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Foa, Kind, Ojeda, Etc. Join Bay Street 'Lady in Question'

Barrett Foa, Richard Kind, Perry Ojeda, Candy Buckley and Ana Reeder join the previously announced Charles Busch, Julie Halston, Matt McGrath and Larry King for Busch's The Lady in Question, which plays the Bay Street Theatre in Long Island later this month

Arkin, Baker, Pawk Star in MTC's Losing Louie; Opens 10/12

Manhattan Theatre Club (Lynne Meadow, artistic director; Barry Grove, executive producer) is pleased to announce full casting for the American premiere of Simon Mendes da Costa's LOSING LOUIE at the Biltmore Theatre. Previews for LOSING LOUIE begin Thursday, September 21 for a Thursday, October 12 opening.

Manhattan Theatre Club Announces '06-'07 Slate

MANHATTAN THEATRE CLUB (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) is pleased to announce upcoming productions for its 2006-2007 season, including two shows on Broadway at the Biltmore Theatre (261 West 47th Street) and four productions at MTC's Off-Broadway theatres at Stage I and Stage II at New York City Center (131 West 55th Street). A third Biltmore production will be announced at a later date.

Lawrence Sacharow, Obie Award-Winning Director Dies

Lawrence J. Sacharow, director of the theatre program at Fordham College at Lincoln Center, and Obie Award-winning director of Len Jenkin's 'Five of Us,' died Monday, August 14, at New York Hospital, of complications from leukemia. He was 68.

The Wooden Breeks: Grave Errors

Glen Berger's dark, yet whimsical fairy-tale comedy is an enjoyable tale full of quirky charm

MCC Delays Opening Night of The Wooden Breeks by One Week to February 21

MCC THEATER today announced that the New York premiere of The Wooden Breeks by Glen Berger, directed by Trip Cullman, will now open one week later on Tuesday, February 21, 7pm at the Lucille Lortel (121 Christopher Street) in order to implement further artistic changes.

Talent Shines but Script Lacks in 'Carol Mulroney'

Sometimes, a great actor-or even a great group of actors-can't revive a lifeless script. Even with the help of clever staging, unique lighting, original music, and a simple but effective set, the script just drags everything down and screams to be rewritten with each passing scene. This scenario is unfortunately the case with Stephen Belber's Carol Mulroney...

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