The Fini Dance Festival and Awards returns to the Ailey Citigroup Theater to present a gala performance and presentation of awards to outstanding figures in the dance community, August 31 at 8 PM, hosted by Milan's charming actress/TV personality Tabata Caldironi.
Casting for American Ballet Theatre’s 2022 Fall season has been announced. Principal Dancers for the 2022 Fall season include Joo Won Ahn, Aran Bell, Isabella Boylston, Skylar Brandt, Daniel Camargo, Herman Cornejo, Thomas Forster, and more.
The Fini Dance Festival and Awards returns to the Ailey Citigroup Theater to present a gala performance and presentation of awards to outstanding figures in the dance community, August 31 at 8 PM, hosted by Milan's charming actress/TV personality Tabata Caldironi. Founded in 2011 in Calabria Italy by Calabria native Antonio Fini, the annual event celebrates artists from Italy and New York, sharing a program in a spirit of exchange and collaboration.
Programming for American Ballet Theatre’s 2022 Fall season, October 20–30 at the David H. Koch Theater, was announced. The season will be highlighted by the World Premiere of Christopher Rudd’s new work Lifted, and more.
The opening night for MacMillan’s Romeo and Juliet, a production much loved by the audiences of Covent Garden, saw another dubious opportunity for Artistic Director Kevin O’Hare to take to the Opera House stage and announce “significant changes” to the billed cast. Cue much sighing from the near-full auditorium as it was revealed Marianela Nunez and Federico Bonelli would be stepping in for an isolating Natalia Osipova and Reece Clarke. As replacements go, it’s not bad.
At Sadler’s Wells we have an ambitious mission: ‘make and share dance that inspires us all.’ Core to our work on Sadler’s Wells Digital Stage is thinking a lot about the ‘us all’ bit of this mission. How can we best use this space to genuinely provide access to world-class dance experience to us all?
There’s a particular anticipation for this new triple bill from Birmingham Royal Ballet. In a programme that feels like the start of a new chapter, after being first trailed in Autumn of 2019, Artistic Director Carlos Acosta finally has the opportunity to share his Curated ... works to a London audience. It’s an evening that feels distinctly current and contemporary but with the added star power of Acosta himself taking to the stage once more for a fleeting pas de deux with guest ballerina, Alessandra Ferri.
Curated by Carlos will be available as a digital screening, for audiences around the world to watch wherever they may be. This creates access for a global audience to witness the triple bill which includes the world premiere at Sadler's Wells Theatre of a new pas de deux created especially for Carlos Acosta and Alessandra Ferri by Chacona choreographer Goyo Montero.
Throughout the month of October The Royal Opera House will present live-streamed performances featuring artists from both The Royal Ballet and The Royal Opera, alongside a range of archival content and dedicated social media takeovers from our global community of Black creatives and performers.
Celebrating 40 years of association with The Royal Ballet, world renowned ballerina Alessandra Ferri returns to the Linbury Theatre this October for L'Heure Exquise: Maurice Béjart's interpretation of Samuel Beckett's play Oh les beaux jours (Happy Days).
The Royal Opera House is one week away from the start of its first full Season since 2019, opening its doors to the public every day from 12pm and premiering with The Royal Opera’s spectacular new production of Verdi’s Rigoletto on September 13 and, for The Royal Ballet, a sumptuous performance of Kenneth MacMillan’s much-loved production of Romeo and Juliet on 5 October.
Sadler's Wells has announced a further three productions for autumn 2021, including a new production from Matthew Bourne's New Adventures, an off-site presentation from Charlotte Spencer in the Queen Elizabeth Olympic Park, and a triple bill from Birmingham Royal Ballet featuring Carlos Acosta and Alessandra Ferri.
For Birmingham Royal Ballet’s homecoming season at Birmingham Hippodrome, Sir Kenneth MacMillan’s passionate Romeo and Juliet choreography and Prokofiev’s glorious score will set hearts alight in this enduringly popular, classic interpretation of Shakespeare’s tragedy.
The season includes five world premieres from The Royal Ballet and The Royal Opera, classic revivals and a roster of international and UK talent performing across the two stages of the Royal Opera House.
Renowned dancer Misty Copeland and New York City Ballet principal dancers Sara Mearns and Tiler Peck each work closely on performance excerpts with another acclaimed dance artist in this virtual five-part Studio 5 series curated and hosted by dance critic and historian Alastair Macaulay. Participating guests include Nina Ananiashvili, Merrill Ashley, Alessandra Ferri, Stephanie Saland, and Pam Tanowitz.
Renowned dancer Misty Copeland and New York City Ballet principal dancers Sara Mearns and Tiler Peck each work closely on performance excerpts with another acclaimed dance artist in this virtual five-part Studio 5 series curated and hosted by dance critic and historian Alastair Macaulay. Participating guests include Nina Ananiashvili, Merrill Ashley, Alessandra Ferri, Stephanie Saland, and Pam Tanowitz.
Bringing the history, artistry and optimism of American Ballet Theatre to homes across the world, ABT presents American Ballet Theatre: Together Tonight, a gala celebration of new work created in social isolation and historical film footage to be streamed on American Ballet Theatre's YouTube.
Since taking the lead as Birmingham Royal Ballet's Director just three months ago, Carlos Acosta certainly hasn't had the easiest time of it. His ambitious first season of programming - featuring Don Quixote, Romeo and Juliet, their popular Nutcracker and a exciting Curated by Carlos bill featuring Alessandra Ferri - is on hold for now thanks to Coronavirus, but Acosta has not shied away from trying something new. Quickly shifting into Home From Home mode, Acosta and co. have experimented with performance and social distancing to create a specially adapted version of The Dying Swan, or as it is known here as simply The Swan.