Molly Callahan

On Glass dramatizes three of these true stories. Girls Who Walked On Glass relays to its audience the actual tale of horrors three young women have endured - such as rape, HIV, and domestic violence. We followed them room to room on their journeys, meeting the people they encounter who offer help and guidance along the way.

Three young women, three actually lived stories, three fights to make their voices heard. Alchemical Studios staged Girls Who Walked On Glass from April 7th through April 10th.

Three young women, three actually lived stories, three fights to make their voices heard. Alchemical Studios is set to stage Girls Who Walked On Glass from April 7th through April 10th.

Three young women, three actually lived stories, three fights to make their voices heard. Alchemical Studios is set to stage Girls Who Walked On Glass from April 7th through April 10th. In the 21st Century, the lives of women have become even more complex. Young women must struggle to navigate the dangers resulting from the choices they confront. Girls Who Walked On Glass dramatizes three of these true stories.

Karen Eleanor Wight and Jennifer Laine Williams read Annie La Russa's "YOU MOTHER" at the 3rd Annual UN-Auguration Short Play Fest, at Bernie Wohl, January 31st.

Karen Eleanor Wight and Jennifer Laine Williams read Annie La Russa's "YOU MOTHER" at the 3rd Annual UN-Auguration Short Play Fest, at Bernie Wohl, January 31st.

Tood, Weetsie, and Sybil are brides in rural Louisiana in 1943. Each married a Cliffert brother. The men are off to war and a local news story about these young wives keeping the home fires burning intrigues Henry Luce. He decides that they belong on the cover of Life Magazine and assigns Kate Miller to the story.

Tood, Weetsie, and Sybil are brides in rural Louisiana in 1943. Each married a Cliffert brother. The men are off to war and a local news story about these young wives keeping the home fires burning intrigues Henry Luce. He decides that they belong on the cover of Life magazine and assigns Kate Miller to the story. She has been covering the war in Europe and, though she views doing a 'women's piece' as a career set-back, she accepts because it will be her first cover story. Kate spends a week with the Cliffert women and her haughty urban attitude gives way to sympathy as she begins to understand them while coming face-to-face with her own powerlessness in a man's world. Filled with charm and fun, The Cover of Life is a deeply affecting story about the struggle for self-worth. 'A picture-perfect story' - New York Times.

Miller-Coffman Productions Proudly Presents The Cover of Life. The Cover of Life will make way to the Gene Frankel Theater in March! Directed by Stephen S. Miller.

Tickets are now on sale for THE COVER OF LIFE, opening March 8, 2018 at the Gene Frankel Theater, 24 Bond Street, NY.

Miller-Coffman Productions Proudly Presents - The Cover of Life The Cover of Life to make way to the Gene Frankel Theater in 2018! Directed by Stephen S. Miller

A reunion in rep: Jay Michaels joins 'Three Bites of the Apple' Robert Liebowitz' revival of some of his more recognized works has become a revival of sorts as Jay Michaels, producer and public relations executive, joins the company ... on stage.

A reunion in rep: Jay Michaels joins 'Three Bites of the Apple' Robert Liebowitz' revival of some of his more recognized works has become a revival of sorts as Jay Michaels, producer and public relations executive, joins the company ... on stage.

A reunion in rep: Jay Michaels joins 'Three Bites of the Apple' Robert Liebowitz' revival of some of his more recognized works has become a revival of sorts as Jay Michaels, producer and public relations executive, joins the company ... on stage.

Broken Heart Land, a Finalist in the 2012 Native American New Play Festival is a full-length play by Cherokee Nation playwright Vicki Lynn Mooney and directed by Tony White. Broken Heart Land is the heart wrenching story of Alma Wimsey, the mixed-blood daughter of a Cherokee father and white mother. At thirteen she is manipulated into an arranged marriage so that her white grandfather can gain control over her tribal land including the valuable railroad through Tulsa.