Michelle Valenti

What really happens "happily ever after"? That is among the questions answered in Stephen Sondheim's Into the Woods, to be presented by the Renaissance Players at Dickson's Renaissance Center, tonight, October 19-28 in the Anne Deason Performance Hall. The award-winning and critically acclaimed musical intertwines the plots of several Brothers Grimm fairy tales and follows them further to explore the consequences of the characters' wishes and quests.

What really happens "happily ever after"? That is among the questions answered in Stephen Sondheim's Into the Woods, to be presented by the Renaissance Players at Dickson's Renaissance Center, October 19-28 in the Anne Deason Performance Hall. The award-winning and critically acclaimed musical intertwines the plots of several Brothers Grimm fairy tales and follows them further to explore the consequences of the characters' wishes and quests.

Now onstage at Dickson's Renaissance Center, in a professional production at The Gaslight Dinner Theatre helmed by Pacer Harp, and featuring a cast of winning performers, 9 to 5: The Musical has Dolly's unmistakably sunny outlook-exemplified by her tuneful score for the show-and Patricia Resnick's sharply drawn characters and situations which are sure to please even the film's most ardent admirers.

Dolly Parton's "in the house," in spirit and in song, at Dickson's Renaissance Center with the debut of 9 to 5: The Musical at The Gaslight Dinner Theatre, running through October 13. The show, based on the hit 1980 movie starring Dolly Parton, Lily Tomlin and Jane Fonda, features a score by seven-time Grammy Award-winner Parton that includes the blockbuster title song plus 18 original numbers that mix Broadway with pop and Parton's signature witty lyrics.

Theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors to pay tribute to a group of eight remarkable people who have made indelible marks on the theater scene throughout their storied careers. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored the eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.

Pacer Harp and Bryan J. Wlas are serving up the laughs at Dickson's Gaslight Dinner Theatre via Red, White & Tuna, the third installment in the four-part "trilogy" (get it-four-part trilogy? Trilogies are actually three parts, so this is funny, y'all!) about Tuna, Texas, the third-smallest town in that reddest of red states (Jimmy Carter in the appropriately red, white and blue Bicentennial year of 1976 was the last Democratic presidential candidate to carry the state)

Just when you thought it was safe to go to the theater once again, we welcome you to the debut installment of Music City Confidential, all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating (okay, so we obviously don't have enough to occupy ourselves) live theater industry (we're trying that out-does it work? Let us know, theaterati!) Here amid the florid prose and flowery praise, you'll find all the stories that don't quite fit elsewhere, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…

Something's afoot at various Nashville area and Tennessee theaters this summer with all sorts of fun and frivolity being served up for audiences. Chaffin's Barn Dinner Theatre offers its sparkling revival of Fiddler On The Roof, starring Derek Whittaker and Debbie Kraski, while at Dickson's Renaissance Center, the Renaissance Players presents its new production of Bye Bye Birdie, starring Carl Blunt, Michelle Valenti, Marilyn Fair and Brad Burns. Meanwhile, up in Clarksville-at The Roxy Regional Theatre-audiences are enjoying 101 Dalmatians Jr. The Musical, featuring favorite Ryan Bowie in the role of a lifetime: Cruella DeVille.

Valenti (playing Rose Alvarez, Albert's girl Friday/girlfriend) and Fair (as his overbearing mother, Mae Peterson) pretty much dominate the action as they deliver perfectly-timed, expertly crafted performances as the two women in feckless Albert's life, ensuring that a good time will be had by all in the fast-moving, quick-paced and altogether entertaining show. Directed and choreographed by Bryan J. Wlas (who celebrated a birthday during the show's first weekend of shows) with musical direction by Nathan W. Brown, Bye Bye Birdie offers a delightfully nostalgic look back at the beginnings of rock-star idolatry and the evolving manners and social mores of the early 1960s.

Bye Bye Birdie-conjuring up memories of Elvis Presley and the fan fervor that greeted a lot of musical acts in the 1950s and '60s-takes center stage at Dickson's Renaissance Center in June as the Renaissance Players present the musical theater classic tonight, June 1 through June 17.

Bye Bye Birdie-conjuring up memories of Elvis Presley and the fan fervor that greeted a lot of musical acts in the 1950s and '60s-takes center stage at Dickson's Renaissance Center in June as the Renaissance Players present the musical theater classic June 1-17.

It makes no difference the region in which you were raised or now live, nor does the church in which you grew up or now worship and, seemingly, it doesn't matter what your ethnic heritage is: There is a commonality, a universality that binds us all together as a society. And while all of that is a given, it's driven home with the gentle humor and the good graces of Church Basement Ladies, the sweetly evocative and sometimes hilarious musical onstage at The Gaslight Dinner Theatre, in a warmly acted production directed by Nathan W. Brown.

Church Basement Ladies will serve up fun, food and a "delicious musical comedy," April 24-May 26, at The Gaslight Theatre in Dickson. Written by husband and wife team Jim Stowell and Jessica Zuehlke, with music and lyrics by Drew Jansen, the musical comedy is based on the humorous novel Growing Up Lutheran by Janet Letnes Martin and Suzann Nelson.

Church Basement Ladies will serve up fun, food and a "delicious musical comedy," April 24-May 26, at The Gaslight Theatre in Dickson. Written by husband and wife team Jim Stowell and Jessica Zuehlke, with music and lyrics by Drew Jansen, the musical comedy is based on the humorous novel Growing Up Lutheran by Janet Letnes Martin and Suzann Nelson.

The musical review was created by David Grapes (the former artistic director of Tennessee Repertory Theatre), with musical arrangements and medleys by Andrew Philip Herron, and traces the careers of Judy Garland and Mickey Rooney from early on, as the two made their way to Hollywood and became America's Sweethearts, through their sensational careers both in Hollywood and on Broadway.

Granted, Babes in Hollywood isn't for all theater audiences-although, frankly, it should be…what's with you people?-and you'll certainly love it more if you're at least somewhat informed about the Garland/Rooney film oeuvre or the legendarily close relationship the two young stars forged as children and continued throughout their lives. Although that friendship was abruptly ended in 1969 when Garland died in London (I remember reading the news in the Memphis Press-Scimitar as a sixth grader), I've no doubt Mickey Rooney still has conversations with his old pal, somewhere within the recesses of his memory and his heart.

Dickson's Gaslight Dinner Theatre kicks off 2012 by bringing Hollywood and Broadway legends Judy Garland and Mickey Rooney to life via the musical revue Babes in Hollywood: The Music of Garland and Rooney, February 14-March 10.