Michelle Yim

A show exploring the real story of the woman behind the legendary Chinese female warrior who disguised herself as a man to join the Empire’s army comes to Scarborough’s Stephen Joseph Theatre next month.

Mooncake by Nicola T. Chang and Isabella Leung, is available from 22 July, FOUND by Abi Zakarian, is released 5 August, and Rime of the Second Sister by Ava Wong Davies, is released 19 August.

An Open Letter has been written to Oliver Dowden, Secretary of State for Culture, from black, Asian, and ethnically diverse theatre artistic directors and cultural leaders. The letter was written to emphasize the importance  of protecting representation in the sector.

Don't expect a fluffy Disney tale here, this Mulan is visceral. She is a warrior, a fighter, a woman who survived in a very male world for ten years without discovery. There is no perfect make-up, no singing animals, just a gritty story of a soldier. Michelle Yim (The Empress and Me) brings to life our Chinese heroine whose legend inspired Disney's 'Mulan'.

After a successful sold-out tour in 2017, Mary Cooper and M.W. Sun's revealing and poignant play, From Shore to Shore/Piao Yang Guo Hai is set to return for a national tour from March 2019. Weaving together three moving stories drawn from different generations of British Chinese communities, From Shore to Shore/Piao Yang Guo Hai offers a chance to connect with, understand, and reflect upon the Chinese experience in the UK.

Southbank Centre's China Changing Festival returns from Thursday 4 - Sunday 7 October 2018 for a four-day grand finale showcasing contemporary Chinese culture, and its creative connection with the UK. Launched in December 2016, this three year international festival returns to London, for the final time, presenting some of the most innovative artists practising in China today and celebrating inspiring work from British-based Chinese and South East Asian artists.

An epic tale of lust, jealousy and revenge, DIAOCHAN: THE RISE OF THE COURTESAN finishes its UK tour with a three-week run at the Arts Theatre in the West End this May. The production comes courtesy of British East Asian theatre company Red Dragonfly. Ross Ericson has adapted for the stage The Romance of the Three Kingdoms - one of China's oldest tales, and often referred to as a Chinese Macbeth.

Dickens' classic in a revamped production