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AWAKE & SING! Yiddish Theater Walking Tours Set for Sunday and Monday

The first 24 premium ticket buyers to the upcoming Off-Broadway revival of Clifford Odets' masterpiece AWAKE AND SING!, will receive a Yiddish theater walking tour of Manhattan's Lower East Side with the inimitable Shane Baker. The two options to join this very special 90-minute tour are this Sunday, November 26 or Monday, November 27 at 11 am, beginning at Second Ave. & 12th St. and concluding at 143 East Houston.

Performances Begin Saturday For AWAKE AND SING!

New Yiddish Rep will present Clifford Odets' 1935 masterpiece AWAKE AND SING! beginning this Saturday, November 25, with Opening Night set for December 6th at the Theater at the 14th Street Y, 344 East 14 Street (between First & Second Aves.) A Yiddish version of AWAKE AND SING! was produced on Broadway by WPA's Federal Theatre Project in 1938 and it is this translation that will be performed in the upcoming Off-Broadway revival with English supertitles.

Israeli Husband & Wife Stars to Appear Off-Broadway in AWAKE AND SING!

Renowned husband & wife Israeli actors Gera Sandler and Ronit Asheri are set to star in the upcoming Off-Broadway revival of Clifford Odets' masterpiece AWAKE AND SING!, with performances beginning this Saturday, November 25th at the Theater at the 14th Street Y, 344 East 14 Street (between First & Second Aves.)

New Documentary ONE OF US to Debut on Netflix Today

Luzer Twersky, star of the recent Yiddish world premiere of Eugene Ionesco's RHINOCEROS, is the subject of the new film documentary ONE OF US, which is set to debut tomorrow (Today) exclusively on Netflix.

Company of RHINOCEROS to Appear on WBAI Radio Today

The Yiddish world premiere of Eugene Ionesco's RHINOCEROS began performances September 7th and the official Opening is set for this Thursday, September 14th at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.)

New Yiddish Rep Revives RHINOCEROS Off-Broadway, Starting Tonight

Distinguished Israeli actor, Gera Sandler, stars in the Yiddish world premiere of Eugene Ionesco's Rhinoceros in the role of Dudard. Performances are set to begin tonight, September 7th, with the Opening on Thursday, September 14th at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) New Yiddish Rep's rare revival of Rhinoceros will be performed in Yiddish with English supertitles.

Photo Flash: Get a Sneak Peek at the Cast of New Yiddish Rep's RHINOCEROS in Costume

Yesterday, the cast of the Yiddish world premiere of Eugene Ionesco's Rhinoceros held its costume parade, the point in rehearsal where actors model their costumes for the director's approval. The resplendent wardrobe for Rhinoceros has been created by innovative designer Susannah Norris-Lindsay. Scroll down for a sneak peek!

VIDEO: RHINOCEROS Director Talks Eugene Ionesco's Take on Theatre of the Absurd

At the first rehearsal, director Moshe Yassur succinctly explained to the play's cast Ionesco's perception of Theatre of the Absurd, as documented in the video below! Called 'an allegory for our times' by The New York Times, Eugene Ionesco's Rhinoceros is generally cited as one of the main influences of Theatre of the Absurd.

Yiddish World Premiere of Ionesco's RHINOCEROS to Open Off-Broadway This Fall

For its first production of the 2017/2018 season, New Yiddish Rep will present the Yiddish world premiere of RHINOCEROS by Eugene Ionesco. Performances will begin September 7th, with the Opening on Thursday, September 14th at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) RHINOCEROS will be performed in Yiddish with English supertitles.

BWW Review: New Yiddish Rep's Masterful Revival of Sholem Asch's Look At Eastern European Jewish Culture in GOD OF VENGEANCE

Making his theatrical debut as the scribe in the New Yiddish Rep's GOD OF VENGEANCE, real-life lawyer and ex-Hasid Eli Rosen told American Theater's Simi Horowitz that he believes in 'transparency': 'The only way to effect change is to shine a light on what goes on behind closed doors.' Or in the case of Sholem Asch's controversial 1907 play, in the basement of a brothel owned by Yankl Shapshovitch, deftly played by Shane Baker, a Yiddish stage veteran with a Vaudeville background.GOD OF VENGEANCE is a large, sprawling text, full of complex characters whose motives invite debate. In this, Asch's play embodies the best traditions of Judaism, along with the brokenness he sees in Judaism's most extreme forms. Still, Asch did not want the play produced in the wake of the Holocaust, fearing it might fuel anti-semitism. The issue is not lost on modern interpreters of Asch's text, but the New Yiddish Rep approaches the play with all the rigor and sensitivity one would wish from a Rabbinic scholar poring over a verse of the Talmud.

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