Opera Naples, one of Naples' leading performing arts organizations, has announced tickets are on sale for HD at Opera Naples, a summer film series of classic European operas. Showings will take place on the first and third Wednesday of each month July 6 through Oct. 19, 2022, at the Wang Opera Center.
Opera Naples has announced tickets are on sale for HD at Opera Naples, a summer film series of classic European operas. Showings will take place on the first and third Wednesday of each month July 6 through Oct. 19, 2022, at the Wang Opera Center.
One of OGCMA's most steadfast and beloved traditions, the Annual Choir Festival, now in its 68th season, returns on Sunday July 10 at 7:00 p.m. in The Great Auditorium. This year's theme is 'Lift High The Cross.'
During the 2017–18 season, the mezzo-soprano Karine Deshayes performed at La Monnaie both in Poulenc’s Dialogues des Carmélites in the role of Mère Marie and in a recital programme. In 2022, she returns to play Valentine in Meyerbeer’s Les Huguenots and to present a more intimate programme devoted to French mélodie.
The A.J. Fletcher Opera Institute at the University of North Carolina School of the Arts will celebrate its 20th anniversary with a special gala concert featuring Fletcher alumni, current Fellows, the UNCSA Cantata Singers, and the UNCSA Symphony Orchestra in a program of selections from operatic favorites including “Don Giovanni,” “La cenerentola,” “L'elisir d'amore” and “Eugene Onegin.”
Gounod’s overture introduces ROMEO AND JULIET with a prophetic mix of lyrical romance and tragedy. Yves Abel, the Principal Conductor of the San Diego Opera, is an expert in French opera and made sure that resonant brass and lush strings produced the mood a Parisian composer of the time would have favored. The quick pace was especially important in a five-act opera some productions turn into a turgid ordeal. No chance of that with Abel leading the San Diego Symphony.
San Diego Opera's 2021 2022 will close with the West Coast Premiere of Aging Magician a hybrid opera/theatre piece that combines singing, choral work, puppetry, and performance art to create an incredibly unique theatrical experience.
Conductor Yves Abel arrived in San Diego from Europe a few days ago to begin rehearsals for Romeo and Juliet by French composer Charles Gounod. The Maestro does get around a lot, even for an internationally in-demand musician. His wife and boys five and eight sometimes travel with him when he conducts but remain at home in Italy this time.
Perhaps Abel’s wanderlust began in childhood. His family immigrated from France to French-speaking Quebec when he was young. His father couldn’t find work there, so it was off to English-speaking Toronto where he spent most of his formative years. Next stop New York City for study at the Mannes School of Music, and after New York frequent work in Italy, then Germany. Abel’s travel has resulted in fluency in French, English, Italian and German.
The Greek National Opera (GNO) will present a revival of its 2012 production of Charles Gounod’s Faust with eight performances April 6 through 17. The production, which premiered in 2012 at Megaron–The Athens Concert Hall, will be presented at the Stavros Niarchos Hall for the first time, conducted by Pierre Dumoussaud and directed by Renato Zanella.
The Music Institute of Chicago Chorale, conducted by Daniel Wallenberg, opens its 2021–22 season with “Song of Songs” Sunday, December 12 at 3 p.m. at Nichols Concert Hall, 1490 Chicago Avenue, Evanston. Admission is free; proof of vaccination is required, and all audience members must wear masks. A livestream also will be available at musicinst.org/chorale.
This November and December, the French Institute Alliance Française (FIAF) brings back its beloved HD Screening series with the Paris Opera and Ballet's, acclaimed new production of Faust, welcomes a timely conversation on climate change and cities, exhibits the work of rising NY-based French artist, celebrates the career of artist Françoise Gilot and continues its series of screenings dedicated to French star Léa Seydoux.
Charles Gounod based his opera Roméo et Juliette on the popular play by Shakespeare. The universal love story is interpreted in a contemporary fashion by director Julien Chavaz.
The Ocean Grove Camp Meeting Association continues its weekly series of free organ recitals on Wednesday September 1st (7:30 pm) with 'Of Special Note,' an organ/harp/violin recital featuring organist Gordon Turk, harpist Merynda Adams, and violins Byung-Kook Kwak at the Great Auditorium.
San Diego Opera has announced the winning proposals from the Company's second “Opera Hack,” a month-long online interdisciplinary event for music/theater and technology experts to explore how technology can be applied to the production, presentation, and consumption of opera.
This forgotten masterpiece by the Father of French grand opera is a must-hear album. Recorded live on New England Conservatory's Jordan Hall stage in 2018 more than a century after its 1862 world premiere, Odyssey Opera's 70-piece orchestra and 60-piece chorus featuring eight glorious singers bring this neglected work back to life.
San Diego Opera has announced its 2021-2022 season, which returns to theatres indoors, after a reduced 2020-2021 season that saw the Company perform innovative drive-in productions during the global coronavirus pandemic.
On June 22, I watched J’Nai Bridges’ online recital at Los Angeles Opera’s website. Bridges has been making highly acclaimed debuts at major opera houses. For her LA Opera recital, she chose major selections by Johannes Brahms and Charles Gounod as well as many lesser-known shorter pieces. She sang with pianist Jeremy Frank, harpist Brandee Younger, violist Drew Forde, and dancer Shauna Davis. Available on LA Opera website now.
On Saturday, we see Los Angeles Opera’s online stream of Stravinsky’s Oedipus Rex. Stravinsky based Oedipus on Sophocles’ Greek tragedy and his 1927 opera is a highly stylized, ritualistic work. A narrator describes the action throughout the course of the opera. Although the opera is in Latin, narration is spoken in the language of the audience.