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Bahia Watson News

Academy Award-Winning Alumni & Hollywood Heavyweights Take Center Stage For HollyShorts Opening Night Lineup

On September 23rd, the Oscar-Qualifying HollyShorts Film Festival will once again host a star-studded Opening Night celebration. Attendees of the in-person ceremony will witness short film premieres from Academy Award-winning alumni and Hollywood heavyweights. Kicking off the 17th annual festival will be a special screening from Film Independent and Netflix Film Club.

André Alexis Creates a Pandemic-Inspired Audio Drama Trilogy

a??a??a??a??a??a??a??Internationally acclaimed, multiple award-winning Toronto novelist André Alexis has teamed up with local experimental theatre company Volcano to create a new audio drama Metamorphosis: a Viral Trilogy. Launching on August 17 with new episodes added on August 24 and 31, the series is a co-presentation between TO Live, SummerWorks, and Canadian Stage. 

BWW Review: The Stratford Festival's MOTHER'S DAUGHTER Brilliantly Brings a Beloved New Trilogy to a Fine Close

MOTHER'S DAUGHTER, the third and final installment of playwright Kate Hennig's 'Queenmaker Trilogy' had its world premiere at the Stratford Festival's Studio Theatre Friday night. The play follows the reign of Mary I Queen of England and like the two previous instalments, it is reimagined (or perhaps 'restored') to be told from the perspective of the women at the centre of the story. Directed by Alan Dilworth, this production provides a fitting end to the intimate story of tradition, family, faith, imperfection and sisterhood that audiences first became immersed in 4 years ago.

BWW Review: THE VIRGIN TRIAL is Politically-Charged Family Drama at its Finest

Soulpepper's production of Kate Hennig's THE VIRGIN TRIAL, originally produced by the Stratford Festival, brings an investigation of power, morals, and misconduct to the stage. The gripping re-imagining looks at Henry VIII's second daughter Elizabeth I (Bahia Watson), a 15-year-old princess who's a few positions behind in line for the throne and extremely charming, if not untrustworthy.

BWW Review: THE VIRGIN TRIAL is an Engrossing Treat at the Stratford Festival

The second part of a trilogy of plays penned by Kate Hennig is currently engrossing audiences at the Stratford Festival's Studio Theatre. THE VIRGIN TRIAL is a companion to 2015's THE LAST WIFE, which also had its world premiere at the Studio Theatre. This play is set during Elizabeth I's teenage years, when she was the subject of a scandal involving her relationship with her uncle/step-father. Like, THE LAST WIFE, this play takes liberties in terms of historical accuracy, because, quite frankly, we don't actually know exactly what happened behind closed doors. Also like the first play, this one is from the perspective of the women. The performances are brilliant and the writing is clever and witty. This production should not be missed!

BWW Review: BAKKHAI at the Stratford Festival is Chilling and Exhilarating

This season at the Stratford Festival is the final season for the Tom Patterson Theatre as it currently stands. It will be entirely rebuilt, starting this fall. The current space is going out with a bang, however, in terms of the diverse and exciting productions that can be seen on its stage this season. Each production is excellent, but the most exciting of all may well be Jillian Keiley's production of BAKKHAI. This play may not be for everyone, but if you appreciate good, exciting, and inventive theatre, and don't blush too easily at eroticism on stage, then I highly suggest you get your tickets immediately.

BWW Review: The World Premiere of THE LAST WIFE at Stratford Festival

The World Premiere of THE LAST WIFE, written by Kate Hennig and directed by Alan Dilworth, took place earlier this month at the Stratford Festival's Studio Theatre. BWW recently had the opportunity to see the show, and found it to present an intriguing combination of history, drama, humour and feminism. 

BWW Review: Crow's Theatre THE SEAGULL

The production of Chekov's 'The Seagull,' now on at the Berkley Street Theatre, is an uneven disappointment. It fails to engage. Like Theatre 20's production of Stephen Sondheim's 'Company,' presented in the same venue last year, this Crow's Theatre production does not deliver on its exciting promise.

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