Keeping in mind the health and safety of their staff, performers, and patrons, 1st Stage has decided to begin its next season in February of 2021. Join 1st Stage in February, April, and May for three fantastic full-length productions, and in July 2021 for the return of the groundbreaking Logan Festival of Solo Performance.
The future of the American Theater may suddenly be top of mind for theater makers, everywhere, but for the team at Seven Devils New Play Foundry (Formerly id Theatre, Inc.), the future of the American Theater has always been the focus.
Clearly, the story of a king who would, legally speaking, seem like the safest person in the land, but who nonetheless is slain, as is his lover, because their relationship is considered taboo, seems facially like a perfect vehicle to provide that treatment. But it simply isn't, or at least not without more work. There are too many complications unique to a royal situation, as this play cannot help showing.
Rep Stage, the professional regional theatre in residence at Howard Community College (HCC), continues its 27th season with the world premiere of a?oeE2,a?? written by Bob Bartlett and directed by Joseph W. Ritsch.
It was exactly ten years ago I first saw Stephen Temperley's SOUVENIR at Baltimore Center Stage which starred Tony Award winner, Judy Kaye. I could not imagine seeing a better version of it ever. But, I was wrong. The Rep Stage version is just plain spectacular and the two actors who perform here, Grace Bauer and Alan Naylor are just plain marvelous.
When I left the Studio Theatre at the Horowitz Visual and Performing Arts Center at Howard Community College in Columbia where the Rep Stage is housed, I went up to Director Joseph W. Ritsch with a big smile on my face. He told me he wanted to end their season with a comedy that audiences would enjoy. Well, mission accomplished!
The Tony Award-winning Signature Theatre continues its commitment to new work by presenting the fourth annual SigWorks: Monday Night New Play Readings Series. This initiative highlights and supports the work of DMV playwrights and is an opportunity for playwrights, actors, directors, designers, and patrons to explore new plays in a fun and informal environment.
A new generation of playwrights is taking over The Welders -- Washington DC's only playwrights' collective devoted exclusively to developing and producing new work.
Rep Stage, the professional regional theatre in residence at Howard Community College, will launch its 2019-2020 season with "Souvenir" by Stephen Temperley, followed by a world premiere by local playwright Bob Bartlett and a regional premiere by Philadelphia playwright James Ijames, and then conclude with the timeless musical "Dames at Sea."
This world premiere production invites audiences to experience the world of coin-operated laundromats by seeing a play in a coin-operated laundromat in historic, downtown Annapolis. Maryland playwright Bob Bartlett's time-bending play, THE ACCIDENT BEAR, comically traces the first and last moments of a love affair between the accident-prone Bear, who owns a coin-operated laundromat where he also lives, and Chance, an unemployed paramedic living in her 1978 Volkswagen Beetle, who stumbles into his lonely world.
This world premiere production invites audiences to experience the world of coin-operated laundromats by seeing a play in a coin-operated laundromat in historic, downtown Annapolis. Maryland playwright Bob Bartlett's time-bending play, THE ACCIDENT BEAR, comically traces the first and last moments of a love affair between the accident-prone Bear, who owns a coin-operated laundromat where he also lives, and Chance, an unemployed paramedic living in her 1978 Volkswagen Beetle, who stumbles into his lonely world.
This world premiere production invites audiences to experience the world of coin-operated laundromats by seeing a play in a coin-operated laundromat in historic, downtown Annapolis. Maryland playwright Bob Bartlett's time-bending play, THE ACCIDENT BEAR, comically traces the first and last moments of a love affair between the accident-prone Bear, who owns a coin-operated laundromat where he also lives, and Chance, an unemployed paramedic living in her 1978 Volkswagen Beetle, who stumbles into his lonely world.
This world premiere production invites audiences to experience the world of coin-operated laundromats by seeing a play in a coin-operated laundromat in historic, downtown Annapolis. Maryland playwright Bob Bartlett's time-bending play, THE ACCIDENT BEAR, comically traces the first and last moments of a love affair between the accident-prone Bear, who owns a coin-operated laundromat where he also lives, and Chance, an unemployed paramedic living in her 1978 Volkswagen Beetle, who stumbles into his lonely world.
This world premiere production invites audiences into a world of healing, compassion, and renewal. While visiting his family's secluded cottage on the shores of the Atlantic ocean, Owen, a typically urban fifteen-year-old boy, and his fisherman father clash until an unlikely and healing communion with an injured whale awakens in Owen a forgotten boyhood and connection with the sea.
It's 1965 in New York City and the lights are about to go out. But not before a melancholy sandwich maker becomes enchanted with two sisters in this bittersweet romantic tale about finding hope in a world best by darkness. This truly original rock-fable, nominated for 4 Drama Desk Awards, will sweep audiences off their feet and enchant them in an evening under the stars filled with romance, mystery and enchantment… but not a lot of light.
It's 1965 in New York City and the lights are about to go out. But not before a melancholy sandwich maker becomes enchanted with two sisters in this bittersweet romantic tale about finding hope in a world best by darkness. This truly original rock-fable, nominated for 4 Drama Desk Awards, will sweep audiences off their feet and enchant them in an evening under the stars filled with romance, mystery, and enchantment… but not a lot of light.
The Welders-Washington's only playwrights' collective devoted exclusively to developing and producing new work-are starting the search for a third generation of generative artists to take the helm of the organization on January 1, 2020. Applications are now available on TheWelders.org.
In his return to playwriting, celebrated film and television writer Aaron Sorkin's signature style lends itself to the remarkable story of the invention that changed our lives. In 1929, two ambitious visionaries race against each other to invent a device called "television." Separated by two thousand miles, each knows that if he stops working, even for a moment, the other will gain the edge. Who will unlock the key to the greatest innovation of the 20th century: the ruthless media mogul, or the selftaught Idaho farm boy? The answer comes to compelling life in the regional premiere of this "firecracker of a play" (The Chicago Sun-Times).
In his return to playwriting, celebrated film and television writer Aaron Sorkin's signature style lends itself to the remarkable story of the invention that changed our lives. In 1929, two ambitious visionaries race against each other to invent a device called "television."