Rachel Kurland

The Weston Playhouse continues its tradition of bringing the hottest new titles from New York to Vermont audiences with the Vermont Premiere of the hit Off Broadway comedy, BUYER & CELLAR, beginning August 10 at Weston's intimate OtherStages. 

Each season, Weston Playhouse Theatre Company lives up to the challenge of producing a schedule that appeals to its wide-ranging and devoted audience. Family-friendly events, blockbuster musicals, and masterworks are off-set by critically-acclaimed contemporary plays and performances. Fresh from an extended Off-Broadway run, Murder for Two is one of these remarkable pickups, just in time for the Company's 80th anniversary season! It opens August 11 on Weston's second stage. Two actors play thirteen roles - and one piano - delivering 90 minutes of music, mayhem, and murder. Come along for the ride as small town cop Marcus Moscowicz desperately tries to solve the murder of Great American Novelist Arthur Whitney before the real detective shows up.

Souvenir, presented by Vermont Stage Company at Town Hall Theater will close on February 13. The show tells the story of one such artist: Florence Foster Jenkins, a singer of such overwhelming confidence and yet so utterly lacking in musical ability that she became an absolute sensation in New York City in the 1930s - for all the wrong reasons.

Souvenir, presented by Vermont Stage Company at Town Hall Theater February 11-13, tells the story of one such artist: Florence Foster Jenkins, a singer of such overwhelming confidence and yet so utterly lacking in musical ability that she became an absolute sensation in New York City in the 1930s - for all the wrong reasons.

'So bad, it's good.' We've often heard it said about movies, TV shows, American Idol performances and countless other instances where the ambitions of the artists didn't quite match the experience of the audience.

Souvenir, presented by Vermont Stage Company at Town Hall Theater February 11-13, tells the story of one such artist: Florence Foster Jenkins, a singer of such overwhelming confidence and yet so utterly lacking in musical ability that she became an absolute sensation in New York City in the 1930s - for all the wrong reasons.

'So bad, it's good.' We've often heard it said about movies, TV shows, American Idol performances and countless other instances where the ambitions of the artists didn't quite match the experience of the audience.

Stoneham Theatre's New England premiere of part two in John C. Picardi's Italian American epic teases the palate but leaves the audience hungry for more nourishment