What happens when a good-looking, double-crossing cross-dresser meets her match(es) in beautiful costumes designed by leading French artist Annette Messager ("a bold messenger of feminist art," The New York Times)? The very French La Double Coquette, Ensemble Amarillis' charming update of an opera comique by Antoine Dauvergne, first presented in 1753. Glorious voices bring Dauvergne's gorgeous score to life, with 32 additions - supplements, asides, codas, and new harmonies that seamlessly complement the original score -- by contemporary French composer Gerard Pesson, and a cheeky, updated libretto by French poet Pierre Alferi. In a plot reminiscent of a farce by Marivaux, two women compete for the same fickle lover. The acoustic heaven of the Alexander Kasser Theater is the perfect place to hear this lovely baroque classic (sung in French with English and French supertitles) performed by a gifted cast and the superb musicians of the 11-member Ensemble Amarillis. Amarillis is now one of Europe's most original Baroque ensembles, known for its fine sound and excellent instrumental technique. Fresh from the Spoleto Festival, this is the NY/NJ area premiere of this saucy chamber opera produced by Festival d'Automne a Paris.
Theatre Communications Group (TCG), the national organization for theatre, proudly announces that the 27th annual TCG National Conference will take place in Portland, OR from June 8 to 10, 2017. The TCG National Conference provides the largest forum for the national theatre community to assemble for artistic and intellectual exchange. The multi-day event draws hundreds of theatre professionals from around the world for meetings, speeches, performances, and opportunities to explore the local theatre community.
(CHICAGO, IL) The Chicago Dancemakers Forum, together with the New England Foundation for the Arts, is excited to announce a grant of $25,000 from The Richard H. Driehaus Foundation to support the Chicago Regional Dance Development Initiative.
American Opera Projects (AOP) announces it is the recipient of several recent grants to support the creation of new operas in partnership with various producing organizations.
The League of American Orchestras' 2016 National Conference in Baltimore, June 9-11, will focus on orchestra diversity and inclusion, offering expert speakers from within the field and beyond, as well as a series of plenary and elective sessions on diversifying orchestra musicians, boards of directors, audiences, and the workplace. The Conference will welcome orchestra managers, musicians, staff, trustees, and volunteers from across the U.S.; it is the first League Conference to take place in Baltimore.
Houston, January 13, 2016—Houston Grand Opera (HGO) will present the world premiere of The Root of the Wind Is Water, a chamber opera by composer David Hanlon and librettist Stephanie Fleischmann, directed by Matthew Ozawa, on May 13 at 7 p.m. at the Wortham Theater Center and on May 15 at 7 p.m. at The Grand 1894 Opera House in Galveston. Presented under the auspices of HGOco, the company's community collaboration and education initiative, The Root of the Wind Is Water explores the impact of hurricanes on the Texas Gulf Coast through the eyes of the residents who call the region home. The opera will be HGO's 61st world premiere.
Following last month's announcement of the incoming Jerome and Many Voices Fellows, the Playwrights' Center is pleased to introduce the 2016-17 McKnight National Residency and Commission recipient, two 2016-17 McKnight Fellows in Playwriting, six new Core Writers and three 2016-17 Core Apprentices. McKnight Theater Artist Fellows will be announced in June.
ODC Theater will present the ninth home season of Hope Mohr Dance, a company esteemed for its 'rigorous conceptual approach to fundamental questions about the body in space and time' (Dance View Times). A company-in-residence at ODC, Hope Mohr Dance will perform a double bill featuring the world premiere of Manifesting, a dance theater work inspired by art manifestos, and the revival of Stay, Mohr's choreographic response to paintings of Francis Bacon. Hope Mohr Dance's ninth home season runs June 9 - 11, Thursday to Saturday at 8 p.m. Tickets are $30 - $45, and may be purchased online at odcdance.org/tickets.
Previews are underway for Theatre for a New Audience's production of August Strindberg's THE FATHER in a new version by Scottish author David Greig commissioned by Theatre for a New Audience and performances start tonight, May 10, at 7:30pm for A DOLL'S HOUSE in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937.
What happens when a good-looking, double-crossing cross-dresser meets her match(es) in beautiful costumes designed by leading French artist Annette Messager ("a bold messenger of feminist art," The New York Times)? The very French La Double Coquette, Ensemble Amarillis' charming update of an opera comique by Antoine Dauvergne, first presented in 1753. Glorious voices bring Dauvergne's gorgeous score to life, with 32 additions - supplements, asides, codas, and new harmonies that seamlessly complement the original score -- by contemporary French composer Gerard Pesson, and a cheeky, updated libretto by French poet Pierre Alferi. In a plot reminiscent of a farce by Marivaux, two women compete for the same fickle lover. The acoustic heaven of the Alexander Kasser Theater is the perfect place to hear this lovely baroque classic (sung in French with English and French supertitles) performed by a gifted cast and the superb musicians of the 11-member Ensemble Amarillis. Amarillis is now one of Europe's most original Baroque ensembles, known for its fine sound and excellent instrumental technique. Fresh from the Spoleto Festival, this is the NY/NJ area premiere of this saucy chamber opera produced by Festival d'Automne a Paris.
The garage door of an actual private home becomes a curtain, rising on Meredith, a single woman who has filled her garage with supplies for any emergency.
Acclaimed Off-Broadway theater company Playwrights Horizons has announced details for its 2016 Online Auction. Bidding for the auction, which will feature an eclectic array of items, getaways, theater tickets, sports items, celebrity meet and greets, celebrity experiences and unique opportunities, begins today, Tuesday, May 3 at 12 Noon at www.CharityBuzz.com/PlaywrightsHorizons. Online bidding will continue through Thursday, May 19.
New Brunswick, NJ – The historic re-establishment of trade between Japan and Western nations in 1853 also greatly influenced art and culture throughout the second half of the 19th century. Exhibitions at museums and world's fairs introduced Asian artists and traditions in North America and Europe, where artists enthusiastically embraced subjects, compositions, and materials they rarely – if ever – had seen before. The Zimmerli Art Museum's new exhibition “Infinite Opportunities Offered in Color”: Prints by Helen Hyde and Bertha Lum, on view through July 31, features 35 works by two American artists who, in turn, disseminated these artistic developments to audiences back home. Both artists spent considerable time living abroad in Asia and recognized the unique artistic possibilities for representing traditional aspects of life in an area of the world that was rapidly modernizing. They mastered complex color printing techniques and depicted aspects of Japanese and Chinese culture that essentially had been absent in the West. Because these artists generally are presented in survey exhibitions, this is a rare opportunity to view a significant group of works by either artist.“Infinite Opportunities Offered in Color” also complements other works on view from the Zimmerli's permanent collection, including examples of the Japonisme movement and a gallery that commemorates Rutgers' historic relationship with Japan.
Previews begin Sunday, May 1, at 7:30pm for Theatre for a New Audience's production of August Strindberg's The Father in a new version by Scottish author David Greig commissioned by Theatre for a New Audience and Tuesday, May 10, at 7:30pm for A Doll's House in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937. The plays, both directed by Arin Arbus, Associate Artistic Director of Theatre for a New Audience, feature Maggie Lacey as Nora in A Doll's House and as Laura in The Father and John Douglas Thompson as Thorwald in A Doll's House and the Captain in The Father.
Following a rigorous application and audition process, the University of Cincinnati College-Conservatory of Music (CCM) and the Cincinnati Symphony Orchestra (CSO) have selected five outstanding string musicians for the inaugural class of CSO/CCM Diversity Fellows.
WASHINGTON, D.C. -The Washington Ballet will hold THE BOWIE QUEEN BALL to support education and community engagement programs including THEARC and the extensive public school program DanceDC. Sponsorships are available. The annual gala enables hundreds of children at THEARC in Ward 8 and in the DanceDC program to experience significant dance training and to achieve greater academic and life skills.
As part of its 2015-2016 Producing Season, HERE presents the Artistic Director production, IDIOT, conceived by writer Robert Lyons (Text) and HERE Artistic Director Kristin Marting (Director, Choreographer), adapted from Fyodor Dostoevsky's The Idiot.
The National Park Service in partnership with Nai-Ni Chen Dance Company presents the Ellis Island Asian American Heritage Festival on Sunday, May 15, 2016, with ceremony and performances starting at 12 noonat The Great Hallat Ellis Island, located on the second floor of the main Ellis Island building.
