On March 16 at 2:30PM, American Opera Projects (AOP) First Chance, public presentations of operas-in-progress, returns to the Manhattan School of Music (MSM) for their annual Opera Index series 'New American Opera Previews, From Page to Stage' with scenes from Companionship, a new opera by composer Rachel Peters.
Salvage Vanguard Theater is proud to announce the first MADE IN SVT production of our 20th Anniversary Season FROM THE PIG PILE: THE REQUISITE GESTURE(S) OF NARROW APPROACH by Sibyl Kempson in collaboration with the Austin Pig Pile
The NATIONAL NEW PLAY NETWORK (NNPN), the country's alliance of non-profit theatres that champions the development, production, and continued life of new plays, announces its 42nd Rolling World Premiere: Robert Caisley's Lucky Me will receive four productions through the Network's Continued Life of New Plays Fund in the 2014/15 season. Lucky Me will begin its Rolling World Premiere at Core Member New Jersey Repertory Company (Long Branch, NJ, August 2 - 31, 2014), followed by performances at Core Member Curious Theatre (Denver, CO, dates TBA), Core Member Riverside Theatre (Iowa City, IA, January 24 -February 15, 2015), and Associate Member 6th Street Playhouse (Santa Rosa, CA January 30-February 15, 2015).
As part of our Drummer and Smoke series, the Tennessee Williams/New Orleans Literary Festival will present 'The Jazz Revival Revisited' featuring Tom Sancton and Dr. Michael White. This event is part of our Sunday Panel Series and will happen at 2:30 P.M. March 23 at the Palm Court Jazz Cafe. Get your tickets here by purchasing a panel pass for that day.
Monteverdi's “Combattimento di Tancredi e Clorinda” twice in one season in New York, in performances only months apart? Especially after Anna Caterina Antonacci's riveting take on the 20-minute work last November at the Lincoln Center's White Light Festival, what more could a small opera company like the Gotham Chamber Opera add to the discussion? As it turns out, there was quite a bit.
BIRMINGHAM, AL - After an extensive national search, the Birmingham Museum of Art is pleased to announce the appointment of Robert Schindler as Curator of European Art. Schindler comes to the Birmingham Museum from The Metropolitan Museum, where he held the Andrew W. Mellon Curatorial Fellowship in the Department of Medieval Art and The Cloisters.
Cutting Ball Theater continues its 15th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage.
Today, The Ground Floor: Berkeley Rep's Center for the Creation and Development of New Work announces that it has selected 18 projects from more than 30 innovative artists for its third Summer Residency Lab. This June, as part of an extraordinary laboratory for collaboration, some of the nation's most prominent and promising writers, directors, and composers will unite at the Theatre's campus in West Berkeley for an intense four-week period to live, dine, and create new plays together. Dozens more local and out-of-town actors and directors will join The Ground Floor process, bringing the number of artists involved close to 100.
16th Street Theater, in collaboration with New York's Lark Play Development Center, presents the rolling premiere of Andrea Thome's Pinkolandia directed by Artistic Director Ann Filmer performing April 3 - May 10, 2014 at North Berwyn Park District's 16th Street Theater, 6420 16th Street in Berwyn, with a press opening of Thursday, April 10 at 7:30 PM.
Cutting Ball Theater presents the fourth installment of this season's Hidden Classics Reading Series, THE BALCONY by French dramatist Jean Genet. A landmark of experimental theater and a profound meditation on power and illusion, THE BALCONY follows a group of patrons at an upscale brothel who role play as 'pillars of society' while a revolution rages outside in the surrounding city. As the insurrection spreads, the patrons begin to embody their roles more fervently in a counter-revolutionary effort to restore order and maintain the status quo. Cutting Ball Associate Artist David Sinaiko directs.
The Wooster Group is currently developing its work CRY, TROJANS! (Troilus & Cressida) in preview performances at The Performing Garage (33 Wooster Street). The Group will celebrate the official premiere tonight, February 27, with the show running through March 9 at REDCAT in Los Angeles.
Artistic Director Les Waters and Managing Director Jennifer Bielstein are delighted to announce the 38th Humana Festival of New American Plays at Actors Theatre of Louisville, running tonight, February 26-April 6, 2014. This year's Festival program will feature (in order of opening):
Olney Theatre Center, a Maryland destination for professional theater performance and education, will present the National New Play Network (NNPN) Rolling World Premiere of I And You by playwright Lauren Gunderson today, February 26 - March 23, 2014 in the Mulitz-Gudelsky Theatre Lab. Ms. Gunderson's play was just last week selected as a finalist for the prestigious Susan Smith Blackburn Award.
Rehearsals begin next Tuesday, March 4 for the Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) World Premiere production of YOUR MOTHER'S COPY OF THE KAMA SUTRA, a new play by Kirk Lynn (Co-Artistic Director, Austin's Rude Mechanicals).
Experience something(s) new: Three world premiere productions and four new play readings during South Coast Repertory's 2014 Pacific Playwrights Festival, April 25-27.
Continuing its tradition of presenting innovative and cutting-edge works, Lisa Steindler, Artistic Director of Z Space announces the world premiere of Hundred Days, a folk rock odyssey conceived and composed by The Bengsons.
The NATIONAL NEW PLAY NETWORK (NNPN), the country's alliance of non-profit theaters that champions the development, production, and continued life of new plays, announces its 40th Rolling World Premiere: Carson Kreitzer's Lasso of Truth will receive three productions through the Network's Continued Life of New Plays Fund in the 2013/14 season. Lasso of Truth will begin its Rolling World Premiere at Marin Theatre Company (Mill Valley, CA, tonight, February 20 - March 16, 2014), followed by performances at Synchronicity Theatre (Atlanta, GA, March 20 - April 13, 2014) and Unicorn Theatre (Kansas City, MO, January 21 - February 8, 2015).
The Drama League (Gabriel Shanks, Executive Director; Roger T. Danforth, Artistic Director) has announced the ten artists and theater ensembles chosen to develop new plays and musicals as part of the 2014 Artist Residency Program. The development of these works, which include two 2014 Artists In Residence, Rachel Dickstein/Ripe Time and Jeremy Bloom/Rady&Bloom, will be held at The Drama League Theater Center (32 Avenue of the Americas) in Tribeca from March-July 2014.
Presenting a unique behind-the-scenes look at recent conservation research on Pierre-Auguste Renoir's painting Madame Léon Clapisson, Renoir's True Colors: Science Solves a Mystery, on view in Gallery 226 through April 27, offers a rare peek at both the detective work done by Art Institute conservators and scientists and the secrets they have uncovered about the Impressionist's painting process.
Carnegie Hall today announced that conductor Franz Welser-Most has graciously agreed to step in for Daniele Gatti in the concert performance of Alban Berg's opera Wozzeck on Friday, February 28 at 8:00 p.m. in Stern Auditorium / Perelman Stage. The concert by the Vienna State Opera and Vienna Philharmonic Orchestra is part of Carnegie Hall's three-week, citywide festival Vienna: City of Dreams. Due to a tendinopathy (acute inflammation of the tendon) of both shoulders, Maestro Daniele Gatti-on the advice of his doctors-with deep regret cancels all his professional engagements for the next two months, including his two Vienna: City of Dreams programs, scheduled for February 28 and March 15 at Carnegie Hall. A new conductor for the March 15 concert by the Vienna Philharmonic Orchestra is to be announced.
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