TOOTSIE has taken the town as the first National tour of the Broadway musical opened in Buffalo this week. A full house of Covid vaccinated theatre goers packed into Shea's Buffalo theatre. Based on the 1982 movie, this non-Equity tour has been rehearsing in Buffalo prior to launching it's visits across the country next week.
Berkshire Theatre Group has announced they will be producing Godspell this summer - the first musical in the United States to be approved by Actors' Equity Association in the wake of the COVID-19 pandemic.
On Saturday, October 5, I had the pleasure of seeing yet another stellar performance at the ACT of Connecticut, in Ridgefield, LITTLE SHOP OF HORRORS. Having never seen this show or the movie before, I was not familiar with the story, and had no idea how intense the horror side of this show would be, as I was under the impression that comedy was the primary genre. This musical, with music by Alan Menken, captured the attention of the entire audience, generating laughs from the comedic moments, impressing us with the powerful singing, and shocking with the horror, all of which was brilliantly performed by this first-rate cast, under the brilliant direction and choreography of Jason A. Sparks.
ACT (A Contemporary Theatre) of Connecticut has announced the cast for its upcoming production of LITTLE SHOP OF HORRORS. Directed by Jason A. Sparks, this global phenomenon lands in Ridgefield on October 3rd with performances through November 3rd.
This past September, Lauren Class Schneider produced a staged reading of Reginald Rose's '12 Angry Men' performed by 12 Broadway women, followed by voter registration facilitated by the League of Women Voters, to allow audience members the chance to register or update their registration.
The personal becomes the political when four passionately-opinionated African American women speak their minds on the aftermath of Hurricane Katrina, Black Lives Matter, missing women and girls, racial stratification on Long Island, sexual exploitation, black-on-black crime, and male/female relationships in a soul-stirring mix of song, dance, spoken word poetry, and prose.
The personal becomes the political when four passionately-opinionated African American women speak their minds on the aftermath of Hurricane Katrina, Black Lives Matter, missing women and girls, racial stratification on Long Island, sexual exploitation, black-on-black crime, and male/female relationships in a soul-stirring mix of song, dance, spoken word poetry, and prose.