Craig Lucas News

As we await the musical's big screen release, we're counting down by flashing back through its journey so far. Today, watch as the show takes over Bryant Park in 2016!

Comics Uniting Nations, Greenpoint Innovations, Hypokrit Theatre Company, Rattlestick Playwrights Theater, and UNICEF are collaborating to present THE POINT: a Climate Week NYC (CWNYC) 2018 affiliate event - a series of artistic activations that will use a unique blend of the arts to inspire and inform about climate change and the value of forests, both locally and globally.

As we await the musical's big screen release, we're counting down by flashing back through its journey so far. Today, watch as the company celebrates opening night on Broadway in April 2015.

As we await the musical's big screen release, we're counting down by flashing back through its journey so far. Today, watch as the company celebrates opening night on Broadway in April 2015.

As we await the musical's big screen release, we're counting down by flashing back through its journey so far. Today, watch as the company gets ready to bring the musical to Broadway in February 2015. 

As we await the musical's big screen release, we're counting down by flashing back through its journey so far. Today, check out photos of the cast in action from the world premiere at Theatre du Chatelet in 2014.

As we await the musical's big screen release, we're counting down by flashing back through its journey so far. Today, watch as the cast packs their bags for France for the world premiere in 2014.

Any theater company has that fear of, after weeks of rehearsing one play, having to switch it out for another with little rehearsal time left before opening. Maybe the rights to the play get pulled or some other act of the theater Gods which is out of their control forces their hand. But what if a theater were to decide to do it to themselves? Such is the case with Strawberry Theatre Workshop and their current production of Craig Lucas' "Prelude to a Kiss" which took over for what was to be their production of Lucas' "Reckless". After already diving headlong into the show they discovered that one character in particular felt so dated and out of touch as to be offensive without any kind of touchstone in the show to point out the offense. But this is not a review of their decision, so we won't go into all that, this is a review of what they put up … with the same cast … and the same scheduled opening night … after only 12 days of rehearsal.

Drury Lane Theatre announces the complete lineup of its 20192020 season, including two award-winning Regional Theatre premieres-the imaginative Matilda, based on the beloved novel by Roald Dahl, and the beautifully captivating Gershwin musical An American in Paris. The thrilling season also includes the revival of the exhilarating The Color Purple, based on the Pulitzer Prize-winning novel; the magical musical for all ages Mary Poppins; and Agatha Christie's edge-of-your-seat murder mystery And Then There Were None. The season runs April 2018-March 2019 at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace.

Playwrights Horizons (Artistic Director Tim Sanford, Managing Director Leslie Marcus)kicks off its 2018-2019 season of "topicality and risk" (The New York Times) with the New York premiere of three-time Tony Award nominee Craig Lucas' I Was Most Alive with You, August 31 - October 14in the Mainstage Theater at Playwrights Horizons (416 West 42nd Street). Inspired by the Book of Job,Lucas' play begins at an often-humorously fraught Thanksgiving dinner and explodes onto emotionally and philosophically expansive terrain, as one character attempts to grasp the narratives of his and his loved ones' lives while they slip far beyond anyone's control. Director Tyne Rafaeli (The Rape of the Sabine Women by Grace B. Matthias, Actually) and Director of Artistic Sign Language Sabrina Dennison (Santa Sangre, the world premiere of I Was Most Alive with You) stage this production that features two casts simultaneously speaking and signing. Subtitles and intermittent spoken interpretation are included, making I Was Most Alive with You a rare example of a work that is equally accessible to Deaf and hearing audiences.

Known to generations of theatre aficionados, film enthusiasts and television devotees, Bruce Davison will be appearing at The Pasadena Playhouse beginning September 5, 2018 in playwright Karen Zacarias' NATIVE GARDENS. Directed by Seinfeld's Jason Alexander, this surprisingly topical tale of neighbors fighting over their shared fence features Frances Fisher as Virginia Butley (wife to Bruce's Frank Butley), with Christian Barillas and Jessica Meraz as Pablo and Tania Del Valle, the newbie couple on the block.

Playwrights Horizons will, from today, August 20, through August 22, accept entries for the Live for Five online lottery, giving out $5 tickets to the New York premiere production of Craig Lucas' I Was Most Alive with You. Directed by Tyne Rafaeli with Director of Artistic Sign Language Sabrina Dennison, the production begins performances September 1, and runs through October 14.

Eastbound Theatre, a division of the Milford Arts Council, is excited to present the opening show of its 25th season, Prelude to A Kiss by Craig Lucas, directed by Ann Baker.

Pittsburgh CLO is proud to announce the Pittsburgh screenings of Broadway's AN AMERICAN IN PARIS this September. AN AMERICAN IN PARIS was the most awarded new musical of 2015 and winner of four Tony Awards. Pittsburgh CLO served as the lead producer on this production, guaranteeing Pittsburgh audiences were among the first to enjoy this exciting new Broadway show.

Playwrights Horizons (Artistic Director Tim Sanford, Managing Director Leslie Marcus)kicks off its 2018-2019 season of "topicality and risk" (The New York Times) with the New York premiere of three-time Tony Award nominee Craig Lucas' I Was Most Alive with You, August 31 - October 14in the Mainstage Theater at Playwrights Horizons (416 West 42nd Street). Inspired by the Book of Job,Lucas' play begins at an often-humorously fraught Thanksgiving dinner and explodes onto emotionally and philosophically expansive terrain, as one character attempts to grasp the narratives of his and his loved ones' lives while they slip far beyond anyone's control. Director Tyne Rafaeli (The Rape of the Sabine Women by Grace B. Matthias, Actually) and Director of Artistic Sign Language Sabrina Dennison (Santa Sangre, the world premiere of I Was Most Alive with You) stage this production that features two casts simultaneously speaking and signing. Subtitles and intermittent spoken interpretation are included, making I Was Most Alive with You a rare example of a work that is equally accessible to Deaf and hearing audiences.

Bay Street Theater and Sag Harbor Center for the Arts is pleased to announce EVITA begins July 31 with a "Pay What You Can" performance with a limited amount of tickets available at the box office beginning at 11 am. The play will run through August 26. The play features lyrics written by Andrew Lloyd Webber, music by Tim Rice and is directed by Bay Street Theater's Associate Artistic Director, Will Pomerantz. To purchase tickets call the Box Office at 631-725-9500 or purchase online at www.baystreet.org.

The CINCINNATI ONE-MINUTE PLAY FESTIVAL (#1MPF) returns to Know Theatre for its fourth year. The marathon evening of one-minute plays by nearly 40 of Cincinnati's established and emerging playwrights and directors plays three nights only, Monday, August 5th, Tuesday August 6th, & Wednesday August 7th at Know Theatre (1120 Jackson St, Cincinnati, OH, 45202).

'This is a period in history where art is rejuvenating the people. From a musical standpoint, An American in Paris depicts an interesting time in the European-American cultural exchange. The many colors of French, German, British music were being influenced by American sounds to create a new, singular musical aesthetic, and this, in turn, influenced American musicians who emulated these aspects. It became a snowball of invention.' Music Director David Lamoureux is talking about the exciting period of cultural cross contexts and artistic innovation that was Post War Paris. He is joined by two of his collaborators on the production, directed and choreographed by Jeffry Denman, which opened at the Ogunquit Playhouse on July 13: Assistant Music Director Patrick Fanning and Assistant Choreographer Ashley Marinelli. The trio waxes eloquent about the fertile, innovative artistic world of the play and its time period and the opportunity to bring this milieu and story to life at the famed playhouse which celebrates its 86th season.

One of the most captivating musicals ever to be adapted for the stage, An American in Paris, makes its regional premiere at the Ogunquit Playhouse July 11 through August 4. This exquisite musical is inspired by the Academy Award-winning film that starred Gene Kelly and Leslie Caron and features music and lyrics by George and Ira Gershwin with book by Craig Lucas. The Ogunquit Playhouse is proud to be the first regional theatre in the U.S. to produce this new musical, which won four Tony Awards in 2015. The stunning combination of iconic music, timeless love story, breathtaking ballet, energetic tap dancing and an all-new design created exclusively for the Ogunquit Playhouse results in a spectacular musical that includes the Gershwin songs 'I Got Rhythm,' 'Liza,' 'S Wonderful,' 'But Not for Me,' 'Stairway to Paradise,' and orchestral music including 'Concerto in F,' '2nd Prelude,' '2nd Rhapsody,' 'The Cuban Overture,' and 'An American In Paris.'

Dixon Place (Ellie Covan, Founder/Artistic Director) presents the world premiere of Timothy DuWhite's Neptune, opening Today, July 13th at 7:30 PM and running for three weeks (July 13, 14, 21, & 28 at 7:30 pm, and July 20 & 27 at 10:00 pm), at Dixon Place (161A Chrystie Street). Advance tickets are $18 general admission, $15 for seniors and students; at the door $21 and $18, respectively. $15 early bird tickets are available until June 20th. Tickets can be purchased at www.dixonplace.org or by calling 866-811-4111. The Dixon Place Lounge is open before and after the show, with proceeds directly supporting the organization's artists and mission.