Jay Hunter Morris

Florida Grand Opera (FGO) presents a specially expanded production of Leoncavallo's I PAGLIACCI, returning to its roots with this verismo masterpiece.

Tulsa Opera will premiere a new production of Richard Strauss’ Salome that will take celebrating the return of live performances to a new level by offering members of the audience the opportunity to not only watch the action, but to be immersed in it over two performances Friday, April 29 at 8:00 p.m. and Sunday, May 1 at 2:30 p.m.

The Glimmerglass Festival, the summer opera and musical theater festival, will return to its theater for its 2022 season after presenting this past summer’s performances completely outdoors in the aptly named festival, “Glimmerglass on the Grass.” 

Next Thursday, April 15, sees the launch of The Atlanta Opera’s live, in-person spring season, highlighted by the world premiere productions of new adaptations of two iconic operas, both deconstructed for our challenging times by General & Artistic Director Tomer Zvulun.

After the success of its acclaimed fall offerings, now The Atlanta Opera presents an equally innovative spring lineup of live, in-person events, highlighted by the world premiere productions of new adaptations of two iconic operas.

The Santa Fe Opera will present Songs for the Future, a special online program to benefit its singing and technical Apprentice Programs, on March 11 at 6:00 pm MT.

Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, December 19-20, 2020.

The Met has announced themed lineups for four weeks of its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure. The schedule includes a week of In Plain English, an Epic Proportions week, followed by a week of Holiday Fare, and more.

San Francisco Opera's streamed performances continue through Opera is ON with Vincenzo Bellini's I Capuleti e i Montecchi (The Capulets and the Montagues) on Saturday, May 16. Each streamed opera, captured live in high-definition at the War Memorial Opera House, will be viewable on demand at sfopera.com on the streaming date starting at 10 am and expiring at 11:59 pm the following day.

The Bard Conservatory Orchestra joins an exciting principal cast of singers in a fully staged performance of Richard Strauss's once infamous, now famous opera, Salome—a biblical story, with a twist. The program, directed by R. B. Schlather and performed by the Bard Conservatory Orchestra, Leon Botstein, conductor, features leading opera singers Melody Moore, Jay Hunter Morris, Nathan Berg, Betsy Bishop, Robert Stahley, and others, including students of the Conservatory's Graduate Vocal Arts Program. Salome takes place Friday, April 3, at 7:30 p.m. and Sunday, April 5, at 2 p.m. in the Fisher Center's Sosnoff Theater. Tickets start at $15 and can be ordered online at fishercenter.bard.edu or by calling the box office at 845-758-7900. $5 student tickets are available to Bard undergraduate students through the Passloff Pass.

The Atlanta Opera broke new records this season. Even before its final presentation Francesca Zambello's new take on La traviata, which closed this past weekend 2018-19 was already guaranteed to be the company's highest-grossing season of the past decade, highlighted by last fall's West Side Story, the highest-selling production in the Atlanta Opera's 39-year history (Opera News).

This winter, The Atlanta Opera presents the company premiere of Jake Heggie and Terrence McNally's Dead Man Walking in an original production "of the very highest level" (Opera News) from General & Artistic Director Tomer Zvulun. Georgia native Jamie Barton - winner of the Beverly Sills Artist Award, Richard Tucker Award, and BBC Cardiff Singer of the World Competition - makes her eagerly anticipated role debut as Sister Helen Prejean, and Michael Mayes reprises the iconic portrayal of condemned murderer Joseph De Rocher that the composer himself has called "definitive," anchoring an all-star cast that also features Maria Zifchak, Wayne Tigges, Kevin Burdette, and Jay Hunter Morris. Marking the second presentation in Atlanta's mainstage season, the opera will be mounted in four performances led by Kentucky Opera principal conductor Joseph Mechavich at the Cobb Energy Performing Arts Centre (Feb 2-10).

To commemorate the start of Yannick Nézet-Séguin's new position as the Jeanette Lerman Neubauer Music Director, the Met is releasing an audio compilation of performance highlights on iTunes, as well as a series

The Dallas Opera is extremely proud to present the season opener of the company's grand 2018-2019 "Swept Away" Season: Richard Wagner's haunting nineteenth-century masterpiece, The Flying Dutchman (Der fliegende Hollander), a work not seen on The Dallas Opera stage since January of 1994.

Sabine Hogrefe will perform the title role in Strauss's Elektra at tonight's performance, Monday March 12 at 7.30pm, replacing Christine Goerke who is ill.

Christine Goerke, “the reigning Amercian dramatic soprano of the day” (The New York Times), makes her first Met performances in the title role of Richard Strauss's tragedy Elektra at the Met. Yannick Nézet-Séguin conducts Patrice Chéreau's acclaimed staging, with Elza van den Heever as Elektra's sister, Chrysothemis, and Michaela Schuster as her mother, Klytämnestra. Jay Hunter Morris sings the role of Aegisth, Klytämnestra's lover, and Mikhail Petrenko performs as Elektra's long-lost brother Orest. The production runs for six performances from March 1 through March 23, 2018.

Atlanta may be landlocked, but a thrilling new sailing vessel came to town on Saturday night, in the new production of Wagner's DIE FLIEGENDE HOLLANDER (THE FLYING DUTCHMAN), at the Atlanta Opera in Cobb Energy Performing Arts Centre. The company's General & Artistic Director Tomer Zvulun commanded the helm of the production--a particularly fitting description for an opera about the sea, how it taketh from and giveth to the men who call it home as well as to the women who love them.

As director of the company's apprentice program since 2005, David Holloway is a veritable fount of knowledge

AJ Glueckert will make his Met debut as Erik in Wagner's Der Fliegende Holländer and will sing the role in the first four performances of the opera at the Met this season on April 25, 29matinee, May 4, and 8. The American tenor replaces the originally announced Jay Hunter Morris, who has withdrawn from his scheduled performances for personal reasons.