One of the nation's most adventurous opera companies, Odyssey Opera, presents the Boston premiere of Richard Strauss's little-known opera Die agyptische Helena (The Egyptian Helen) with libretto by Hugo von Hofmannsthal. As part of Odyssey Opera's sixth season, this marks the second of three works to be performed in 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. The challenging title role of Helen will be played by soprano Kirsten Chambers (Met Opera). With orchestra and chorus conducted by Gil Rose, this two-act concert performance will be sung in German with English subtitles.
One of the nation's most adventurous opera companies, Odyssey Opera, presents the Boston premiere of Richard Strauss's little-known opera Die agyptische Helena (The Egyptian Helen) with libretto by Hugo von Hofmannsthal. As part of Odyssey Opera's sixth season, this marks the second of three works to be performed in 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. The challenging title role of Helen will be played by soprano Kirsten Chambers (Met Opera). With orchestra and chorus conducted by Gil Rose, this two-act concert performance will be sung in German with English subtitles.
Cincinnati Opera today announced news of a major transition to come in 2020: Patricia K. Beggs, The Harry Fath General Director and CEO, will retire at the close of the company's 100th anniversary season, after 35 years at the company. A national search for a new general director will begin immediately, to ensure a smooth transition.
A man who sells his soul for worldly gain finds a perfect home in the Beltway as Washington National Opera stages Charles Gounod's 1859 opera Faust,performed in French with projected English titles. After a 25-year absence from its stage, WNO resurrects the French classic filled with depression, damnation, and demons in the Kennedy Center Opera House. Immortalized by Goethe's dramatic work, Gounod set the legendary German tale of Faust to music with libretto by Jules Barbier and Michel Carre. The opera follows the aging Dr. Faust who is willing to exchange Heaven's rewards for Earth's mortal pleasures. After a pact with Mephistopheles that restores his youth, Faustpursues the lovely Marguerite only to learn his salvation is tragically bound to others, especially for those he loves most. In the tradition of grand French opera and featuring a storybook aesthetic and memorable music, including Marguerite's "Jewel Song," the Soldiers' Chorus and the final trio, Faust returns for six performances, March 16-30, 2019, with tickets starting at $45.
Sarasota Opera announced its 2019-2020 Fall and Winter Festival Seasons today at a press conference held on the Sarasota Opera House main stage in Sarasota, Florida. Artistic director and principal conductor Victor DeRenzi and executive director Richard Russell presided over the event and were joined by principal artists performing selected arias from the upcoming seasons' works.
San Francisco Opera General Director Matthew Shilvock today announced repertory and casting for the Company's 97th Season, opening Friday, September 6, 2019, with a gala performance of Charles Gounod's Romeo and Juliet (Rom o et Juliette) starring tenor Bryan Hymel and soprano Nadine Sierra in Op ra de Monte-Carlo Director Jean-Louis Grinda's production. In keeping with the Company's time-honored tradition, the new season will be inaugurated with San Francisco Opera Guild's elegant, signature benefit and celebration, Opera Ball 2019.
Washington Concert Opera (WCO) is excited to announce its co-presentation of two very special performances of Frank Martin's Le vin herbe at The Barns at Wolf Trap on February 9th and 10th, 2019.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its sixth season with the Boston premiere of Paride ed Elena (1770) written by Christoph Willibald Gluck with a libretto by Ranieri de' Calzabigi. Ushering in the second half of Odyssey Opera's season, this marks the first of three works to be performed in Winter/Spring 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. Paride ed Elena (Paris and Helen) will feature three leading female roles performed by Mireille Asselin (Elena), Meghan Lindsay (Paride), and Erica Schuller (Amor), with orchestra and chorus conducted by Gil Rose, and stage direction by Crystal Manich (Pittsburgh Opera, Utah Opera). The fully-staged, five-act production will be sung in Italian with English subtitles.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its sixth season with the Boston premiere of Paride ed Elena (1770) written by Christoph Willibald Gluck with a libretto by Ranieri de' Calzabigi. Ushering in the second half of Odyssey Opera's season, this marks the first of three works to be performed in Winter/Spring 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. Paride ed Elena (Paris and Helen) will feature three leading female roles performed by Mireille Asselin (Elena), Meghan Lindsay (Paride), and Erica Schuller (Amor), with orchestra and chorus conducted by Gil Rose, and stage direction by Crystal Manich (Pittsburgh Opera, Utah Opera). The fully-staged, five-act production will be sung in Italian with English subtitles.
If you have ever attended an opera and thought 'all of these sets and costumes are so incredibly distracting' then Washington Concert Opera would be right up your alley. Stripping away the grandiose of an opera production, WCO presents their works in their most raw form: with just an orchestra, a chorus, and principles who sing their hearts out. This minimalist style isn't likely to convert opera skeptics, but it is a great way to deepen one's appreciation for the art form. Their most recent presentation of Charles Gounod's first opera, Sapho, benefits from some strong lead performances. It's just a shame that the libretto isn't better.
Exploring the breadth and depth of artistry within American ballet, the Kennedy Center's Ballet Across America series returns May 28-June 2 for seven performances in the Opera House. This season's engagement features deeper looks at companies led by distinguished Artistic Directors Virginia Johnson and Lourdes Lopez with their respective companies, Dance Theatre of Harlem (DTH) and Miami City Ballet (MCB). Each company will present a full program while a one-night-only celebration on May 31 features a shared program that includes both companies in a world premiere Kennedy Center commission by renowned choreographer Pam Tanowitz.
Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) are pleased to announce that The Andrew W. Mellon Foundation has awarded a new grant of $550,000 to renew funding for Opera Fusion: New Works and support two new initiatives to promote diverse voices in the arts.
World-renowned tenor Anthony Kearns of the double-platinum, PBS super-group, The Irish Tenors, will make a celebrity appearance and sing select songs at the DC's Dancing Stars Gala on November 10, 2018, it was officially announced.
Solistas Ensamble del Instituto Nacional de Bellas Artes (INBA) y la Orquesta Sinfónica del Instituto Politécnico Nacional (IPN) ofrecerán una gala de ópera francesa el próximo sábado 20 de octubre a las 12:30, en Sala Principal del Palacio de Bellas Artes.
Utah Opera opens its 2018-19 season with Shakespeare's love story of two star-cross'd lovers in Charles Gounod's musical take on the tragic tale, “Romeo and Juliet” The production will be performed five times at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on October 13 and 19 at 7:30 PM, October 15 and 17 at 7 PM, and October 21 at 2 PM.
Auditions for Cincinnati Opera's 2019 Young Artist positions will be held at the Corbett Opera Center in Music Hall, 1243 Elm Street, Cincinnati, Ohio on November 2, 3, and 4, 2018.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its sixth season with the Boston premiere of the rarely performed 1858 opera Le medecin malgre lui (The Doctor in Spite of Himself). On the occasion of the bicentenary of Charles Gounod's birth (1818-1893), Odyssey Opera offers a chance to become better acquainted with one of the largest French composers of the second half of the 19th Century. Based on a play by the great French satirical playwright Moliere, Gounod's Le medecin malgre lui is a three-act comic opera set to a libretto by Jules Barbier and Michel Carre. Odyssey Opera will feature baritone Stephen Salters (Sganarelle), mezzo-soprano Tascha Anderson (Jacqueline), the Boston debut of tenor Piotr Buszewski (Leandre), and a full orchestra and chorus conducted by Gil Rose, with stage direction by Daniel Pelzig (Santa Fe Opera, Met Opera, Lyric Opera of Chicago). The fully-staged production will be sung in French with English subtitles, with never heard recitatives added by Erik Satie.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its sixth season with the Boston premiere of the rarely performed 1858 opera Le medecin malgre lui (The Doctor in Spite of Himself). On the occasion of the bicentenary of Charles Gounod's birth (1818-1893), Odyssey Opera offers a chance to become better acquainted with one of the largest French composers of the second half of the 19th Century. Based on a play by the great French satirical playwright Moliere, Gounod's Le medecin malgre lui is a three-act comic opera set to a libretto by Jules Barbier and Michel Carre. Odyssey Opera will feature baritone Stephen Salters (Sganarelle), mezzo-soprano Tascha Anderson (Jacqueline), the Boston debut of tenor Piotr Buszewski (Leandre), and a full orchestra and chorus conducted by Gil Rose, with stage direction by Daniel Pelzig (Santa Fe Opera, Met Opera, Lyric Opera of Chicago). The fully-staged production will be sung in French with English subtitles, with never heard recitatives added by Erik Satie.
Washington Concert Opera (WCO) is excited to announce its 2018-2019 lineup, a season that celebrates strong women and the return of beloved opera stars. WCO kicks off the year with their second annual Opera Outside at Washington D.C.'s Meridian Hill/Malcolm X Park on Oct 27th, followed by performances at Lisner Auditorium of Charles Gounod's Sapho on November 18th, 2018 and Gioachino Rossini's Zelmira on April 5th, 2019. Also, for the first time ever, WCO will co-present two very special performances of Frank Martin's Le vin herbe at The Barns at Wolf Trap on February 9th and 10th, 2019.
Nicole Cabell and Alyson Cambridge, celebrated American sopranos and close friends, record together for the first time on 'Sisters in Song,' a new Cedille Records album of opera duets and specially commissioned duet arrangements of classical songs, African-American spirituals, and a folk tune, accompanied by the Lake Forest Symphony conducted by Vladimir Kulenovic.
