In recalling the great comedies penned by William Shakespeare, classics like TWELFTH NIGHT, A MIDSUMMER NIGHT'S DREAM and the one about all the errors have been making audiences bust out in laughter for hundreds of years. But King Lear? Certainly one of the English language's great tragedies, with the title character's vanity coupled with his descent into madness providing great older actors a chance to fully display their dramatic skills.
This season's new Broadway production of William Shakespeare's King Lear, starring two-time Academy Award winner, two-time Emmy Award winner, and 2018 Tony Award winner Glenda Jackson and directed by Tony Award winner Sam Gold, will open tomorrow, April 4, 2019 at the Cort Theatre. The production will play a strictly limited engagement through Sunday, July 7, 2019.
2018 is over and we can't help but look ahead to the 2019 Broadway season, which is bound to be filled with countless star-making (and star-preserving) performances. Who should you keep your eye on as the spring season begins and awards season approaches?
As we count down the last days of 2018, New York City's top theatre critics have been taking stock of the theatre season- deciding on their personal choices for their favorite productions of the year. With so many stellar plays, musicals, revivals and new works, both on Broadway and off, a slew of shows have gained recognition from the critics this year.
As New York celebrates Tony Award-nominated actress & singer Melissa Errico's acclaimed newly released albumSondheim Sublime, iconic NYC restaurant Sardi's honored her last week with the unveiling of her Sardi's Caricature, a longstanding Broadway tradition.
On Today, November 14 at 7 PM, on the eve of his 76th birthday, Martin Scorsese returns to his childhood parish, the Basilica of Saint Patrick's Old Cathedral on Mott and Prince Streets, for a conversation about how his youthful imagination was inspired by his church and his neighborhood of Little Italy.
Elaine May might just be the legend you've never heard of. Currently starring in Kenneth Lonergan's The Waverly Gallery, May has a prolific career backing up her claim to the Broadway stage.
Tuesday night, luminaries from the Broadway and music industries gathered at the stunning new landmark building 108 Leonard Street in Tribeca to celebrate the release of Sondheim Sublime, the new album from Tony Award-nominated singer & actress Melissa Errico. Co-Hosted by Cristina Cuomo, guests included music icon Peter Yarrow (Peter, Paul & Mary), Errico's husband tennis star and ESPN commentator Patrick McEnroe, acclaimed NYC artist Rachel Feinstein, Apple VP Doug Beck, handbag designer Kathy Kwei, restaurateur & burlesque star Marja Sampson, Tony Award-winners Karen Ziemba & Alice Ripley, Tony Award-nominees Stephen Bogardus, Robert Cuccioli & Will Swenson, Broadway stars Ben Davis and Ken Jennings (one of the original stars of Sweeney Todd on Broadway opposite Angela Lansbury), Met Opera star tenor Richard Troxell, singer Sasha Lazard, Indian film star & producer Ritu Pande, million dollar Met Museum donor Ellen Marcus, and the album's producer Rob Mathes (who is also the main producer for Sting and Elvis Costello).
On Wednesday, November 14 at 7 PM, on the eve of his 76th birthday, Martin Scorsese returns to his childhood parish, the Basilica of Saint Patrick's Old Cathedral on Mott and Prince Streets, for a conversation about how his youthful imagination was inspired by his church and his neighborhood of Little Italy.
'The whole neighborhood is changing,' is the oft-repeated melancholy observation of the 85-year-old woman at the center of Kenneth Lonergan's 2001 Pulitzer-finalist, THE WAVERLY GALLERY.
Actor, producer and director Robert De Niro will headline the Opening Keynote event on Wednesday, October 17 at NAB Show New York. In a Q&A with “Deadline Hollywood” Contributing Editor Dade Hayes, De Niro will discuss the future of film and entertainment, drawing on his four decades in the entertainment business.
American Theatre magazine, published by Theatre Communications Group (TCG), has just released its annual lists of the Top 10 Most-Produced Plays and Top 20 Most-Produced Playwrights for the new season.
Humans fear monsters, and monsters we are told are even more scared of humans. Monsters are not real but horror really does lie in the human experience. Ask the Blakes. Losing one's job, facing illness, the worst being dementia, is a part of their lives and many others in the decaying/disappearing American middle class. In Stephen Karam's riveting play, The Humans, the Blake family gather for Thanksgiving in daughter Brigid's latest dwelling, a Chinatown New York apartment, that she shares with boyfriend Richard, some year since the devastation of September 2001 The parents and grandmother have made the long trek from Scranton, Pennsylvania; they love their children that much and of course like to meddle in their lives. Currently onstage at the Ahmanson, the Tony winning play with the original Broadway cast and directed by Joe Mantello, engages our thought processes, and is simultaneously relatable and entertaining.
Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) will present ON A CLEAR DAY YOU CAN SEE FOREVER, starring Tony Award-nominee Stephen Bogardus (Bright Star), John Cudia (The Phantom of the Opera), and Tony Award-nominee Melissa Errico (Finian's Rainbow) this summer. ON A CLEAR DAY features music by Burton Laneand book and lyrics by Alan Jay Lerner.
It's been nearly three decades since the superb stage artist Glenda Jackson took her last opening night bow on Broadway, playing Lady Macbeth in 1988. Since then she's been working in the somewhat less scripted field of British politics, serving in Parliament for over twenty years.
The Off-Broadway League today announced details for the 2018 Lucille Lortel Awards for Outstanding Achievement Off-Broadway. The 33rd Annual Lucille Lortel Awards will be handed out on Sunday, May 6, 2018 at NYU Skirball Center for Performing Arts, beginning at 7:00pm EST.
Thank goodness for the grand feats of woke escapism that took over New York venues this year. Charles Quittner reflects on his favorite theatrical events featuring pirates, pirates, more pirates, and drag queens.
