Alberta Hunter News

Milwaukee Repertory Theater is presenting Chasin' Dem Blues: Untold Story of Paramount Records, running January 17 thru March 22, 2020 to the Stackner Cabaret. 

Casting has been announced for the upcoming New York City premiere of Leaving the Blues, a new play by Jewelle Gomez, directed by Mark Finley. Rosalind Brown (original Broadway productions of Footloose and One Mo' Time) will play the lead role of Alberta Hunter, the great American jazz singer and songwriter. The cast also features Michael Michele Lynch, Joy Suddath, Cooper Sutton, Benjamin Mapp, Ameerah Briggs, Tsebiyah Mishael Derry and Erik Ransom.

The cabaret sensation will help the patrons of 54 Below ring in the New Year with a brand new show... and this time he's doing something he has never done before.

THE NEW YORKER NEW YORK FESTIVAL OF SONG presents a new show that sheds light on Harlem's gay underground: Tain't Nobody's Business If I Do: Songs from Gay Harlem

The Flea Theater announces its winter 2019-2020 Anchor Partners, an initiative designed to support small independent theater, music and dance companies. This season, The Flea welcomes companies Tiffany Mills Company, Elisa Monte Dance, Notch Theatre Company, Gabrielle Revlock, The Bang Group and TOSOS.

Actress/singer, Leslie Orofino returns with SHINE the music/lives of 4 fearless women - when things got tough - they got stronger - and became the stars that shine even today ...Lady Gaga, Peggy Lee, Dorothy Fields and Alberta Hunter at Don't Tell Mama. It's a mixture of broadway, blues, jazz, contemporary and a whole lot of fun. She will be accompanied by Tracy Stark on piano and Boots Maleson on bass. Louis Pietig director.

Leslie Orofino will be returning with SHINE the music/lives of 4 fearless women ~ when things got tough ~ they got stronger ~ and became the stars that shine even today ...Lady Gaga, Peggy Lee, Dorothy Fields and Alberta Hunter to N.Y. and Ct. It's a mixture of broadway, blues, jazz, contemporary and a whole lot of fun. She will be accompanied by musicians, Tracy Stark on piano and Boots Maleson on bass. Louis Pietig is directing. Limited seating ~ reservations highly recommended.

The artistry of four remarkable women is showcased in Leslie Orofino's new cabaret show, SHINE!

Actress/singer, Leslie Orofino brings her sensational new show SHINE- the music/lives of 4 fearless women ~ who when things got tough ~ they got stronger ~ and became the Stars that Shine even today ... Lady Gaga, Peggy Lee, Dorothy Fields and Alberta Hunter to N.Y. and Ct. It's Broadway, Blues, Jazz, Contemporary and a whole lot of fun! Musicians, Kenneth Gartman on piano and Boots Maleson on bass. Louis Pietig-Director. Limited seating ~ Reservations highly recommended.

The universal language of the blues wails out full and strong in Blues in the Night a?" a dynamite a?oedramatic revuea?? of twenty-six hot and torchy numbers that tell the sweet, passionate and sorrowful experiences of three women and a saloon singer. Their interweaving stories are defined through glorious songs which cover the range of this indigenous American art form.

On Fridays, April 12 and 26th at BJ Ryan's Magnolia Room in Norwalk Ct. actress/singer Leslie Orofino is bringing her show SHINE ~ the music/lives of four fabulous women....Peggy Lee, Alberta Hunter, Dorothy Fields and Lady Gaga.

Artistic Director Mark Clements and Executive Director Chad Bauman have just announced Milwaukee Repertory Theater's 2019/20 Season, which celebrates the 10th Anniversary Season of Artistic Director Mark Clements with 15 productions across four venues in the Patty & Jay Baker Theater Complex.

Continuing its 35th Anniversary season, Urban Stages (Frances Hill, Founding Artistic Director; Tom Toce Producer) proudly announces the line-up for this year's award-winning series, WINTER RHYTHMS 2018, which will begin Wednesday, December 12 featuring some of New York's best musical performances through Saturday,December 22, 2018 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).

TOSOS presents its upcoming production of Waiting for Giovanni at The Flea Theater. A great American writer at a pivotal moment in his career is the subject of a play by another iconic American author.

TOSOS presents its upcoming production of Waiting for Giovanni at The Flea Theater. A great American writer at a pivotal moment in his career is the subject of a play by another iconic American author.

ENSEMBLE THEATRE COMPANY announces the fifth and final show of its 2017-2018 Season, a musical about the extraordinary life of an extraordinary woman. Infused with jazz and blues, COOKIN' AT THE COOKERY: The Music And Times Of Alberta Hunter is written, directed and choreographed by Marion J. Caffey with music direction by George Caldwell.

This music-infused interpretation of the Alberta Hunter's life is a true American rags-to-riches success story. Hunter, a jazz and blues singer, achieved critical and commercial acclaim in the 1920s-50s. In the late 1950s, she abruptly abandoned music to become a nurse. Several decades later, Hunter retired from nursing and returned to the stage for a two-week engagement at renowned New York blues bar, The Cookery. At age 82, this jazz legend rekindled the public's love for her powerful voice and spirit-her two-week stint at the Greenwich Village nightclub stretched into a multi-year, late-in-life comeback.

ENSEMBLE THEATRE COMPANY is thrilled to announce the fifth and final show of its 2017-2018 Season, a musical about the extraordinary life of an extraordinary woman. Infused with jazz and blues, COOKIN' AT THE COOKERY: The Music And Times Of Alberta Hunter, written, directed and choreographed by Marion J. Caffey with music direction by George Caldwell, begins previews on Thursday, June 7, opens on Saturday, June 9, and runs through Sunday, June 24, 2018 at The New Vic, 33 W. Victoria Street in Santa Barbara.

When the radiant, intellectual soprano Julia Bullock stepped on stage Carnegie Hall's intimate venue, Weill Recital Hall (just 268 seats), to wild applause, I felt like I was the only one hearing her “live” for the first time. Everyone else there seemed to have a personal relationship with her and her artistry. I'd somehow missed her “live,” in previous recitals and in the title roles of CENDRILLON and CUNNING LITTLE VIXEN at Juilliard. My loss--and a significant one.