Edwin Denby

92Y Poetry Center's Read By podcast continues with never-before-heard readings by Anne Carson (July 26 at 11 am) and Pulitzer Prize-winning novelist Jennifer Egan (August 2, 11 am).

Chiron Performing Arts will present Music of Eugene O'Brien and Christopher Kaufman, a multimedia concert on Sunday, March 1 @ 4:00 PM at The National Opera Center's Marc A. Scorca Hall, 330 7th Avenue in New York, NY.

Klosty's Merce Cunningham was the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesigned and completely reimagined with an additional 140 pages of photographs, many published never before.

Now about to turn thirteen, La MaMa Moves! Dance Festival, the ever-evolving spring fling of dance that exuberantly commandeers the various theaters of La MaMa each year, takes on yet another challenge in 2018. This year's festival showcases nine artists who take the road less travelled, daring to speak out in new and forceful ways about issues that trouble and inspire them: race, gender, religion, exclusion, each using the body to voice concerns in ways words cannot. Eleven companies, nine performances, including five premieres are on the boards. New this year will be two offsite events: panel discussions about artists and cultural identity, and screenings of rarely-seen films. The 2018 festival runs May 10-June 3.

On Saturday, June 10, historian and best-selling author Timothy Snyder will attend the opening of Yara Arts Group's new theatre piece with poetry, '1917-2017: Tychyna, Zhadan & the Dogs' at La MaMa's Ellen Stewart Theatre, 66 E. 4th Street.  The performance is introduced by a live installation featuring New York poet Bob Holman performing his own poems inspired by Mr. Snyder's book, 'On Tyranny: 20 Lessons from the 20th Century,' which is now a NY Times Best Seller.

From June 9 to 25, La MaMa and Yara Arts Group will present '1917-2017 Tychyna, Zhadan & the Dogs,' a new theatre piece with poetry which examines what individuals do when a society crumbles.

SEATTLE, WA – Pacific Northwest Ballet opens its 2015-2016 season with SEE THE MUSIC, a terrific triple-bill of repertory works. After an eight-year hiatus, PNB welcomes the return of George Balanchine's Prodigal Son, choreographed by the ballet master at the age of 25 for Diaghilev's Ballets Russes. Another relative youngster, Christopher Wheeldon (recent Tony Award-winner for An American in Paris), shares the bill with Mr. B., represented by his dramatic Tide Harmonic, created for PNB in 2013. The program comes to a comic close with Jerome Robbins' hilarious The Concert (or, The Perils of Everybody). SEE THE MUSIC runs for seven performances only, September 25 through October 4 at Seattle Center's Marion Oliver McCaw Hall. Tickets start at $30 and may be purchased by calling 206.441.2424, in person at the PNB Box Office at 301 Mercer Street, or online at PNB.org.

SEATTLE, WA – Pacific Northwest Ballet opens its 2015-2016 season with SEE THE MUSIC, a terrific triple-bill of repertory works. After an eight-year hiatus, PNB welcomes the return of George Balanchine's Prodigal Son, choreographed by the ballet master at the age of 25 for Diaghilev's Ballets Russes. Another relative youngster, Christopher Wheeldon (recent Tony Award-winner for An American in Paris), shares the bill with Mr. B., represented by his dramatic Tide Harmonic, created for PNB in 2013. The program comes to a comic close with Jerome Robbins' hilarious The Concert (or, The Perils of Everybody). SEE THE MUSIC runs for seven performances only, September 25 through October 4 at Seattle Center's Marion Oliver McCaw Hall. Tickets start at $30 and may be purchased by calling 206.441.2424, in person at the PNB Box Office at 301 Mercer Street, or online at PNB.org.

When the Sadler's Wells (now the Royal Ballet) first performed "Cinderella" on its triumphant 1949 debut performance at the old Metropolitan Opera, John Martin, the eminent New York Times dance critic, was not engrossed. He wrote that it was difficult to be enthusiastic about it, but "if it were stripped of all its dead wood, both musical and choreographic, it would run considerably less than the two and a half hours it now undertakes to fill."

If I ever become famous-the odds are against me--but if I do, I want Patricia Ward Kelly to give a talk about me. Bright, articulate, witty, insightful, eloquent, compassionate, she spoke about her late husband, the very famous Gene Kelly, for over two and a half with not an 'uh, er or' to be heard. Yes, it's entertainment, but it's much more: professional speaking of the highest caliber. To say that I was impressed is an understatement. I wanted to hand her a prize. I'll zing to the point: Patricia Ward Kelly, you were superb. I can't think of a higher compliment.

The Cunningham Dance Foundation (CDF) and the Baryshnikov Arts Center (BAC) continue their programming partnership "BAC Flicks: Mondays with Merce" with a series of events throughout winter and spring 2011.