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BIO

René Orth is a composer whose music critics have praised for its dramatic force and immediacy. Classical Voice North America describes her as a “master composer” with a “sophisticated sound world,” while The Washington Post has noted the “unexpected immediacy” of her musical voice. Together, these assessments reflect a composer whose music combines emotional directness with a distinctly contemporary dramatic sensibility, often blending acoustic forces with electronics.


Orth recently completed a three-year tenure as Composer-in-Residence at Opera Philadelphia. During the 2023–24 season, Opera Philadelphia presented the world premiere of 10 Days in a Madhouse, co-commissioned by Opera Philadelphia and Tapestry Opera. The work went on to win the 2024 MCANA Best New Opera Award, was a finalist for “Best World Premiere” at the 2024 International Opera Awards, and was named #1 on The Washington Post’s “Best of Classical Music in 2023.” The New York Times wrote, “opera needs works like 10 Days, which treats the medium with affection and respect while also chafing at its tropes throughout history.” With a libretto by Hannah Moscovitch, the psychological drama follows trailblazing journalist Nellie Bly through her internment at Blackwell’s Asylum, exposing notions of madness and the societal biases historically imposed on women. The premiere starred Kiera Duffy, Raehann Bryce-Davis, and Will Liverman, conducted by Daniela Candillari, with direction by Joanna Settle.

In the 2026-27 season, Orth’s work continues to expand across orchestral, chamber, and operatic forms. Upcoming premieres include a Harp and Percussion Concerto with San Francisco Symphony under the baton of Esa-Pekka Salonen, a song cycle for countertenor Randall Scotting with text by Jerre Dye, new songs for Lyric Fest and the Curtis Institute of Music, and the anticipated release of the studio recording of 10 Days in a Madhouse with the original cast and Judy Sherman as music producer.

Recent projects span opera, song, and chamber music. Orth has composed a song cycle for Vocal Arts DC for mezzo-soprano Daniela Mack, premiered at The Kennedy Center; written A Prayer, a new song for baritone Will Liverman’s GRAMMY®-nominated album Show Me the Way on Cedille Records, conceived as a duet with mezzo-soprano J’nai Bridges and setting a poem by Sara Teasdale; and created an electronics-and-voice work for mezzo-soprano Raehann Bryce-Davis’s debut album, Stand the Storm. The Chautauqua Institution developed Orth’s chamber opera Love, Loss, and the Century Upon Us (libretto by Jerre Dye) as part of the larger work A Summer Place, which premiered in summer 2024.

Earlier seasons included the premiere and international touring of Weave Me a Name, performed by soprano Emily Albrink and pianist Kathleen Kelly across the United States and in France, and recorded on Albrink’s debut album Force of Nature (Lexicon Classics). Orth received First Prize in the 2023 National Association of Teachers of Singing (NATS) Art Song Composition Award for the work, which was also performed at the 58th NATS National Conference and the Cincinnati Song Initiative. Additional highlights include performances of You Shattered My Deafness with Marlboro Music featuring soprano Lauren Pearl, and Dear Colleagues, sung by mezzo-soprano Sasha Cooke at Kaufman Music Center as part of her how do i find you project.

Orth's music has been performed by a wide range of opera companies and orchestras, including Washington National Opera, Fort Worth Opera, Curtis Opera Theatre, Berkeley Symphony, New World Symphony, Louisville Orchestra, Summerville Orchestra, Juilliard Youth Symphony, and Festival d’Aix-en-Provence. Collaborators include Pulitzer Prize–winning librettist Mark Campbell, the Dover, Aizuri, and Del Sol Quartets, Fifth House Ensemble, Anthony Roth Costanzo, Daniela Mack, Blythe Gaissert, Will Liverman, Seraph Brass, Rock School of Dance, and Pennsylvania Ballet.

Orth’s operatic works have also reached audiences through film screenings at the Philadelphia Film Center, Bryn Mawr Film Institute, Ambler Theater, County Theater, Colonial Theater, and Princeton Garden Theatre, as part of Opera Philadelphia’s Opera on Film initiative and the Opera Philadelphia Channel.

Honors and distinctions include OPERA America Commissioning and Discovery Grants, an American Composers Forum Subito Grant, a Kentucky Foundation for Women Artist Enrichment Grant, and the 2023 NATS Art Song Composition Award. Orth has been in residence at Festival d’Aix-en-Provence, Yaddo, the Virginia Center for the Creative Arts, the Orchard Project Greenhouse, Avaloch Farm Institute, Tapestry Opera, the Lake Champlain Music Festival, and Luzerne Music Center.

René Orth is a graduate of the Curtis Institute of Music, where she held the Edward B. Garrigues Fellowship. She received her M.M. in Music Composition from the University of Louisville as a Moritz von Bomhard Fellow and holds additional degrees from MediaTech Institute and Rhodes College. She lives in Valencia, Spain with her husband and three children.

News

Opera Philadelphia's COMPLICATIONS IN SUE by Michael R. Jackson Will Be Released
by Stephi Wild - Aug 7, 2026

BCM&D Records has announced the release of Complications in Sue, the world premiere recording of the opera by Pulitzer and Tony Award-winning playwright Michael R. Jackson (A Strange Loop) with music by ten composers.
Interview: Daniela Candillari Shares Her Insights on Music, the Twin Cities, and What Brought Her to Music
by Joe Sarafolean - Jul 16, 2026

A conductor holds all of the power when they are on the podium but when they step off, they are filled with a plethora of insight and esteem for their craft. Broadway World sat down with the illustrious Principle Conductor Daniela Candillari prior to her debut with the Minnesota Orchesta July 31-August 1.
Conductor Daniela Candillari to Lead American Opera Productions Across U.S. and Europe
by Chloe Rabinowitz - Jun 29, 2026

Daniela Candillari has revealed 2026–2027 season anchored by performances at Boston Lyric Opera and Lyric Opera of Chicago, alongside debuts with Seattle Opera and Baluarte Teatro in Spain.
Review: 10 DAYS IN A MADHOUSE at Bluma Appel Theatre: St. Lawrence Centre For The Arts
by Keira Grant - Jun 18, 2026

Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can. Score, libretto, set, costumes, lighting, and vocal and orchestral performances of the highest quality mingled into something that was more than the sum of its parts, rendering a haunting true story with more nuance and pathos than theatre, film, or literature alone could have achieved.
10 DAYS IN A MAD HOUSE To Premiere In Canada At Luminato Festival
by Marissa Faith Curley - Apr 17, 2026

Composer Rene Orth’s award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company. 
10 DAYS IN A MADHOUSE Opera Gets Canadian Premiere at Luminato Festival
by A.A. Cristi - Apr 7, 2026

Composer Rene Orth's award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company.
10 DAYS IN A MADHOUSE Will Make Canadian Premiere at Luminato Festival
by Stephi Wild - Apr 7, 2026

Rene Orth and Hannah Moscovitch's opera 10 DAYS IN A MADHOUSE will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company, running June 16-21, 2026.
LUMINATO FESTIVAL Will Hold 20th Anniversary Celebrations in Toronto
by Stephi Wild - Mar 31, 2026

The LUMINATO FESTIVAL will celebrate its 20th anniversary with a series of events in Toronto. The festival aims to highlight various artistic expressions and cultural experiences throughout its duration.
San Francisco Symphony Reveals 2026–27 Season, Featuring 26 Guest Conductors and More
by Chloe Rabinowitz - Mar 26, 2026

The San Francisco Symphony has revealed details of the Orchestra’s 115th season. The 2026–27 season features 26 guest conductors, including five making their Orchestral Series debuts, alongside a lineup of returning and debuting guest artists.
Works & Process to Present Opera Philadelphia COMPLICATIONS IN SUE by Michael R. Jackson
by Chloe Rabinowitz - Dec 18, 2025

Works & Process will present Opera Philadelphia for a preview performance of Complications in Sue by Michael R. Jackson. This preview of Complications in Sue shows how one librettist, one actor, four singers, and ten composers joined forces.
Opera Memphis Will Receive National Endowment For The Arts Grant For America250 Projects
by A.A. Cristi - Dec 18, 2025

Opera Memphis has been awarded a National Endowment for the Arts grant as part of the America250 initiative. The funding will support two performances honoring American cultural figures during the company’s 2025–2026 season.
Opera Philadelphia Will Premiere COMPLICATIONS IN SUE With Music By Ten Composers In February 2026
by A.A. Cristi - Dec 11, 2025

Opera Philadelphia will unveil COMPLICATIONS IN SUE, a new opera by Pulitzer and Tony winner Michael R. Jackson, at the Academy of Music in February 2026. Inspired by an idea from Justin Vivian Bond and scored by ten composers.
10 DAYS IN A MADHOUSE to Make Canadian Premiere at the Bluma Appel Theatre
by Chloe Rabinowitz - Nov 28, 2025

10 Days in a Madhouse is a bold contemporary opera from innovative American composer Rene Orth and acclaimed Canadian playwright Hannah Moscovitch that will make its Canadian premiere in four performances at the Bluma Appel Theatre.
Performer & Composer Nathalie Joachim Named Opera Philadelphia's Composer in Residence
by Emmy Rice - Jul 19, 2025

Grammy-nominated performer and composer Nathalie Joachim, a Haitian American artist hailed for being “a fresh and invigorating cross-cultural voice” (The Nation) will serve as Opera Philadelphia’s Composer in Residence for the upcoming 2025-2026 Season.
Nathalie Joachim Named Composer in Residence For Opera Philadelphia's 2025-2026 Season
by Stephi Wild - Jul 16, 2025

Grammy-nominated performer and composer Nathalie Joachim, a Haitian American artist will serve as Opera Philadelphia's Composer in Residence for the upcoming 2025-2026 Season.
Michael R. Jackson's COMPLICATIONS IN SUE Opera and More Set for Philadelphia Opera 2025/26 Season
by A.A. Cristi - Apr 3, 2025

Opera Philadelphia has revealed the lineup for its upcoming 2025-2026 Season. February brings the World Premiere of Complications in Sue to the Academy of Music for four performances.
Mezzo-Soprano Raehann Bryce-Davis Announces Debut Album Evolution
by A.A. Cristi - Mar 29, 2025

Internationally acclaimed opera singer, mezzo-soprano Raehann Bryce-Davis, is set to release her highly anticipated debut album Evolution, via Lexicon Classics, on April 11, 2025.
Opera On The Avalon Introduces Innovative Young Artist/New Commission Series
by A.A. Cristi - Mar 26, 2024

Opera on the Avalon launches the Young Artist/New Commission Series, a bold initiative aimed at redefining the future of opera and musical theatre. The series is part of their commitment to creative programming and addressing contemporary themes.
Daniela Candillari to Lead Arizona Opera's DON GIOVANNI
by Chloe Rabinowitz - Mar 13, 2024

Daniela Candillari's 2023-2024 season will continue in April with a return to Arizona Opera, where she will lead four performances of Mozart's Don Giovanni in Phoenix. Learn more and see how to purchase tickets!
Review: Sierra, Bernheim Soar in the Met's ROMEO ET JULIETTE
by Richard Sasanow - Mar 10, 2024

While I’ve admired soprano Nadine Sierra’s before, she seemed to reach a whole new level with her glorious turn as Juliette in the season’s first performance of Gounod’s ROMEO ET JULIETTE at the Met the other night. She was vivid and a delight to watch as she inhabited the teenaged heroine of the piece. Perhaps it was her stage partner, French tenor Benjamin Bernheim, who egged her on to such heights, with his nuanced singing and boyish demeanor.

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