Crow's Theatre Announces 2022-23 Season
by Stephi Wild
- Jun 1, 2022
Today, Crow's Theatre Artistic Director Chris Abraham and Executive Director Sherrie Johnson unveiled a 12-show season that spans the classics, contemporary work, CanLit adaptations, musical theatre, dance, and music.
VIDEO: Netflix Shares MY LITTLE PONY: MAKE YOUR MARK Trailer
by Michael Major
- May 12, 2022
“MY LITTLE PONY: MAKE YOUR MARK” is voiced by Maitreyi Ramakrishnan (“Never Have I Ever,” “Turning Red”) alongside Jenna Warren (“Kody Kapow!”), JJ Gerber (“Monster Pack”), Ana Sani (“The Boys”), AJ Bridel (“Odd Squad”) and Bahia Watson (“The Handmaid’s Tale”). Watch the trailer for the new film now!
New MY LITTLE PONY Series to Debut on April 7th Via YouTube
by Marissa Tomeo
- Apr 6, 2022
Following the YouTube series, My Little Pony: Make Your Mark will premiere May 26th on Netflix, with a bonus 44-minute animated special teasing the “mane” series, to debut in September. The series will consist of eight, 22-minute episodes, and will “follow the Mane 5 on a journey of self-discovery told through action-packed, hilarious, and heartfelt stories.” The second special, My Little Pony: Winter Wishday, is set to debut on Netflix on November 21st.
André Alexis Creates a Pandemic-Inspired Audio Drama Trilogy
by Stephi Wild
- Aug 6, 2020
a??a??a??a??a??a??a??Internationally acclaimed, multiple award-winning Toronto novelist André Alexis has teamed up with local experimental theatre company Volcano to create a new audio drama Metamorphosis: a Viral Trilogy. Launching on August 17 with new episodes added on August 24 and 31, the series is a co-presentation between TO Live, SummerWorks, and Canadian Stage.
BWW Review: The Stratford Festival's MOTHER'S DAUGHTER Brilliantly Brings a Beloved New Trilogy to a Fine Close
by Lauren Gienow
- Jun 20, 2019
MOTHER'S DAUGHTER, the third and final installment of playwright Kate Hennig's 'Queenmaker Trilogy' had its world premiere at the Stratford Festival's Studio Theatre Friday night. The play follows the reign of Mary I Queen of England and like the two previous instalments, it is reimagined (or perhaps 'restored') to be told from the perspective of the women at the centre of the story. Directed by Alan Dilworth, this production provides a fitting end to the intimate story of tradition, family, faith, imperfection and sisterhood that audiences first became immersed in 4 years ago.
BWW Review: THE VIRGIN TRIAL is Politically-Charged Family Drama at its Finest
by Isabella Perrone
- Feb 2, 2019
Soulpepper's production of Kate Hennig's THE VIRGIN TRIAL, originally produced by the Stratford Festival, brings an investigation of power, morals, and misconduct to the stage. The gripping re-imagining looks at Henry VIII's second daughter Elizabeth I (Bahia Watson), a 15-year-old princess who's a few positions behind in line for the throne and extremely charming, if not untrustworthy.
BWW Review: BAKKHAI at the Stratford Festival is Chilling and Exhilarating
by Lauren Gienow
- Jul 29, 2017
This season at the Stratford Festival is the final season for the Tom Patterson Theatre as it currently stands. It will be entirely rebuilt, starting this fall. The current space is going out with a bang, however, in terms of the diverse and exciting productions that can be seen on its stage this season. Each production is excellent, but the most exciting of all may well be Jillian Keiley's production of BAKKHAI. This play may not be for everyone, but if you appreciate good, exciting, and inventive theatre, and don't blush too easily at eroticism on stage, then I highly suggest you get your tickets immediately.
BWW Review: THE VIRGIN TRIAL is an Engrossing Treat at the Stratford Festival
by Lauren Gienow
- Jul 29, 2017
The second part of a trilogy of plays penned by Kate Hennig is currently engrossing audiences at the Stratford Festival's Studio Theatre. THE VIRGIN TRIAL is a companion to 2015's THE LAST WIFE, which also had its world premiere at the Studio Theatre. This play is set during Elizabeth I's teenage years, when she was the subject of a scandal involving her relationship with her uncle/step-father. Like, THE LAST WIFE, this play takes liberties in terms of historical accuracy, because, quite frankly, we don't actually know exactly what happened behind closed doors. Also like the first play, this one is from the perspective of the women. The performances are brilliant and the writing is clever and witty. This production should not be missed!
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