Daisy Soros News

OPERA America, the national service organization for opera and the nation's leading champion for American opera, announces the details for the New Opera Showcase, taking place on Friday, January 13 at 8:00 p.m. at historic Town Hall in the heart of New York City's Times Square.

Ars Nova, under the leadership of Founding Artistic Director Jason Eagan and Managing Director Renee Blinkwolt, has announced 18 months of boundary-pushing world premiere productions, all commissioned and developed by Ars Nova at their West 54th Street home.

The Old Globe invites your participation and coverage as Globe for All returns November 1 - November 20, in its third year on the annual roster, with Shakespeare's searing comedy Measure for Measure.

The Friends of the Budapest Festival Orchestra celebrated the beginning of the music season and commemorated the 60th anniversary of the Hungarian Revolution at the Hungarian Consulate on October 19th.

The Old Globe invites your participation and coverage as Globe for All returns November 1 - November 20, in its third year on the annual roster, with Shakespeare's searing comedy Measure for Measure.

In its ongoing effort to open its doors to the next generation of writers, Lincoln Center Theater (under the direction of Andre Bishop) has announced the creation of the LCT New Writers in Residence program.

The Public Theater's MOBILE UNIT'S Hamlet officially opens at the The Public Theater's Shiva Theater tonight, September 22, for a run through Sunday, October 9. 

The Public Theater will begin previews for the MOBILE UNIT'S Hamlet on Monday, September 19.

Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.

Continuing its commitment to bringing free Shakespeare to the community and strengthening audience engagement with the arts, The Public Theater will mount its MOBILE UNIT again this fall with a free three-week tour to the five boroughs of Shakespeare's HAMLET, directed by Patricia McGregor.

Continuing its commitment to bringing free Shakespeare to the community and strengthening audience engagement with the arts, The Public Theater will mount its MOBILE UNIT again this fall with a free three-week tour to the five boroughs of Shakespeare's HAMLET, directed by Patricia McGregor.

 New Neighborhood's new development collaboration with Rattlestick Playwrights Theater and Rattlestick West in LA. featured a reading of The Refuge Plays Trilogy: Protect the Beautiful Place, Walking Man, and Early's House, written by Nathan Alan Davis, on February 19, 2016, at the Women's Project Theater at the McGinn/Cazale Theatre in New York. Check out the photos below.

Start your New Year off right with the Pasadena Symphony and Principal Guest Conductor Nicholas McGegan as he delivers Beethoven's Piano Concerto No. 5, the 'Emperor, tonight, January 9th at Ambassador Auditorium.

Start your New Year off right with the Pasadena Symphony and Principal Guest Conductor Nicholas McGegan as he delivers Beethoven's Piano Concerto No. 5, the 'Emperor, on January 9th at Ambassador Auditorium.

In what has become an annual ritual, a total of 36 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2016 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 19 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration. BroadwayWorld is excited to report that Goodspeed has announced its 2016 participants. Scroll down for details!

Visionary director Julie Taymor curates and hosts the first National Sawdust+ concert tonight, November 6 at 7:30pm. MADE IN BROOKLYN, an evening inspired by that artistically fertile corner of New York City, will feature music by Brooklyn-born composers including the great George Gershwin and Oscar-winners Aaron Copland, John Corigliano and Elliot Goldenthal. The concert will feature the world concert premiere of Goldenthal's String Quartet No. 1 'The Stone Cutters' performed by Flux Quartet, the 'Chaconne' from Corigliano's Academy Award-winning score for The Red Violin, performed by Tim Fain & Stephen Gosling, and much more.

Visionary director Julie Taymor will curate and host the first National Sawdust+ concert on Friday, November 6 at 7:30pm. MADE IN BROOKLYN, an evening inspired by that artistically fertile corner of New York City, will feature music by Brooklyn-born composers including the great George Gershwin and Oscar-winners Aaron Copland, John Corigliano and Elliot Goldenthal. The concert will feature the world concert premiere of Goldenthal's String Quartet No. 1 'The Stone Cutters' performed by Flux Quartet, the 'Chaconne' from Corigliano's Academy Award-winning score for The Red Violin, performed by Tim Fain & Stephen Gosling, and much more.

Composer Paola Prestini, the Creative and Executive Director of National Sawdust (NS), today announced programming for the non-profit's inaugural fall season in its new home-a $16 million, 13,000-square-foot, state-of-the-art chamber hall in the heart of Williamsburg, Brooklyn. The performance and recording venue, designed by Brooklyn-based architecture firm Bureau V in the shell of century-old former sawdust factory, will provide composers and musicians a setting in which they can flourish, and a place where they are given commissioning support, mentoring and other critical resources essential to create, and then share, their work. For audiences-serious fans and casual listeners alike-the venue will be a place to discover genre-spanning music at accessible ticket prices.

Lincoln Center for the Performing Arts (LCPA) raised a record $10.4 million last night at its Spring Gala honoring Hearst Corporation, as announced by Katherine Farley, chair of Lincoln Center. The event, attended by more than 500 people, lauded Hearst President and CEO Steven R. Swartz, and Executive Vice-chairman and former CEO, Frank A. Bennack, Jr. for the enormous and varied contributions to Lincoln Center made by them as well as by their company. Both men serve on Lincoln Center's Board of Directors; Mr. Bennack was chairman of Lincoln Center from 2005 through 2010, and Mr. Swartz is currently chairman of Lincoln Center's Corporate Fund.

The Collegiate Chorale raised more than $300,000 at its annual Spring Benefit featuring the U.S. premiere of Kurt Weill and Franz Werfel's The Road of Promise at Carnegie Hall on May 7, 2015. Proceeds will go toward The Chorale's artistic and education initiatives.