Producer Scott Rudin announced today that The Front Page recouped its entire $4.875 million capitalization during the week ending Sunday, January 1, making official the show's much discussed smash-hit status.
It's not a mystery why Cleveland audiences scramble to the theatre when a Ken Ludwig piece is set to take the stage. Ludwig's witty works are always guaranteed to leave audiences howling with laughter, and this master of madcap's latest work to come to Cleveland Play House is no exception.
The Keegan Theatre kicks off 2017 with the world premiere of Mack, Beth, a modern retelling of Shakespeare's tragedy by award-winning local playwright Chris Stezin. Mack, Beth is current and razor-sharp, with finely crafted, complex characters, taut storytelling, and all the intrigue audiences expect from this classic tale of greed and power.
Asolo Rep continues its winter rep season and the fifth and final year of its American Character Project with THE ORIGINALIST, Charles MacArthur Award-winner John Strand's gripping political masterpiece that spotlights the late polarizing judicial titan, Justice Antonin Scalia.
This week THEATER TALK welcomes three actors - Robert Morse, Lewis J. Stadlen, and Holland Taylor - from the dynamic 22-person cast of the Broadway revival of The Front Page, currently at the Broadhurst Theatre through January 29.
This week THEATER TALK welcomes three actors - Robert Morse, Lewis J. Stadlen, and Holland Taylor - from the dynamic 22-person cast of the Broadway revival of The Front Page, currently at the Broadhurst Theatre through January 29.
At the conclusion of last night's final performance of Verdi's Aida, San Francisco Opera General Director Matthew Shilvock presented the Company's Chorus and Dance Manager and member of the Opera Chorus, Jim Meyer, with the San Francisco Opera Medal, the Company's highest honor.
Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.
The Old Globe today announced the remaining productions in its 2017 Summer Season, including a brand-new comedy, Ken Ludwig's Robin Hood!, and a Summer Shakespeare Festival lineup featuring Robert Sean Leonard in the title role of the towering history play Richard II, directed by Erica Schmidt. Shakespeare's exhilarating tragedy Hamlet follows, directed by Old Globe Erna Finci Viterbi Artistic Director Barry Edelstein, one of the leading American authorities on the works of Shakespeare.
The fictional Second New Greater Lesser Mt Zion Bethel Church needs an amazing Christmas pageant to save the church.
On Today, October 27, 2016 at 7:30pm the Saint Thomas Choir of Men and Boys and Orchestra of St. Luke's present Haydn's The Creation oratorio in the opening concert of the 2016/17 season. Displaying Haydn's unfussy optimism, The Creation features some of the most memorable and life-enhancing music ever written. Soloists include soprano Ellie Dehn who sings the parts of Gabriel and Eve. Versatile tenor Thomas Cooley sings Uriel and bass Craig Phillips sings the parts of Raphael and Adam.
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 comedy set in the world of the Chicago newspaper business, just had its official opening last week at the Broadhurst Theatre (235 W. 44th Street). BroadwayWorld brings you photos from the star-studded red carpet below!
LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT are delighted to present the second show of its 2016-2017 season: Davis Gaines starring in the hilarious comedy LEND ME A TENOR, written by Ken Ludwig and directed by Art Manke. LEND ME A TENOR will preview on Friday, October 21, 2016 (with a press opening on Saturday, October 22) and run through Sunday, November 13, 2016 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada.
The Front Page, Ben Hecht and Charles MacArthur's classic 1928 comedy set in the world of the Chicago newspaper business, just had its official opening performance at the Broadhurst Theatre (235 W. 44th Street). BroadwayWorld brings you photos from the curtain call below!
Bright bursts of light imitating the effects of flash powder photography capture the opening and closing images of all three acts of director Jack O'Brien's raucously good revival of the classic 1928 comedy, THE FRONT PAGE.
LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT are delighted to present the second show of its 2016-2017 season: Davis Gaines starring in the hilarious comedy LEND ME A TENOR, written by Ken Ludwig and directed by Art Manke. LEND ME A TENOR will preview on Today, October 21, 2016 (with a press opening on Saturday, October 22) and run through Sunday, November 13, 2016 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada.
This fall, Goodman Theatre combines world-class magic with a human story of loss and love in the world premiere of The Magic Play, by Andrew Hinderaker and directed by Halena Kays, starting tonight, October 21.
Read all about it! The Front Page, Ben Hecht and Charles MacArthur's classic 1928 comedy set in the world of the Chicago newspaper business, will have its official opening performance tonight at the Broadhurst Theatre (235 W. 44th Street). Along with the slew of expected boldfaced names from the worlds of theater, film, television, and media, the opening night audience will also include the top thirty theater critics from around the country.
Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.
