Katie Hahn

The Obie Award winning Metropolitan Playhouse (220 E. 4th Street) current production of Jacob Gordin's The Jewish King Lear, one of the foundational works of the "Golden Age of American Yiddish theater," closes on Sunday, May 27.   

Obie Award winning Metropolitan Playhouse (220 E. 4th Street) presents Jacob Gordin's The Jewish King Lear, one of the foundational works of the "Golden Age" of American Yiddish theater, in a new English translation by Ruth Gay, from April 27 through May 27, 2018. The play, which had its Lower East Side debut in 1892 and was written as a star vehicle for Jacob Adler, one of the greatest actors of the New York's Yiddish stage. Metropolitan Playhouse welcomes back director Ed Chemaly (The Easiest Way, The Spirit House) to helm the production.

Opening tonight at Murfreesboro's Center for the Arts is 9 to 5: The Musical, the Broadway musical by Dolly Parton and Patricia Resnick, based upon the hit movie in which Parton played Doralee, a buxom, down-home kind of gal. Directed by Matthew Hayes Hunter, with choreography by Kate Adams-Kramer and musical direction by Emily Dennis, the show features a stunning trio of leading ladies - played by Katie Hahn, Mary Ellen Smith and Memory Strong-Smith - and an ensemble filled with local favorites, including two Matt Smiths...

Murfreesboro's Center for the Arts presents Dolly Parton's hit Broadway musical - 9 to 5, The Musical - running February 10-26, during which they will recognize local women who have made a difference in the workforce with the presentation of "9 to 5 Change It!" Awards.

Gracie McGraw, Molly Balsam and Jenna Pryor opened Act Two of the awards show with a medley of Hamilton-inspired songs.

A capacity crowd filled The Keeton to witness the no-holds-barred evening, hosted by Julia Marie Nettles, Jenna Pryor, Austin Jeffrey Smith and Taylor Tracey. Arron Holman worked the crowd during the evening to provide insight for the coming theatrical season in Nashville.

Studio Tenn and Tennessee Performing Arts Center's joint venture to produce Andrew Lloyd Webber's Evita in Nashville resulted in the production claiming the top prize as "Outstanding Musical of The Year" at Sunday's Midwinter's First Night event at The Larry Keeton Theatre. Nashville Repertory Theatre's production of Nate Eppler's original play Good Monsters took the title of "Outstanding Play of The Year" in the annual ceremony that dates back to its origins in 1989.

The Ordway Center for the Performing Arts presents A Chorus Line, now playing through Feb. 28. BroadwayWorld brings you a first look at the cast in action below!

The Ordway Center for the Performing Arts presents A Chorus Line, now playing through Feb. 28.  BroadwayWorld brings you a first look at the cast in action below!

The Ordway Center for the Performing Arts is excited to present A Chorus Line, tonight, Feb. 16, through Feb. 28.

The Ordway Center for the Performing Arts is excited to present A Chorus Line, Feb. 16-28. Tickets for the Ordway produced musical start at $37 and can be purchasedhere. A Chorus Line is sponsored by U.S. Bank.

The Ordway Center for the Performing Arts is excited to present A Chorus Line, Feb. 16-28. Tickets for the Ordway produced musical start at $37 and can be purchased online at www.ordway.org, by phone at 651-224-4222 or in-person at the Ordway ticket office.

This week, we go around our Broadway World to feature stories in Rhode Island, Milwaukee, Italy, and more. Check out our top 10 stories around our Broadway World below, which include BIG FISH at First Stage in Milwaukee, KISS ME KATE in Memphis, and THE WHO'S TOMMY in LA, just to name a few.

For its spring musical, Playhouse on the Square has reached several decades back and produced -- not an 'old warhorse of a musical' (sorry, Rodgers and Hammerstein) -- but a true thoroughbred, Cole Porter's sparkling, innovative (at the time) KISS ME, KATE. Just as Shakespeare himself created enduring plays by utilizing the best plots and characters of other works, so did Porter and his collaborators, Bella and Samuel Spewack -- they went right to the Bard himself, and in building their own superb entertainment around the rollicking THE TAMING OF THE SHREW, they created such a witty, enjoyable romp that would cause even the immortal Shakespeare to set aside his pen, smile, and snap his garters.

Kiss Me, Kate is Shakespeare's Taming of the Shrew set to Cole Porter's greatest score. Fred Graham and Lilli Vanessi, two divorced and flamboyantly egocentric performers, find themselves starring opposite each other in this fun, melodious, and sophisticated musical that is a tribute to theatre in all its greasepaint and glory. The score features famous songs such as 'Another Op'nin', Another Show,' 'Too Darn Hot,' and 'Always True to You in My Fashion.' This classic musical adventure is sure to be something that everyone can enjoy.

Kiss Me, Kate is Shakespeare's Taming of the Shrew set to Cole Porter's greatest score. Fred Graham and Lilli Vanessi, two divorced and flamboyantly egocentric performers, find themselves starring opposite each other in this fun, melodious, and sophisticated musical that is a tribute to theatre in all its greasepaint and glory. The score features famous songs such as "Another Op'nin', Another Show," "Too Darn Hot," and "Always True to You in My Fashion." This classic musical adventure is sure to be something that everyone can enjoy.

Kiss Me, Kate is Shakespeare's Taming of the Shrew set to Cole Porter's greatest score. Fred Graham and Lilli Vanessi, two divorced and flamboyantly egocentric performers, find themselves starring opposite each other in this fun, melodious, and sophisticated musical that is a tribute to theatre in all its greasepaint and glory. The score features famous songs such as "Another Op'nin', Another Show," "Too Darn Hot," and "Always True to You in My Fashion." This classic musical adventure is sure to be something that everyone can enjoy.

This provocative winner of five Tony Awards in 2004 brings to the stage a (shooting) gallery of some of history's most notorious players - the men and women who have attempted to kill American presidents. Set to a stylish Stephen Sondheim score, Assassins explores the underbelly of the American Dream through the lives, loves, and lunacy of nine American assassins including John Wilkes Booth, Lee Harvey Oswald, and Lynette "Squeaky" Fromme.

It's an interesting and unintentional coincidence: PETER PAN, which wrapped up Playhouse on the Square's Holiday Season, offered the younger set its first taste of transvestism, with musically gifted actresses alternating in the role of 'Peter' (talk about the incipience of gender confusion); now, as the New Year has begun, the older set has its exposure with Jim Sharman and Richard O'Brien's THE ROCKY HORROR PICTURE SHOW. This isn't the first time Playhouse has allowed a cast and crew to indulge themselves in fishnet hose and makeup; I can recall previous performances of this guilty pleasure with the remarkable Mark Chambers (anyone who ever saw him 'strut his stuff' is not likely to forget his performance - 'boomers' who 'time warped' in the aisles still talk about it). I imagine that everyone involved in this production dived headfirst into their costume fittings with all the giddy zeal of children glamming it up at Halloween.

This provocative winner of five Tony Awards in 2004 brings to the stage a (shooting) gallery of some of history's most notorious players - the men and women who have attempted to kill American presidents. Set to a stylish Stephen Sondheim score, Assassins explores the underbelly of the American Dream through the lives, loves, and lunacy of nine American assassins including John Wilkes Booth, Lee Harvey Oswald, and Lynette "Squeaky" Fromme.