David Macdonald, Chair of the Soaring Campaign, today announced that The National Ballet of Canada's transformational campaign not only realized its potential but exceeded financial expectations, raising over $104 million. Thanks to a community of generous donors, these results will allow the company to continue soaring ever higher.
The continued proliferation of rhythmless music plunges Fall For Dance 2019's Program 1 into a miasma of middling potpourri. From Kyle Abraham rendering Misty Copeland into a sterile robot to Crystal Pite's droning narration, this was an evening sorely in need of inventive rhythm and grooves. Thank goodness then for the visiting South Africans of Vuyani Dance Theatre.
Peak Performances presents Lena Herzog's Last Whispers, an immersive AV experience dedicated to vanishing languages, accompanied by panel discussions on select days, October 16-20 at the Alexander Kasser Theater at Montclair State University. Trained in linguistics and philosophy, Herzog, also as an acclaimed photographer, has taken an ongoing interest in indigenous languages, which are disappearing at an astonishing rate. By 2050, half of roughly 7,000 languages spoken around the world will fall silent. Herzog's a?oehaunting and singulara?? (The New Yorker critic Alex Ross) immersive oratorioa?"situated at the intersection of installation art, music, and filma?"features spoken and sung recordings of more than 40 endangered or lost languages. www.lastwhispers.org
Karen Kain, Artistic Director of The National Ballet of Canada, today announced that Greta Hodgkinson will retire as Principal Dancer in 2020 after a remarkable career that spans 30 years. Ms. Hodgkinson will dance the title role in Giselle and appear in Petite Mort in November as well as The Nutcracker in December. Her final performance as Principal Dancer will be the seminal role of Marguerite in Frederick Ashton's Marguerite and Armand, acquired in her honour by Ms. Kain and the National Ballet, which makes its company premiere during the Winter Season February 29 a?" March 7, 2020.
Tickets are on sale from Monday 14 October 2019 for Sadler's Wells' Spring 2020 season, which features three world premieres, seven UK premieres, and 12 Sadler's Wells Productions and co-productions, as well as a host of new creative partnerships involving artists from all over the world.
a??a??a??a??a??a??a??The Annenberg Center and NextMove Dance present Les Ballets Jazz de Montréal in Dance Me / Music of Leonard Cohen, September 26-28, paying homage to famed poet/singer/songwriter, Leonard Cohen. Visit AnnenbergCenter.org for tickets.
Tickets are on sale from Monday 14 October 2019 for Sadler's Wells' Spring 2020 season, which features three world premieres, seven UK premieres, and 12 Sadler's Wells Productions and co-productions, as well as a host of new creative partnerships involving artists from all over the world.
Works & Process, the performing arts series at the Guggenheim, presents The National Ballet of Canada: Orpheus Alive by Robert Binet and Missy Mazzoli, moderated by Wendy Whelan on Sunday, September 15, 2019 at 3pm.
The National Ballet of Canada today announced the Emerging Arts Critics (EAC) programme will expand in the 2019/20 season to include Soulpepper Theatre Company along with returning collaborators The National Ballet of Canada, Toronto Symphony Orchestra (TSO) and the Canadian Opera Company(COC).
TO Live announces 2019-2020 season programming, delivering on its promise to connect audiences and communities reflective of Toronto's population. Amongst its varied programming, TO Live announces the Toronto premiere of the exhibition Mandela: Struggle for Freedom, a rich sensory experience of imagery, soundscape, digital media and objects direct from the Canadian Museum for Human Rights in Winnipeg, at the Meridian Arts Centre (formerly Toronto Centre for the Arts)
Director of The Royal Ballet Kevin O'Hare today announces that Marcelino Sambe has been promoted to Principal dancer, the highest rank in the Company. O'Hare comments: "I'm thrilled to announce that Marcelino Sambe will become a Principal dancer from the start of the 2019/20 Season. He has had a fantastic year with some notable debuts, including a dazzling Basilio in Carlos Acosta's Don Quixote, and a heartfelt Romeo in Kenneth MacMillan's Romeo and Juliet. The impressive range of his artistry has also been displayed in his performances this Season in Crystal Pite's Flight Pattern, Frederick Ashton's Les Patineurs and Wayne McGregor's Infra. He has the most wonderful personality that endears him to audiences and fellow Company members alike. I know everyone will be delighted with the news of his promotion. He has accomplished so much since joining the Company from The Royal Ballet School, and I'm very excited to see him progress to the next phase of his career."
Karen Kain, Artistic Director of The National Ballet of Canada, and Barry Hughson, Executive Director, today announced that Director of Communications Julia Drake will retire from the company at the end of the 2018/19 season after 29 years. Ms. Drake's final day at the National Ballet will be June 30, 2019.
Hubbard Street Dance Chicago and Artistic Director Glenn Edgerton proudly announce a remarkable 2019-20 season featuring a world premiere by Kyle Abraham, a world premiere by Robyn Mineko Williams, audience favorite Decadance/Chicago by Ohad Naharin, and innovative works from Hubbard Street's repertoire by Crystal Pite, Rena Butler, and Peter Chu.
Ballet BC makes its BAM debut in celebration of 10 years of Emily Molnar's artistic direction. In a decade's time, Molnar has turned the financially strapped company into one of the most potent dance forces in Canada, with a determined focus on contemporary ballet and artistic collaboration.
Hubbard Street Dance Chicago's upcoming Summer Series program will feature highlights from the company's recent repertoire, including work by acclaimed choreographers Brian Brooks, Resident Choreographer Alejandro Cerrudo and Crystal Pite. The program will premiere at the Harris Theater for Music and Dance in Millennium Park (205 East Randolph Street) on Thursday, June 6 at 7:30 p.m., followed by performances Saturday, June 8 at 8 p.m. and Sunday, June 9 at 3 p.m. Tickets are now on sale.
Hubbard Street Dance Chicago, under the direction of Glenn Edgerton, is one of the most accomplished dance companies in the United States today. After an international career with the Joffrey Ballet and later at the Nederlands Dance Theater 1, both as dancer and artistic director, Edgerton brings unique skills to his position. It shows in his company's performances--serious, accomplished and professional--a real mark that the company is a cut above the rest.
This Friday, March 15, OntheBoards.tv—the first online pay-per-view film series dedicated to bringing provocative performance art, dance, theater, and music to audiences around the world—is launching a 24-hour PBS-style telethon. I thought the telethon would be a great opportunity to shed light on this progressive platform and new model for audience engagement, and make your readers aware of this unique resource for anyone who's interested in the performing arts.
The opening night of Hubbard Street Dance Chicago's two-week Return Engagement at the Joyce Theater, NYC was Wednesday 3619; and I was happy to attend. The first-week features works by Ohad Naharin (Director of Batsheva Dance Company, Israel) with DecaDanceChicago which included segments of Naharin's creations, having debuted between 1993 and 2011.
Bryan Arias, Artistic Director of ARIAS Company, receives the Jacob's Pillow Fellowship at Tilles Center for the Performing Arts at LIU Post. The fellowship includes a $15,000 grant, a residency at the Pillow Lab, and a residency at LIU Tilles Center. The newly established Fellowship represents a shared vision between the two organizations to broaden resources that allow artists to thrive and bring new work to stages in Massachusetts, New York, and beyond.
The Joyce Theater Foundation (Linda Shelton, Executive Director) is pleased to announce the return of Hubbard Street Dance Chicago (HSDC), from March 6-17 at The Joyce Theater. The company makes its first return to The Joyce since 2015, and each week of this extended engagement is dedicated to works by in-demand choreographers Ohad Naharin and Crystal Pite respectively.
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