On Tuesday, September 23 at 8:00PM at Alice Tully Hall, the American Classical Orchestra presents its opening night concert of its 30th Anniversary season with music that includes Mendelssohn's Violin Concerto with violin soloist Krista Bennion Feeney; Beethoven Symphony No. 8 and Mozart Symphony No. 35 'Haffner'. Krista Bennion Feeney will perform the legendary Mendelssohn Concerto on a historic violin with the same configuration as that of Mendelssohn's concertmaster Ferdinand David.
Washington National Opera (WNO) today announced the roster of emerging artists and renowned vocal coaches engaged for the 13th season of its Domingo-Cafritz Young Artist Program. Under the leadership of program director Michael Heaston, the Domingo- Cafritz Young Artist Program continues to increase its number of performances throughout the season and expand its training regimen to include mentorship by its returning Artist in Residence, the acclaimed American soprano Deborah Voigt. Additional faculty members include voice teachers Diana Soviero and William Stone; guest vocal coaches Be?ne?dicte Jourdois, Kathleen Kelly, and Danielle Orlando; career consultants Ken Benson and Matthew Epstein; and guest drama coaches Peter Kazaras and Alan Paul, among others. The new class of young artists will participate in several world premiere productions during the 2014-2015 season as part of
Spend a summer's eve experiencing the grandeur of opera close to home at The Ridgefield Playhouse Handel's The Enchanted Island is broadcast Live in HD from the Met tonight, July 16, at 6 p.m. Fans of Baroque opera have the world's best singers, glorious music of the Baroque masters, and a story drawn from Shakespeare in The Enchanted Island, which showcases the talents of William Christie, David Daniels, Joyce DiDonato and Pacido Domingo. Behind-the-scenes tours and interviews make this event even more memorable.
THE MET: LIVE IN HD SUMMER ENCORES presents THE ENCHANTED ISLAND, a new baroque fantasy inspired by the pastiches of the 18th Century. Stars Joyce Didonato, David Daniels and Placido Domingo.
Two spectacular operas from the Met are coming to The Ridgefield Playhouse as encore productions this month. Verdi's Shakespearean masterpiece Otello stars Johan Botha in the title role opposite acclaimed soprano Renee Fleming as Desdemona today, July 9. On Wednesday, July 16, Handel's The Enchanted Island showcases the talents of William Christie, David Daniels, Joyce DiDonato and Pacido Domingo. These performances start at 6 p.m. Advantages of the HD broadcasts are the interesting camera angles, behind-the-scenes tours and interviews.
Spend a summer's eve experiencing the grandeur of opera close to home at The Ridgefield Playhouse Handel's The Enchanted Island is broadcast Live in HD from the Met on Wednesday, July 16, at 6 p.m. Fans of Baroque opera have the world's best singers, glorious music of the Baroque masters, and a story drawn from Shakespeare in The Enchanted Island, which showcases the talents of William Christie, David Daniels, Joyce DiDonato and Pacido Domingo. Behind-the-scenes tours and interviews make this event even more memorable. For tickets ($25 adults, $20 seniors/members, $15 students, $18 each for all in the series), call the box office at (203) 438-5795, or order online at ridgefieldplayhouse.org. -- Photos courtesy of the Met
THE MET: LIVE IN HD SUMMER ENCORES presents THE ENCHANTED ISLAND, a new baroque fantasy inspired by the pastiches of the 18th Century. Stars Joyce Didonato, David Daniels and Placido Domingo.
Two spectacular operas from the Met are coming to The Ridgefield Playhouse as encore productions this month. Verdi's Shakespearean masterpiece Otello stars Johan Botha in the title role opposite acclaimed soprano Renee Fleming as Desdemona on Wednesday, July 9. On Wednesday, July 16, Handel's The Enchanted Island showcases the talents of William Christie, David Daniels, Joyce DiDonato and Pacido Domingo. These performances start at 6 p.m. Advantages of the HD broadcasts are the interesting camera angles, behind-the-scenes tours and interviews.
This summer, Nicholas Phan returns to his roots, joining the Boston Symphony Orchestra at Tanglewood to sing the title role in Bernstein's Candide, the work that first inspired him to pursue a career in opera (Aug 16). In his third consecutive residency at the Oregon Bach Festival (June 26–July 10), the tenor takes part in performances of Vespers by Monteverdi and Rachmaninoff; Mozart's Requiem, led by Festival Director Emeritus Helmuth Rilling; an evening of Strauss Lieder; and after proving himself “the standout among the vocal soloists” (New York Times) in Bach's St. Matthew Passion at Carnegie Hall last month, a reconstruction of the Baroque master's St. Mark Passion. Phan also makes his Seattle Chamber Music Festival debut with Vaughan Williams and Brahms (July 18 & 21), and returns to New York's Bard Music Festival, now celebrating its 25th anniversary season, to sing Schubert in recital and with members of the American Symphony Orchestra (Aug 8 & 10).
This summer, Nicholas Phan returns to his roots, joining the Boston Symphony Orchestra at Tanglewood to sing the title role in Bernstein's Candide, the work that first inspired him to pursue a career in opera (Aug 16). In his third consecutive residency at the Oregon Bach Festival (June 26–July 10), the tenor takes part in performances of Vespers by Monteverdi and Rachmaninoff; Mozart's Requiem, led by Festival Director Emeritus Helmuth Rilling; an evening of Strauss Lieder; and after proving himself “the standout among the vocal soloists” (New York Times) in Bach's St. Matthew Passion at Carnegie Hall last month, a reconstruction of the Baroque master's St. Mark Passion. Phan also makes his Seattle Chamber Music Festival debut with Vaughan Williams and Brahms (July 18 & 21), and returns to New York's Bard Music Festival, now celebrating its 25th anniversary season, to sing Schubert in recital and with members of the American Symphony Orchestra (Aug 8 & 10).
Two of the most renowned artists active in historical performance today have chosen Salon/Sanctuary Concerts as the presenter for their only New York recitals of the 2014-2015. The recitals will take place in the beautiful and acoustically resonant Abigail Adams Smith Auditorium.
Beginning Wednesday, June 18, the Metropolitan Opera and Fathom Events will once again present Summer HD Encores, a series of choice encore performances from the groundbreaking Live in HD series of cinema presentations
“The party's over,” wrote Betty Comden & Adolph Green in BELLS ARE RINGING. “It's time to call it a day.” The opera season at the Metropolitan said its farewells to 2013-2014 on May 10 with a bel canto doubleheader of Rossini's LA CENERENTOLA (a shot heard round the world via radio and The Met's LIVE IN HD) and Bellini's IL PURITANI--not a bad swan song, considering the singing talent involved.
The Richard Tucker Music Foundation has announced that Michael Fabiano - 'the tenor that we have all been waiting for' (San Francisco Classical Voice) - is the winner of the 2014 Richard Tucker Award.
Internationally renowned director Peter Sellars returns to the Canadian Opera Company this spring with a new company production of Handel's Hercules that propels the Greek myth into the modern day, giving voice to the untold horrors of war and the unspoken complications faced by veterans returning home. The COC premiere of Hercules reunites Sellars with celebrated conductorHarry Bicket and the all-star cast that presented this co-production with Lyric Opera of Chicago to unequivocal praise at its debut in Chicago in 2011. Hercules is sung in English with English SURTITLES and runs for seven performances at the Four Seasons Centre for the Performing Arts today, April 5, 11, 15, 19, 24, 27, 30, 2014.
On Saturday, March 29, at 7:30 p.m., the talented singers and pianist of The Patrick G. and Shirley W. Ryan Opera Center 2013-14 ensemble will perform with members of the Lyric Opera Orchestra in works of Adams, Bizet, Copland, Donizetti, Gershwin, Gounod, Handel, Lehár, Massenet, Mozart, Ravel, Stravinsky, and Walton. Rising Stars in Concert is offered in celebration of an extraordinarily successful year of study and performance for these up-and-coming artists.
'I'm not a warhorse kind of singer,' mezzo Susan Graham states matter-of-factly. 'A. I'm a mezzo. B. I'm not a character mezzo. C. I'm not a contralto. The iconic opera repertoire for mezzos, Amneris (AIDA), Azucena (IL TROVATORE), even Eboli (DON CARLO)--those kinds of roles aren't my stock and trade because my voice sits high and has a different timbre.'
Well, what then is her milieu? It's the likes of Handel, who composed several of the arias she has been singing this winter at the Met, as one of the stars of THE ENCHANTED ISLAND, a kind of Baroque 'jukebox opera.' But it's also Rodgers & Hammerstein's THE KING & I, which she is doing this June at the Chatelet in Paris.
In a faraway kingdom turned upside down, things get ugly when an unseemly ogre - not a handsome prince - shows up to rescue a feisty princess. Throw in a donkey who won't shut up, a bad guy with a SHORT temper, a cookie with an attitude, and over a dozen other fairy tale misfits, and you've got the kind of mess that calls for a real hero. Luckily, there's one on hand… and his name is SHREK.
The Glimmerglass Festival, the Central New York hub for lovers of opera and musical theater, has appointed bass-baritoneEric Owens as chairman of The Glimmerglass Festival Artistic Advisory Board, making him an ex-officio member of the company's Board of Trustees.
The Glimmerglass Festival, the Central New York hub for lovers of opera and musical theater, has appointed bass-baritone Eric Owens as chairman of The Glimmerglass Festival Artistic Advisory Board, making him an ex-officio member of the company's Board of Trustees.
