Betty Campbell

1993's rarely produced Sunset Boulevard is a somewhat flawed musical play that satisfies best with the casting of an actress of great star quality as Norma Desmond, one whose face could have convincingly lit up a silent film screen. Moonlight Amphitheatre has its star in Valerie Perri, and under Larry Raben's resourcefully skilled staging, Sunset Boulevard is a hit.

When you go to see a Tom Stoppard play such as "Indian Ink", currently playing at Center Theatre from Sound Theatre Company and Pratidhwani, you can expect to be immersed in whatever subject Stoppard has chosen, whether that be literature, history, math, music or landscape architecture, along with a fascinating interpersonal story with the characters. And while I usually appreciate the interpersonal stories of his plays, his chosen subject of interest is usually lost on me (mostly due to the feeling that you need to take a Masters class in whatever the subject is before you see the play to totally get it). Stoppard's "Indian Ink" is no exception although the love story at its heart certainly outweighed any gaps of historical knowledge I felt.

Sound Theatre Company contributes to the hot Northwest summer with the steamy, smart Seattle premiere of Indian Ink by Tom Stoppard. This passionate tale that explores art and colonialism, set on two continents and in two eras, is a co-production with South Asian cultural organization Pratidhwani, and is directed by Andrew McGinn.

Book-It Repertory Theatre proudly presents A Confederacy of Dunces by John Kennedy Toole. Adapted and directed by Mary Machala

Book-It Repertory Theatre proudly presents A Confederacy of Dunces by John Kennedy Toole. Adapted and directed by Mary Machala

Book-It Repertory Theatre proudly presents A Confederacy of Dunces by John Kennedy Toole. Adapted and directed by Mary Machala