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Birth Place: Y Rhondda, WALES

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Chichester Festival Theatre Announces New Autumn Season

Artistic Director Daniel Evans and Executive Director Kathy Bourne today announce a live, socially distanced season of drama, music, comedy and cabaret at Chichester Festival Theatre, running from late October to early January.

A Conversation with The Good Room about Brisfest, creativity during 'rona and the importance of staying connected

Next up on our local artists segment is (drum roll please)... The Good Room. They are a Queensland-based performance collective who use the experiences of ordinary people to create extraordinary theatre works, as part of a process that blurs the line between 'audience' and 'maker' to explore theatrical collective authorship. Theirs is an investigation of empathy, connectedness, stakes and sacrifice. Mirrorballs, rose petals, panda suits and party dresses stud our theatrical universe but totems of party, play and celebration are often subverted; this is richly affirmative, highly contemporary, and widely accessible theatre - underpinned by rigour, ethics, and deep consideration.

Chichester Festival Theatre Cancels Festival 2020 Productions

Chichester Festival Theatre announces today that due to the unpredictable ongoing nature of Covid-19, it has made the very difficult decision to cancel all scheduled Festival 2020 productions. The Theatre had been due to reopen in July with South Pacific and The Unfriend, both of which they intend to reschedule to 2021.

Broadway Rewind: THE LITTLE MERMAID Makes a Splash on Broadway!

'We then travel to the exciting opening night of Disney's musical, The Little Mermaid and I asked an exuberant Sierra Boggess, who was making her Broadway debut as Ariel, what that magical day meant to her. 'Did it really happen tonight? Are we sure that that just happened! Before I went on stage tonight, I felt my heart pounding because I was just so excited and there was such anticipation and I realized all I had to do tonight was share Ariel.''

Donmar Warehouse Announces Casting For IN THE BLOOD

The Donmar Warehouse announces casting for Ellen McDougall's new production of Suzan-Lori Parks' play In the Blood. Nikki Amuka-Bird will return to the Donmar in the role of Hester alongside April Koyejo-Audiger, Paul Bazely, Ginny Holder, Martins Imhangbe, Sinead Matthews and Sule Rimi.

Donmar Warehouse Announces DONMAR LATES Curated By Daniel Evans And Jenna Russell

The Donmar Warehouse has announced that Daniel Evans and Jenna Russell will curate a series of intimate evenings of music and song performed in the iconic setting of the Donmar auditorium. Each cabaret evening will feature the best of musical theatre, with a programme of songs by Stephen Sondheim, Jason Robert Brown, Noël Coward and Lin-Manuel Miranda. From its early days as a rehearsal studio for the Beatles and the Rolling Stones, to the hugely successful Divas at the Donmar series in the early 2000s, the Donmar has presented outstanding musical talent over many years, and is delighted to continue this tradition with Donmar Lates.

2020 Johnny Mercer Writers Colony At Goodspeed Participants Announced

In what has become an annual ritual, a total of 40 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2020 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 15 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration.

BWW Review: Scenario Two's THE LIGHT IN THE PIAZZA at Lyric Opera House

Lyric Opera's special holiday engagement of Adam Guettel's THE LIGHT IN THE PIAZZA, one of the few contemporary musicals written in a style that harkens back to the Golden Age, is beautifully sung with the composer's complicated and melodious score performed by a superb orchestra. The musical focuses on Margaret Johnson and her daughter Clara, who take a vacation to Florence, Italy in the summer of 1953a?'and find their lives forever changed after Clara has a chance encounter with Fabrizio Nacarelli, a young Italian man. It should come as little surprise that Renèe Fleming has a radiant turn as Margaret. Vocally, Fleming's take on the role is pristine, but she also plays out the tension between Margaret's fiercely protective instincts when it comes to her child and her yearning to empower Clara to lead her own life as a young adult. While I wish to avoid spoilers, it's key to share that the musical has a twist that includes a revelation about Clara that shines light on precisely why Margaret feels so compelled to keep watch over her daughter.

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