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Soundcheck Live Releases Multi-Artist Cover of 'Let It Be' to Benefit MusiCares Relief Fund


With the support of the MusiCares Foundation, the team behind Soundcheck Live is bringing together 68 of the brightest stars in the music world to deliver a stirring performance of “Let It Be” for a good cause.

NBC Sports Group Tackles 2014 NFL DRAFT


A collection of NBC Sports Group cable, radio and digital platforms will present robust programming surrounding the 2014 NFL Draft.

Rob Ashford, John Caird and More Highlight Lyric Opera of Chicago's 2013-14 Season


Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.

PARSIFAL, OTELLO, THE SOUND OF MUSIC and More Highlight Lyric Opera of Chicago's 2013-14 Season


Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.

BWW Reviews: Lakewood Theatre Company's A FEW GOOD MEN 'Crackles With Intensity'


So it was with some trepidation - and more than a little wariness - that I approached a new production of A Few Good Men, now onstage through October 15, at Lakewood Theatre Company in Old Hickory. While the physical realities of Lakewood's venue preclude any such staging innovations as employed by Whatley, what you are treated to instead is a sharply focused and superbly acted production of Sorkin's seminal dramatic work. As one of the area's most successful community theater companies, Lakewood has consistently performed to capacity crowds, drawing actors from throughout the region.

The Pittsburgh Cultural Trust Announces The Cohen & Grigsby Trust Presents 2009/2010 Season


The Pittsburgh Cultural Trust is proud to present an exciting year of diverse performances from compelling dance and unique comedy to magic and live music. The eclectic mix of programming is at the heart of The Pittsburgh Cultural Trust's mission to create a vibrant Cultural District neighborhood.

The Pirates of Penzance: NYGASP-ing With Delight


It's also a treat to see this G&S classic produced in a style more in keeping with its operetta roots. It is an operetta, after all.

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