Stage & Screen, a collaboration between Coolidge Corner Theatre and Huntington Theatre Company that explores the depictions of shared themes in Huntington productions and acclaimed films continues its second season on Monday, March 10 at 7pm with the 2011 Cuban zombie comedy Juan of the Dead. The screening will be followed by a conversation with Becoming Cuba playwright Melinda Lopez and director M. Bevin O'Gara moderated by Huntington dramaturg Charles Haugland.
Olney Theatre Center, a Maryland destination for professional theater performance and education, will present the National New Play Network (NNPN) Rolling World Premiere of I And You by playwright Lauren Gunderson February 26 - March 23, 2014 in the Mulitz-Gudelsky Theatre Lab.
Cutting Ball Theater announces that it will add an additional eight performances of its current hit production of Alfred Jarry's UBU ROI in a new translation by Rob Melrose. Russian director Yury Urnov (Woolly Mammoth Theatre Company) helms this irreverent take on world leaders, featuring David Sinaiko, Ponder Goddard, Marilet Martinez, Bill Boynton, Nathaniel Justiniano, and Andrew Quick. UBU ROI plays now through March 9 (added performances: Thursday, Feb 27, 7:30pm; Friday, Feb 28, 8pm; Saturday, March 1, 8pm; Sunday, March 2, 5pm; Thursday, March 6, 7:30pm; Friday, March 7, 8pm; Saturday, March 8, 8pm; Sunday, March 9, 5pm) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 415-525-1205.
Fort Worth Opera (FWOpera) is excited to announce today the details of a one-night concert performance by the stars of NBC's America's Got Talent, crossover opera trio Forte. Just back from their holiday engagement at the Tropicana in Las Vegas and the National Christmas Tree Lighting, the three tenors of Forte, featuring FWOpera star Sean Panikkar, will bring their powerful voices and unique blend of part-pop, part-opera to Bass Hall in downtown Fort Worth on Sunday, April 20, 2014 at 7:30 pm. This exclusive performance will feature a limited number of 100 VIP experience seats for $100 each. These VIP experience tickets include premium orchestra seating and a pre-show VIP champagne reception. The VIP reception will be hosted from 6-7 pm before the show's 7:30 pm start time.
Woolly Mammoth Theatre Company's 35th anniversary season is one of inward and outward revolution, of daring and breakthroughs in style, content, process, and even international borders for the Company's biggest, most ambitious season yet!
Following hip surgery that took place just one week after the August 14, 2013 premiere of her Restless Creature, Wendy Whelan, in consultation with her doctors, has concluded that her body needs more time to heal and that she must postpone her spring 2014 (March 16 – April 11) inaugural U.S. tour of the work. Rescheduled dates will be announced at a later time. See below for a list of postponed engagements. The UK premiere, presented by The Royal Opera House, will take place at the Linbury Studio Theatre in London as scheduled (July 22–26).
Acclaimed contemporary painter Brendan O'Connell will participate in a "Creativity Conversation" on Thursday, February 27 at 4 p.m. in the Reception Hall of the Michael C. Carlos Museum at Emory University.
New York Live Arts has announced an array of winter and spring events for the Suitcase Fund, Live Arts' signature international artist and cultural exchange program. Events include Research Presentations by Serbian artists Saša Asenti?& Ana Vujanovi?, as well as Marijana Cvetkovi? Markovi? and Miki Braniste; and a two week research residency by South African choreographers Thabiso Pule & Thami Hector Manekhla, in partnership with Movement Research.
Bond Street Theatre has been awarded its second Global Connections 'In the Lab' grant by the Theatre Communications Group (TCG) in a nationwide competition. This support allows the company to continue its collaborative adaptation of Ben Johnson's Volpone with Thukhuma Khayeethe (Art Travelers) and prepare its world premiere in Yangon this spring ahead of an upcoming US tour.
Pam Tanowitz Dance makes its long awaited Joyce Theater debut from tonight, February 4 - 6. Presented by The Joyce Theater Foundation, this engagement will include a program of two new works by Tanowitz, a choreographer known for creating work that juxtaposes ballet with classic modern dance. The pieces, both world premieres, will feature live accompaniment.
Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, directed by Rob Melrose. In a city engulfed by riots a young Muslim man is killed after a confrontation with a security guard. His brother vows vengeance and attempts to take control over his seemingly written destiny. Rebels, vagrants, and officers of the law all seek asylum. Their elders, who have difficulty making sense of society's radical changes, are simultaneously dead and very much alive to bear witness to the resulting devastation. All hide in fear from unseen state forces as they contemplate the consequences of action and inaction.
The New York Philharmonic Young People's Concerts (YPCs) continue with a focus on Britten's The Young Person's Guide to the Orchestra, led by Philharmonic Assistant Conductor Joshua Weilerstein, today, February 1, 2014, at 2:00 p.m.
Theatre Communications Group (TCG) announced today the selection of Hartford Stage Dramaturg and Director of New Play Development Elizabeth Williamson for its Global Connections-ON the ROAD program, an initiative designed to foster new relationships between American and international artists. Williamson will meet this spring with the artistic leaders of the Teater no99 in the capital city of Tallinn in Estonia to explore a cultural exchange between the two companies.
Lisa Steindler, Artistic Director of Z Space announced a collaboration between the world premiere of Hundred Days, a folk rock odyssey, and San Francisco's popular Noise Pop Festival. The Thursday, February 27 preview has been designated as a special performance to be included in the Noise Pop Festival lineup. Conceived and created by up-and-coming duo The Bengsons, Hundred Days redefines the concert as well as the musical theater experience. As part of San Francisco's favorite indie music, arts and film festival, the preview on February 27 comes days before the show's world premiere on Saturday, March 1. Hundred Days runs through April 6, 2014 at Z Space (450 Florida Street, San Francisco).
When Renée Fleming returns to LA Opera this spring to headline the Company's first performances of A Streetcar Named Desire, General Director Plácido Domingo promises that it will be an experience to savor.
New York Live Arts presents the U.S. premiere of Kimberly Bartosik/daela's You are my heat and glare, February 26 - March 1 at 7:30pm in the third floor studios at New York Live Arts. Hailed by Dance Magazine as "one of the most intriguing descendants of Merce Cunningham," New York Dance and Performance "Bessie" Award-winning Bartosik, along with six other award-winning performers, take to the stage in this multi-disciplinary production created especially for the New York Live Arts studios.
The Huntington Theatre Company announces that the 2014 Breaking Ground festival of new plays will be held today, January 30 - February 2 at the Huntington's home for new work, the Calderwood Pavilion at the BCA.
Cutting Ball Theater continues its 15th season with Alfred Jarry's UBU ROI in a new translation by Rob Melrose. When UBU ROI premiered in Paris on December 10, 1896, the audience broke into a riot at the utterance of its first word. Jarry's parody of Shakespeare's Macbeth defies theatrical tradition through its scatological language and disregard for audience expectations, replacing Shakespeare's tragic hero with a greedy, sadistic, obscene ogre who becomes the king of Poland by force and through the debasement of his people. UBU ROI retains its relevance and may bring to mind the fall from grace of many a contemporary political leader corrupted by power, from Elliot Spitzer to Dominque Strauss-Kahn.
Theatre Communications Group (TCG), the national organization for theatre, has announced the Cycle A recipients for the third round of Global Connections. Supported by The Andrew W. Mellon Foundation, this grant program encourages reciprocity and cultural exchange throughout the world through ON the ROAD grants to foster new relationships with international colleagues and IN the LAB grants to further pre-existing international collaborations. Now in its third year, the Global Connections program awarded up to $5,000 to seven projects through ON the ROAD and $10,000 to three projects through IN the LAB.
Playwrights Horizon begins accepting entries today, Wednesday, January 29, for its popular LIVEforFIVE online lottery for $5 tickets to the New York premiere of STAGE KISS, a new play by two-time Pulitzer Prize finalist and Tony Award nominee Sarah Ruhl (Dead Man's Cell Phone at PH, The Clean House, In the Next Room..., Eurydice) and directed by Rebecca Taichman (Milk Like Sugar at PH, Marie Antoinette, Ms.Ruhl's Orlando, The Scene, Luck of the Irish).
