The latest reviews and critic recommendations from Off-Broadway.
The term 'generation gap' first came into use during the 1960s, when sociologists and trend-watchers began noting the extreme differences in lifestyle, politics, fashion, music and language between the American parents who fought the Axis in World War II and the Baby Boom teenagers they raised.
The symbolic nature of Suzan-Lori Parks' 1990 free-form dramatic riff, THE DEATH OF THE LAST BLACK MAN IN THE WHOLE ENTIRE WORLD AKA THE NEGRO BOOK OF THE DEAD is made apparent to viewers as soon as they open their programs and see the characters have names like 'Black Woman With Fried Drumstick,' '
It can be safely assumed that the majority of playgoers filing into The Public's LuEsther Theater for the 7:30 opening night performance of author/director Richard Nelson's Women Of a Certain Age on Tuesday night took their seats expecting to see Hillary Clinton declared the President-Elect of The U
The subject of sensitive, well-intentioned white people growing up unaware of their own privilege has been receiving more and more attention in American, but back in 1982, South African playwright Athol Fugard approached the issue as experienced in his apartheid-infested homeland.
The doorway to the neighborhood bar designed with great detail by John Lee Beatty for director Kate Whoriskey's tense and finely-acted mounting of Lynn Nottage's hard-hitting new drama, Sweat, is decorated with a neon light advertising Yuengling Beer, the Pennsylvania brew that dates back to 1829.
In BLACKTOP HIGHWAY, Performance Artist John Fleck Muses on Simulacra, Animals (Live and Dead), and Trump.
See 'The Collector' now onstage at 59E59 Theaters through November 13th.
Placed throughout Anna Deavere Smith's revealing new theatre piece, NOTES FROM THE FIELD, are violent video clips that have become all too familiar to any American with access to YouTube.
Playwright Qui Nguyen is a tricky fellow.
In Stephen Sondheim and James Lapine's 1985 Pulitzer Prize winning musical SUNDAY IN THE PARK WITH GEORGE, the 'art of making art' can be less about applying paint to a canvas as it is about applying a signature to a check.
The tensest, most dramatic moments in director Anne Kauffman's premiere production of Adam Bock's A Life occur whenever designer Laura Jellinek's large unit set slowly rotates horizontally, like a rotisserie, to change locations.
Those who have lived through it may agree that war is hell, but for the central character of David Hare's 1978 drama, Plenty, the excitement of confusing, distracting and demoralizing the Germans in occupied France was a slice of heaven compared with living as a woman in post-war England.
While Jonathan Larson's RENT, his 1996 East Village adaptation of Giacomo Puccini, Luigi Illica and Giuseppe Giacosa's LA BOHEME, presents a romanticized look at bohemians living in poverty for the sake of their art, his TICK, TICK… BOOM!, now getting a superb Off-Broadway revival via Keen Company
Despite a string of bad fortune that has kept them moving from venue to venue to venue, the genius director/choreographer Austin McCormick's Company XIV, with its distinct style mixing classical dance, burlesque, acrobatics and pop music presented in an erotic baroque fashion inspired by the courtly
See 'ORWELL IN AMERICA' at 59E59 Theaters now through October 30th.
Though solo performer Sarah Jones is rightfully celebrated for her exacting skills that quickly morph herself into a seemingly limitless collection of female and male characters of diverse ages, ethnicities, nationalities and personalities, she doesn't seem to get proper credit as a playwright.
When in the Course of human events, it becomes necessary to rethink a centuries-entrenched conception, it must be done with ideas audacious and revolutionary enough to forever upset the status quo.
The NYC premiere of The Birds is onstage at 59E59 Theaters now through October 1st.
Hilarity abounds at Bears in Space, the zany, captivating show currently at 59E59 Theaters through October 2nd.
'Touch' is an affecting play wonderfully staged with superb acting.
If the plot and characters of Leslye Headland new drama THE LAYOVER appear to be contemporary versions of some old film noir feature you used to watch so often on VHS that the images on the tape deteriorated into grey and white streaks, it may be merely be a suggestion planted into your head by vide
Shakespeare's seldom-performed wartime drama is set in contemporary times.
The New York City premiere of ALICE IN BLACK AND WHITE is now on limited engagement at 59E59 Theaters through Sunday, August 14th.
An all-woman cast plays out the story of John Wesley Powell's expedition to the Grand Canyon.
See 'Summer Shorts Festival of New American Short Plays,' now on stage at 59E59 through September 3rd.
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A Baby For Me? No Thank You, Please! Soho Playhouse (9/18-9/19) |
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13 The Musical Griffin Theatre (8/14-8/23) PHOTOS |
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Bailey Swilley's Gimme A Sign! Soho Playhouse (9/17-9/17) |
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LA GRINGA Repertorio (2/08-12/31) |
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LA CASA DE BERNARDA ALBA Repertorio (11/15-12/31) |
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EN EL TIEMPO DE LAS MARIPOSAS Repertorio (1/07-12/31) |
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Bailey Swilley's Gimme A Sign! Soho Playhouse (9/20-9/20) |
