A major loan exhibition of contemporary Chinese art currently on view at The Metropolitan Museum of Art will be closing soon! Consisting of 70 works created by 35 artists born in China, Ink Art: Past as Present in Contemporary China demonstrates how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Highlights include Xu Bing's dramatic Book from the Sky (ca. 1988), an installation filling an entire gallery; Family Tree (2000), a set of vivid photographs by Zhang Huan in which his facial features—and his identity—are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples.
New York Live Arts presents the New York City premiere of New York Dance and Performance 'Bessie' Award winning luciana achugar's OTRO TEATRO, today, April 2 - 5 at 7:30pm in the New York Live Arts Theater. Described by The New York Times as '.sensual, raw and intensely physical,' achugar will perform her latest evening-length solo work exploring the concept of ritual.
New York Live Arts presents the U.S. premiere of Alain Buffard's Baron Samedi, May 1 - 3 at 7:30pm in the New York Live Arts Theater. Featuring a stellar international cast including Nadia Beugre, Will Rawls and David Thomson, among others, Baron Samedi pays tribute to the eponymous legendary and unsettling Carnival figure and voodoo master of ceremonies.
The Seldoms -- a Chicago-based contemporary dance company with a reputation for nontraditional performances -- will stage a theater work at Northwestern University from April 24 to 27 about the national discourse on climate change.
Huntington Theatre Company continues its 2013-2014 Season with playwright-in-residence Melinda Lopez's latest play, the stirring new drama Becoming Cuba. Huntington Associate Producer M. Bevin O'Gara makes her Huntington directorial debut of the Huntington's playwright-in-residence's latest work. Performances of Becoming Cuba begin at the South End / Calderwood Pavilion at the BCA tonight, March 28. Due to popular demand, the run has been extended to May 3, 2014.
Lisa Steindler, Artistic Director of Z Space announced today, due to the overwhelming popular response to the world premiere of Hundred Days, the new Indie Rock Opera playing at Z Space, that the show will extend its run through April 13. The show-part concert, part theatrical experience, conceived and created by The Bengsons-will add shows April 10-13 running Thursday, Friday and Saturday at 8 pm and Sunday at 7 pm. Tickets ($15 - $100) are on sale now and may be purchased online at zspace.org and by phone at 866.811.4111.
Tala Ashe, Greg Keller, Nadine Malouf and Bernard White will be featured in the upcoming LCT3/Lincoln Center Theater New York premiere production of The Who & The What, by Ayad Akhtar, directed by Kimberly Senior. The Who & The What begins previews Saturday, May 31, opens Monday, June 16 and will run through Sunday, July 13 at the Claire Tow Theater (150 West 65th Street). All tickets will be $20.
A ground-breaking international loan exhibition devoted to the Hindu-Buddhist art of first- millennium Southeast Asia will go on view at The Metropolitan Museum of Art beginning April 14. Some 160 sculptures will be featured, many of them large-scale stone sculptures, terracottas, and bronzes. They include a significant number of designated national treasures lent by the governments of Cambodia, Vietnam, Thailand, Malaysia, and Myanmar, as well as stellar loans from France, the United Kingdom, and the United States. The exhibition Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century will explore the sculptural traditions of the Hindu and Buddhist kingdoms from the early 5th to the close of the 8th century in mainland and insular Southeast Asia. This landmark exhibition will be the first to present the religious art produced by a series of newly emerged kingdoms in the region, whose archaeological footprints lay the foundations for the political map of Southeast Asia today.
A ground-breaking international loan exhibition devoted to the Hindu-Buddhist art of first- millennium Southeast Asia will go on view at The Metropolitan Museum of Art beginning April 14. Some 160 sculptures will be featured, many of them large-scale stone sculptures, terracottas, and bronzes. They include a significant number of designated national treasures lent by the governments of Cambodia, Vietnam, Thailand, Malaysia, and Myanmar, as well as stellar loans from France, the United Kingdom, and the United States. The exhibition Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century will explore the sculptural traditions of the Hindu and Buddhist kingdoms from the early 5th to the close of the 8th century in mainland and insular Southeast Asia. This landmark exhibition will be the first to present the religious art produced by a series of newly emerged kingdoms in the region, whose archaeological footprints lay the foundations for the political map of Southeast Asia today.
Theatre Communications Group (TCG), the national organization for theatre and home of the U.S. Center of the International Theatre Institute (ITI-US), has released Brett Bailey and Diane Rodriguez's World Theatre Day 2014 messages. Each year, a renowned theatre artist of world stature is invited by ITI Worldwide in Paris to craft the International Message, which is then translated into more than 20 languages to mark the global occasion. This year, TCG has renewed their tradition of asking a noted U.S. artist to also reflect on the themes of World Theatre Day.
New York Live Arts presents the New York City premiere of New York Dance and Performance 'Bessie' Award winning luciana achugar's OTRO TEATRO, April 2 - 5 at 7:30pm in the New York Live Arts Theater. Described by The New York Times as '.sensual, raw and intensely physical,' achugar will perform her latest evening-length solo work exploring the concept of ritual.
Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.
Target Margin Theater, presented by The Chocolate Factory Theater, continues its exploration of Yiddish Theater with a new adaptation of one of the central plays of Yiddish history, Uriel Acosta: I Want That Man!, taken from myriad literary and historical sources. Created and directed by TMT's Artistic Director, David Herskovits, with original songs by Rebecca Hart, and toy theater created by Kathleen Kennedy Tobin, the four-member cast features Don Castro, James Tigger! Ferguson, Mary Rasmussen and J.H. Smith III.
Yale Repertory Theatre presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, tonight, March 14 through April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20. BroadwayWorld has a sneak peek behind the scenes below!
Huntington Theatre Company continues its 2013-2014 Season with playwright-in-residence Melinda Lopez's latest play, the stirring new drama Becoming Cuba. Huntington Associate Producer M. Bevin O'Gara makes her Huntington directorial debut of the Huntington's playwright-in-residence's latest work. Performances of Becoming Cuba begin at the South End / Calderwood Pavilion at the BCA on March 28. Due to popular demand, the run has been extended to May 3, 2014.
The Public Theater has announced a new writers' initiative today, PUBLIC STUDIO, which will present two new plays this spring by emerging and up-and-coming playwrights. The two plays will run in repertory from May 15 to May 25 in The Public's Shiva Theater and will be presented as pared-down productions with the low ticket price of only $10. Following in the footsteps of the acclaimed Public Lab series, PUBLIC STUDIO is conceived as a way to build on The Public's mission to support new and emerging artists and to continue making new work accessible to all audiences.
Yale Repertory Theatre presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14 through April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20. BroadwayWorld has a sneak peek behind the scenes below!
Miller Theatre at Columbia University School of the Arts concludes the 2013-14 Composer Portraits series with the music of Australian composer, Liza Lim, featuring International Contemporary Ensemble: Karina Cannellakis, conductor, Tony Arnold, soprano, Gareth Flowers, trumpet, Ross Karre, percussion, and Michael Nicolas, cello. The show is on Thursday, April 10, 2014 at 8:00 p.m. at the Miller Theatre (2960 Broadway at 116th Street). Tickets are $20-$30 and for Students with valid ID they are $12-$18.
Target Margin Theater, presented by The Chocolate Factory Theater, continues its exploration of Yiddish Theater with a new adaptation of one of the central plays of Yiddish history, Uriel Acosta: I Want That Man!, taken from myriad literary and historical sources. Created and directed by TMT's Artistic Director, David Herskovits, with original songs by Rebecca Hart, and toy theater created by Kathleen Kennedy Tobin, the four-member cast features Don Castro, James Tigger! Ferguson, Mary Rasmussen and J.H. Smith III.
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