Martha Godfrey

Created by award-winning writer Emma-Louise Howell as part of the Mercury’s playwriting programme in 2021, I Really Do Think This Will Change Your Life is a bold new solo performance now making its professional debut at the Mercury Theatre, Colchester.

he Lot Productions and Queer Was Always Here have teamed up to improve access to the arts for LGBTQIA+ young people. Their first initiative is a ticket scheme offering discounted tickets for the play 'What It Means' at Wilton's Music Hall. Find out more about this collaboration and how to get involved here.

Cayvan Coates joins Richard Cant to complete the cast of What It Means, a new play by James Corley. Directed by The Lot’s Creative Director, Harry Mackrill, the production opens at Wilton’s Music Hall on 9 October, with previews from 4 October, and runs until 28 October. Learn more about the show and how to get tickets here!

The Mercury Theatre in Colchester has announced the full cast and creative team for the world premiere of award-winning writer Emma-Louise Howell’s debut play I Really Do Think This Will Change Your Life, which will run in the Mercury Studio from 27 October – 4 November. Find out who is starring in the play here!

Telling the little-known true story of the Sterling Ladies, this world premiere from one of the most widely performed playwrights in the UK celebrates the Lionesses and the pioneering women who paved the way as they played their hearts out a century before. Known as the Dagenham Invincibles and the greatest women's football team of World War One, the Sterling Ladies never lose a game over two seasons and are declared 'The Unbeaten Women Champions of the Country'.

Sugar Coat is a piece of gig theatre, telling a story of growing up, trauma, and sex through pop punk music. A kind of rock concert meets musical, it’s performed by an all female and non-binary band, playing and singing live for the duration of the show. From the very beginning, this doesn’t feel like a traditional theatre experience: the audience are whooping and clapping along, and it’s clear that everyone both onstage and off is having a great time. 

THINKERY & VERSE announced the return engagement of Thinkery & Verse’s THOU SHALT NOT: A Site-Specific Play about the Hall-Mills Double Homicide, directed by Karen Alvarado and recognizing the 100th Anniversary of the crime. THOU SHALT NOT will play a site-specific limited engagement in the Assembly Hall at the Church of Saint John the Evangelist.

In 1922, near the banks of the Raritan River, a small city priest and a choir singer were slaughtered in the most infamous unsolved double homicide of the 20th century. Incompetent cops, political operatives, and the poorest and most powerful families in New Jersey were all swallowed in the circus that followed.

After a successful premier in February where it received rave reviews, the 1990s queer- culture classic musical is extending its run at The Turbine Theatre. Following a short closure to make some necessary changes for its future life, But I'm A Cheerleader will run until Sunday 8 May.

Paul Taylor-Mills & Bill Kenwright, in association with Adam Bialow, by special arrangement with LIONSGATE are presenting But I’m A Cheerleader: The Musical, based on the LIONSGATE motion picture, directed and story by Jamie Babbit and screenplay by Brian Wayne Peterson.

But I’m A Cheerleader: The Musical has a long history; based on the 1999 cult film, the musical was first workshopped at the New York Musical Theatre Festival in 2005, where it picked up the Audience Award for Best New Musical. London got its first glimpse in 2019 at MTFestUK in a showcase for new musicals and it has now opened in a blaze of bubblegum pink at Battersea’s Turbine Theatre.

Paul Taylor-Mills & Bill Kenwright, in association with Adam Bialow, by special arrangement with LIONSGATE will present But I’m A Cheerleader: The Musical, based on the LIONSGATE motion picture, directed and story by Jamie Babbit and screenplay by Brian Wayne Peterson.

Grabbing the pom-poms and playing the high school senior who just loves cheerleading, Megan Williams, will be Alice Croft. The rest of the cast is completed by Oliver Brooks (Dad/Larry), Edward Chitticks (Jared/Rock), Damon Gould (André), Tiffany Graves (Mary Brown), Jodie Jacobs (Mom/Lloyd), Lemuel Knights (Mike), Evie Rose Lane (Graham), Harry Singh (Jalal), Jodie Steele (Kimberly/Hilary), Aaron Teoh (Dolph) and Kia-Paris Walcott (Sinead).

 But I’m A Cheerleader: The Musical, based on the LIONSGATE® motion picture, is directed and story by Jamie Babbit and screenplay by Brian Wayne Peterson. First presented as part of MTFestUK 2019, this will be the first fully commissioned musical discovered at the new musical festival, to be presented on stage.

The Big House have today announced the cast and creative team for REDEMPTION, which will premiere at The Big House in their Islington venue - from Wednesday 17 November, with press night on Tuesday 23 November.

Spanning decades of lived experience, GIRLS is a whole-hearted dance that takes the audience on an emotional and empowering journey. A celebration, an interrogation and a reclamation of all things loved, lost, desired and fought for.

THINKERY AND VERSE and BUTCH MERMAID have announced their collaboration in the world premiere experiential production of GHOST HUNT: The Hall-Mills Double Homicide, based on their more traditional Hall-Mills stage-play, THOU SHALT NOT, which was set to premiere this spring in New York City.

Croatian writer and performer Danaja Wass brings her latest project Notch to VAULT Festival directed by Madelaine Moore. While the piece still needs to smooth out some of its crinkles, it's a precise exploration of emigration, homelessness, and people's hypocrisy.

Though the Bunker will be closing early 2020, it has rightly garnered a reputation for providing a platform for new voices. The same is true for the two new pieces being performed there currently: not only are i will still be whole (when you rip me in half) and Before I Was A Bearthe respective debut plays of Ava Wong Davies and Eleanor Tindall, but they also proclaim their authors as confident new voices.