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5th Wall and TheatreLAB Present Quick-Witted Dark Comedy HAND TO GOD

5th Wall and TheatreLAB Present Quick-Witted Dark Comedy HAND TO GOD

by Stephi Wild — June 8, 2018

5th Wall Theatre's artistic director Carol Piersol and TheatreLAB's artistic director Deejay Gray announce their upcoming co-production HAND TO GOD, an ingenious contemporary comedy that shocked and delighted audiences for years on the Off-Broadway and Broadway circuits before nabbing five Tony nomi

BWW Reviews: SPAMALOT Ferocious, Fast-Paced Comedy Smash

BWW Reviews: SPAMALOT Ferocious, Fast-Paced Comedy Smash

by Trevor Durham — May 30, 2017

Returning-MNM director/ choreographer Kimberly Dawn Smith's smart attention to the wondrously strong cast, and obvious love of the absurdity, power her Spamalot through the few brief stumbles to deliver a side-splitting evening.

MNM Productions Announces the Casts for SPAMALOT, COMPANY and LA CAGE AUX FOLLES

MNM Productions Announces the Casts for SPAMALOT, COMPANY and LA CAGE AUX FOLLES

by BWW News Desk — February 3, 2017

Marcie Gorman-Althof and Michael Lifshitz, the producing partners behind MNM Productions, one of South Florida's hottest new theatre companies, today announced the leading cast members and production teams for its first three productions in 2017, each of which will be presented at the Kravis Center'

IF/THEN's Stunning Performances Intrigue Nashville Audiences

IF/THEN's Stunning Performances Intrigue Nashville Audiences

by Jeffrey Ellis — June 8, 2016

Who would have ever thought a musical about urban planning could be as effective and engaging, and as thoroughly compelling (if somewhat confusing and confounding, by turns) as If/Then, the latest work from the Pulitzer Prize-winning (for next to normal) duo of Tom Kitt and Brian Yorkey?

BWW Reviews: BOOK OF MORMON Scores a Red-State Victory

BWW Reviews: BOOK OF MORMON Scores a Red-State Victory

by Jeffrey Ellis — November 19, 2014

Two weeks after conservative Tennessee voters turned the Volunteer State a deeper shade of red and some three years after I was told The Book of Mormon likely would never play the Tennessee Performing Arts Center because its plot is too outlandish, its book too profane, its tenor too irreverent, the


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