First staged last year at Theatre Royal Bath, Gary Oldman directs, set-designs, co-produces and performs Samuel Beckett’s 1958 one-act play, Krapp's Last Tape at London's Royal Court, the theatre where the play made its UK debut back in 1958.
Check out production photos for the UK transfer of John Proctor is the Villain by Kimberly Belflower, directed by Tony Award-winner Danya Taymor.
See what the critics are saying about the West End transfer of Kimberly Belflower’s John Proctor is the Villain, making its European premiere at The Royal Court Theatre in London.
When John Proctor is the Villain opened on Broadway last year, it lit a fire.
All new rehearsal photos have been released for the UK transfer of one of the most anticipated shows of the year, the seven-time Tony Award-nominated, John Proctor is the Villain by Kimberly Belflower.
Previews have begun for WELCOME TO PEMFORT, a new play by Sarah Power and directed by Ed Madden, now playing at Soho Theatre through April 18.
The Shitheads is the perfect example of the importance of the Royal Court to London’s present day new theatre scene.
Featuring two of the most awkward sex scenes you'll ever see, this acerbic comedy is a merciless meditation on teenage fumblings.
The Royal Opera House’s Turandot has now been running so long it feels less like a revival and more like a listed structure.
Have you ever wished to have the same auditory experience as a deer? Or maybe a cow? Now you can.
It's a long way from Santiago to the West End.
Miss Myrtle’s garden is an oasis caught in the jaws of gentrification.
Sadé and Kristina Alleyne, Co-Artistic Directors of the award-winning Alleyne Dance have been appointed as the next Guest Artistic Directors of National Youth Dance Company (NYDC) for 2025/26.
Super show that lightens a very dark subject (corecive control), but does not diminish it
Unlike the object it is named after, Container studiously avoids fripperies like classical forms and categorisation.
Established in 1976, the Olivier Awards celebrate the world-class status of London theatre, and are Britain’s most prestigious stage honours.
An animated revival of Adele Thomas’s 2023 production, Il Trovatore strays from realism and instead focuses on a symbolic reading of this dark and gritty opera.
Crystal Pite’s deeply moving work has themes of safe passage, displacement, community and mortality.
After Gandini Jugglers went all retro on us last year by bringing back their classic outing Smashed, the sine qua non of British circus return with a brand new show Heka.
A case of never being more than the sum of its parts, even if those parts have promise in themselves.
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