Team Announced for Broadway Premiere of SKELETON CREW

Joshua Boone (Actually at MTC, Network, A Jazzman’s Blues) joins the previously announced Chanté Adams (A Journal for Jordan), Brandon J. Dirden (Jitney at MTC), Adesola Osakalumi (Fela!), and Tony Award winner and five-time Emmy Award nominee Phylicia Rashad (A Raisin in the Sun) to complete the full company.

Learn All About Irving Berlin's ANNIE GET YOUR GUN and Celebrate Broadway's Return with #NoBusinessLikeShowBusiness

Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.

BWW Review: SUNSET BABY at Black Theatre Troupe

A lot is written about the effect of an absent father on sons. The phrase 'A boy needs his father' is often bandied about in conversation but not really heard concerning daughters. Scores of scholarly papers about this have been written with experiments and scientific data that reinforce the importance of a father in their daughter's life. Sunset Baby by Dominique Morisseau explores that very theme in this production by the Black Theatre Troupe (BTT).

Calista Flockhart and Zachary Quinto to Star in WHO'S AFRAID OF VIRGINIA WOOLF? at the Geffen Playhouse

Geffen Playhouse added three new productions to complete its 25th Anniversary Season lineup, it was announced today. Playwright Edward Albee's Who's Afraid of Virginia Woolf? will make its Geffen Playhouse premiere in April 2022, featuring Calista Flockhart (Ally McBeal, Neil LaBute's bash) and Zachary Quinto (Star Trek franchise, The Boys in the Band); A Wicked Soul in Cherry Hill, a new original musical from playwright and Geffen Playhouse The Writers' Room program alum Matt Schatz, will make its world premiere in June 2022; and playwright Fernanda Coppel's King Liz will makes its West Coast premiere in July 2022.

VIDEO: John Legend Visits the Cast of AIN'T TOO PROUD

Grammy Award-winning superstar John Legend and producing partner Mike Jackson paid a visit to the cast and creative team of the Broadway company of the Tony Award-winning Ain’t Too Proud – The Life and Times of the Temptations!

BWW Review: PIPELINE at Virginia Rep

Dominique Morisseau's 2019 play--one of the most-produced plays of that year--hurls the audience into the emotions that surface when schoolteacher Nya's son Omari is threatened with being diverted from his private boarding school into the notorious school-to-prison pipeline.

See Dominique Morisseau's SKELETON CREW

Four Detroit auto workers panic as rumors that their factory is closing circulate through the tight-knit work community. Each of the workers must make difficult choices about loyalty to each other, the company, and themselves. Join us for MacArthur Foundation “Genius Grant” recipient Dominique Morisseau’s timely play, Skeleton Crew. See it November 2-21 at Bristol Riverside Theatre.

AIN'T TOO PROUD First National Tour Announces Complete Casting

After a week of public performances at Durham Performing Arts Center, the tour will officially launch at the Kennedy Center in Washington D.C. this December, before continuing to 50+ cities across North America, including a homecoming to The Temptations roots in Detroit.

Win Two Tickets to Bristol Riverside's SKELETON CREW

Twenty lucky winners will receive two tickets to Bristol Riverside Theatre's mainstage production of Skeleton Crew. The tickets will be good for any performance during the show's run. The contest closes on Friday, October 29 at 11:59pm ET. Winners will be notified the following day.

Custom Made Theatre Co. Announces 2022 Season

Custom Made Theatre has announced its 23rd season and first year of residency at the historic Phoenix Theatre, 414 Mason St (@ Geary) in the Union Square neighborhood. 

BWW Review: Firecracker Production's PIPELINE Brings Intimacy to the Houston Theatre Scene

Immersion begins with the space. A company makes a statement as soon as the audience steps through the door. The space can be pretentious, epic, ominous, and so much more. In the case of the Firecracker Production's performance of Dominique Morisseau's Pipeline I would describe the space using the words 'intimate' and 'endearing.' There's a special charm to a play being performed out of a warehouse. My favorite quirk is the sound of cars driving outside in the middle of the night. Who's to say the characters aren't hearing those same cars?

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