Lyric Opera Of Kansas City Announces 2024-2025 Season
by A.A. Cristi
- Mar 11, 2024
Discover the lineup for the 2024-2025 season at Lyric Opera of Kansas City. Season to include The Brightness of Light, The Barber of Seville, Cruzar la cara de la luna, and Turandot.
Nickel City Opera to Present THE BARBER OF SEVILLE This Month
by Blair Ingenthron
- Jun 3, 2023
Nickel City Opera will present Gioachino Rossini's comic opera 'The Barber of Seville' with full orchestra, costumes, and sets returning for the second year to Nichols Flickinger Performing Arts Center, Saturday, June 24th, 2023 at 7pm and gracing the stage of the newly renovated Hollywood Theater, Sunday, June 25th, 2023 at 5pm.
Opera Comes to the Princeton Festival This Month
by Stephi Wild
- Jun 1, 2023
At the Princeton Festival on June 16, 18, and 20, opera newbies and aficionados alike will relish an all-new production of Gioachino Rossini’s comedic showpiece The Barber of Seville.
Arizona Opera Announces Its 2023/24 Season Line-up
by Stephi Wild
- Mar 1, 2023
Arizona Opera officially announced its 2023/24 Season, featuring four opera productions – including a World Premiere – in Phoenix and Tucson, as well as the company’s inaugural New Works Festival in Phoenix, and a new series of community concerts in Tucson. Arizona Opera’s programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between.
Cincinnati Opera Announces 2023 Summer Festival
by Blair Ingenthron
- Nov 20, 2022
Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, has announced details for the company's 2023 Summer Festival. The season takes place June–July 2023 and features four productions: a romantic thriller, a touching and timely premiere, an effervescent comedy, and an innovative new vision of an operatic classic.
IL BARBIERE DI SIVIGLIA Comes to Vienna State Opera Next Month
by Stephi Wild
- Aug 5, 2022
The barber of Seville introduces himself as the “factotum of the whole city”: as a helper in all situations. Like all barbers of his time, he is not only responsible for head hair and beard care, but also for pulling teeth and bloodletting. In addition, Figaro's range of responsibilities includes services for lovers and those wanting to get married, such as transporting secret messages or organizing serenades.
Opera Saratoga Presents THE BARBER OF SEVILLE
by A.A. Cristi
- May 25, 2022
Opera Saratoga announces updated casting and ticket information for its innovative new festival model that embraces partnerships with multiple venues across the region.
LE BARBIER DE SEVILLE is Now Playing at Théâtre du Capitole
by Stephi Wild
- May 23, 2022
L’irrésistible opéra bouffe du génial Rossini est un chef-d’œuvre d’humour et de virtuosité, servi par la plume insolente de Beaumarchais, l’un de nos plus grands auteurs de théâtre. Les feux d’artifice de la distribution, la chaleureuse italianité de la direction d’Attilio Cremonesi et la mise en scène virevoltante de Josef Ernst Köpplinger rivalisent de couleurs et de vitalité pour un spectacle enivrant comme un champagne.
LE BUS FIGARO Comes to Théâtre du Capitole Next Week
by Stephi Wild
- May 5, 2022
Il Barbiere di Siviglia, créé au Teatro Argentina de Rome le 20 février 1816, a été composé en douze jours par un jeune homme de vingt-quatre ans ! Six-cents pages de partition écrites par Rossini comme en une décharge soudaine de surabondante énergie, et lancées dans le monde pour devenir l’un des opéras les plus réjouissants et les plus populaires du répertoire.
BWW Review: THE SAN DIEGO OPERA'S BARBER OF SEVILLE at Pechanga Sports Arena
by Ron Bierman
- Apr 29, 2021
The San Diego Opera continued its quixotic foray into parking-lot adventures with The Barber of Seville by Rossini, social distancing once again forcing substantial changes to a production's length and cast size. Revisions to libretto, costumes, set and lighting went all out for a zany farcical effect that even many staid opera lovers of a certain age would eventually realize harkened back to the free-wheeling spirit of Rowan and Martin's Laugh-in, complete with 'Sock it to me,' chicken jokes and Rowan's trademark closing 'Say goodnight, Dick.' This always said to his seemingly clueless partner Dick Martin. Lest you think it was a radically revised libretto, I offer assurances that most of the explicit references to the bygone TV show were displayed in hand-drawn lettering on cardboard placards held up by a man near the stage whose humble garb included a Santa Clause hat. This seemingly homeless but cheerful gentleman was teamed offstage with a gaggle of other extras. Some of them were chorus members, policemen and musicians usually on stage for Rossini's comic opera, but now, during difficult times, especially for opera directors and stage managers, they were singing, dancing and gesticulating wildly offstage, one of them mounted on a pickup truck.
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