Harry Burton

In a new revival of I Found My Horn at west London’s Riverside Studios – co-written by Jonathan Guy Lewis and Jasper Rees, both lapsed horn players ­­– the audience is provided with ample reasons to think about taking up that violin, double bass or even fiendishly tricky French horn again.

Fifteen years after its first production, and following a recent sell-out run at the White Bear in Kennington, I Found My Horn - starring Jonathan Guy Lewis - will transfer to the Riverside Studios this summer, playing in Studio 3 at the Hammersmith venue from 30 May – 11 June.

Three old school friends, Mark, Pete and Len, knock about the streets, pubs and cafes of East London arguing the toss about art, life and love. The fourth member of their tight-knit group is Virginia, a young teacher. As autumn draws in, each of the friends finds their perception of one another and themselves irrevocably changed.

Brilliant acted play captures the London experience at that tipping point between the pursuit of youthful follies and the assumption of adult responsibilities. Let's see what BWW's critic had to say...

Three old school friends, Mark, Pete and Len, knock about the streets, pubs and cafes of East London arguing the toss about art, life and love. The fourth member of their tight-knit group is Virginia, a young teacher. As autumn draws in, each of the friends finds their perception of one another and themselves irrevocably changed.

Three old school friends, Mark, Pete and Len, knock about the streets, pubs and cafes of East London arguing the toss about art, life and love. The fourth member of their tight-knit group is Virginia, a young teacher. As autumn draws in, each of the friends finds their perception of one another and themselves irrevocably changed.

This Friday the industry website www.runatitshouting.co.uk will broadcast a Zoom rehearsed reading of Pinter's The Dwarfs, a stage adaptation of his early experimental novel about growing up in Hackney in the aftermath of World War II.

Run At It Shouting today announces a live online rehearsed reading of Harold Pinter's The Dwarfs adapted by Kerry Lee Crabbe in aid of The NIA Project - a Hackney-based charity committed to delivering cutting edge service to end violence against women and children - taking place via Zoom on 25 September at 7pm.

Need something new to read or watch? Check out this week's list of new and upcoming releases!

A world premiere of a play is always an exciting thing; a potential opportunity to witness one of the very first performances of a future classic. Unfortunately, Paul Minx's new play The Dog Walker, at the diminutive Jermyn Street Theatre, is an odd and uneven experience.

For the first time in its twenty-five year history Jermyn Street Theatre is able to announce a full year of programming. Artistic Director Tom Littler, today reveals the full 2020 Season, with an array of work that ranges from world premieres to rare revivals, theatre legends to new talent and literary classics to new writing.

With a run of over six months at Pacific Rep Theatre in Los Angeles, Out There on Fried Meat Ridge Road is a hillbilly comedy with a heart of gold.

Linked by ocean sounds and the figure of a silent female listener, Spring, and The Last Dance, are a potent, poetic pairing. The girl in Susan Hill's Spring considers the life she has already lived, and the life that lies ahead of her. What might she have to look forward to? But although the sea air on a clifftop in Spring gives the feeling of hope, she's far from carefree.

Frontier Theatre Productions today announce their second production, a world premiere double bill of Susan Hill's Spring and Mitch Hooper's The Last Dance opening at The Theatre Room on 18 October. Harry Burton directs Sally Faulkner, who will be starring in both productions, as The Older Woman in Spring, where she is joined by Portia Van De Bramm who is playing The Girl, and as Suzanne in The Last Dance where she will be joined by David Mallinson who will be playing Peter.

You can't go crippling yourself in a caring society. They won't stand for it. BLUE ON BLUE is a visceral, poignant and darkly funny play by novelist and screenwriter Chips Hardy, directed by Harry Burton. The production will play the Tristan Bates Theatre (1a Tower Street, London WC2H 9NP) tonight 19th April to Saturday 14th May 2016. Press Night: is Thursday 21st April, 7.30pm. BroadwayWorld has a sneak peek at the cast in rehearsal below!

You can't go crippling yourself in a caring society. They won't stand for it.

You can't go crippling yourself in a caring society. They won't stand for it. BLUE ON BLUE is a visceral, poignant and darkly funny play by novelist and screenwriter Chips Hardy, directed by Harry Burton. The production will play the Tristan Bates Theatre (1a Tower Street, London WC2H 9NP) Tuesday 19th April to Saturday 14th May 2016. Press Night: is Thursday 21st April, 7.30pm. BroadwayWorld has a sneak peek at the cast in rehearsal below!

You can't go crippling yourself in a caring society. They won't stand for it.

Archaeologist Howard Carter captured the world's imagination nearly a century ago when he made the astounding discovery of the undisturbed tomb of Tutankhamun. Beginning today, November 21, Premier Exhibitions 5th Avenue, 417 5th Avenue, NYC unveils The Discovery of King Tut, a new exhibition that provides an unparalleled opportunity to explore the legendary tomb and its treasures just as Carter found them.

Archaeologist Howard Carter captured the world's imagination nearly a century ago when he made the astounding discovery of the undisturbed tomb of Tutankhamun. Beginning November 21, Premier Exhibitions 5th Avenue, 417 5th Avenue, NYC unveils The Discovery of King Tut, a new exhibition that provides an unparalleled opportunity to explore the legendary tomb and its treasures just as Carter found them.