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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review: A GAMBLERS GUIDE TO DYING at 59E59 is Intriguing

BWW Review: A GAMBLERS GUIDE TO DYING at 59E59 is Intriguing

by Marina Kennedy — April 17, 2017
A stunningly original one-man show, A Gambler's Guide to Dying is now onstage at 59E59 Theaters through April 23rd. Written and performed by Gary McNair and directed by Gareth Nicholls, this is one to experience....
BWW Review: Prospective In-Laws Clash Over Religion In THE PROFANE

BWW Review: Prospective In-Laws Clash Over Religion In THE PROFANE

by Michael Dale — April 17, 2017
From ABIE'S IRISH ROSE to LA CAGE AUX FOLLES and beyond, the conflicts that occur when future in-laws meet for the first time have been a traditional source of comedy for both stage and screen....
BWW Review: Harvey Fierstein Reluctantly Finds Romance in Martin Sherman's Compelling

BWW Review: Harvey Fierstein Reluctantly Finds Romance in Martin Sherman's Compelling GENTLY DOWN THE STREAM

by Michael Dale — April 12, 2017
"I'm old enough to be your ancestor," the 61-year-old gentleman scoffs to his 28-year-old overnight guest who, after meeting on a dating site called Gaydar, suggests that something of permanence could come between them....
BWW Review: Transport Group Intimately Pairs William Inge's COME BACK, LITTLE SHEBA w

BWW Review: Transport Group Intimately Pairs William Inge's COME BACK, LITTLE SHEBA with PICNIC

by Michael Dale — April 11, 2017
A great difference between the Broadway theatre of today and that of the 1950s, the decade when William Inge emerged as an important American playwright, is that the public couldn't see the kind of edgy, incisive drama on their television sets that live theatre was offering....
BWW Review: Sharp Cast Brings Scandal to the Stage in Pearl Theatre Co.'s VANITY FAIR

BWW Review: Sharp Cast Brings Scandal to the Stage in Pearl Theatre Co.'s VANITY FAIR

by Kristen Morale — April 3, 2017
With a slight contemporary flare that is truthfully surpassed by the timeless spark characters like Becky Sharp and Amelia Sedley hold so dear, and with an effect made that much more potent when seen in a theatrical light, the Pearl Theatre Co. now presents Vanity Fair for its world premiere: a prod...
BWW Review: John Leguizamo Brushes Up On LATIN HISTORY FOR MORONS

BWW Review: John Leguizamo Brushes Up On LATIN HISTORY FOR MORONS

by Michael Dale — March 29, 2017
It's no secret to theatregoer's that the frenetically paced, multi-character solo plays by Obie-winner John Leguizamo have provided far more insight into Latin-American history and culture than can be found in most American school textbooks....
BWW Review:  Cole Porter Meets Jimmy Durante as Encores! Reconstructs THE NEW YORKERS

BWW Review: Cole Porter Meets Jimmy Durante as Encores! Reconstructs THE NEW YORKERS

by Michael Dale — March 26, 2017
The authors who wrote the books for even the most successful Broadway musical comedies of the 1920s and 30s often get a bum rap for the flimsiness of their plots and the nonsensical nature of their gags....
BWW Review: BENEATH THE GAVEL at 59E59-An Exciting Theatrical Experience

BWW Review: BENEATH THE GAVEL at 59E59-An Exciting Theatrical Experience

by Marina Kennedy — March 23, 2017
A one of a kind show is now in town. 'Beneath the Gavel' is being performed at 59E59 Theaters through April 9th. Devised by Bated Breath Theatre Company and written and directed by Mara Lieberman, this fascinating, fast-paced production is a rare glimpse into the art world....
BWW Review:  Societal Norms Meet Animal Natures in Sarah Ruhl's HOW TO TRANSCEND A HA

BWW Review: Societal Norms Meet Animal Natures in Sarah Ruhl's HOW TO TRANSCEND A HAPPY MARRIAGE

by Michael Dale — March 21, 2017
As patrons enter the Mitzi Newhouse for Sarah Ruhl's newest clever and quirky comedy, HOW TO TRANSCEND A HAPPY MARRIAGE, they're greeted by set designer David Zinn's rendering of a smart and simply furnished living room, above which hangs the carcass of a slaughtered and skinned goat....
BWW Review: Jo Lampert Is Stellar In David Byrne's JOAN OF ARC: INTO THE FIRE

BWW Review: Jo Lampert Is Stellar In David Byrne's JOAN OF ARC: INTO THE FIRE

by Michael Dale — March 19, 2017
Who is she? Where did she come from? These are questions likely to pass through the minds of Off-Broadway's regular attendees while witnessing Jo Lampert's stellar performance as the title character of David Byrne's new musical, JOAN OF ARC: INTO THE FIRE....
BWW Review:  WHITE GUY ON THE BUS at 59E59 is a Must-See Drama

BWW Review: WHITE GUY ON THE BUS at 59E59 is a Must-See Drama

by Marina Kennedy — March 16, 2017
White Guy on the Bus is now being performed at 59e59 Theaters through April 16th. Written by Bruce Graham, directed by Bud Martin and featuring an outstanding cast, this is a brilliant, poignant production....
BWW Review: THE LIGHT YEARS Salutes Starry-Eyed Innovators Who Remain Earthbound

BWW Review: THE LIGHT YEARS Salutes Starry-Eyed Innovators Who Remain Earthbound

by Michael Dale — March 15, 2017
At the beginning of The Debate Society's premiere production of THE LIGHT YEARS (written by Hannah Bos and Paul Thureen, developed and directed by Oliver Butler) we're told that Arcturus, the star that guided Christopher Columbus to what he thought was India, is precisely forty light years away from...
BWW Review: Ethan Lipton's THE OUTER SPACE Seeks Suburbia Orbiting Mercury

BWW Review: Ethan Lipton's THE OUTER SPACE Seeks Suburbia Orbiting Mercury

by Michael Dale — March 9, 2017
Five years ago, playwright/composer/lyricist/performer Ethan Lipton stood on the stage of Joe's Pub as the central character of his solo musical NO PLACE TO GO, explaining the choices he had to make when the company he worked for announced it was relocating to Mars....
BWW Review:  Sex, Pizza and Slasher Flicks in Erica Schmidt's ALL THE FINE BOYS

BWW Review: Sex, Pizza and Slasher Flicks in Erica Schmidt's ALL THE FINE BOYS

by Michael Dale — March 8, 2017
Straight cisgender teenage boys looking to lose their virginity are generally accepted as a staple of coming-of-age comedies that make movie theatre box offices hum. But when it comes to the matter of young girls being eager to have their first sexual encounter, audiences tend to prefer a bit more d...
BWW Review: Experience the Timeless Magic of the New Vic's THE AGING MAGICIAN

BWW Review: Experience the Timeless Magic of the New Vic's THE AGING MAGICIAN

by Kristen Morale — March 7, 2017
In association with Beth Morrison Projects and VisionIntoArt, The Aging Magician now celebrates its off Broadway premiere with The New 42nd Street at the New Victory Theater - a theater dedicated to providing children with quality (and usually fantastic) productions in the very heart of Times Square...
BWW Review: Demon Barber Moves To Barrow Street In An Intimate SWEENEY TODD

BWW Review: Demon Barber Moves To Barrow Street In An Intimate SWEENEY TODD

by Michael Dale — March 7, 2017
When Stephen Sondheim and Hugh Wheeler's classic musical thriller Sweeney Todd: THE DEMON BARBER OF FLEET STREET opened on Broadway in 1979, Harold Prince's production was of grand operatic proportions. Opera houses frequently produce the show in that manner, but New York's stage revivals seem to be...
BWW Review:  Janie Dee Makes a Smashing Return To New York as Feminist Fighter LINDA

BWW Review: Janie Dee Makes a Smashing Return To New York as Feminist Fighter LINDA

by Michael Dale — March 4, 2017
It's not exactly a spoiler to note that the closing scene of Penelope Skinner's wonderfully absorbing and issue-oriented dramatic comedy, LINDA, has the title character, a successful marketing executive, addressing a group of colleagues in the year 2007, excited about how the anti-aging cream she pr...
BWW Review: David Mamet's Tense and Terse THE PENITENT Debates Moral Issues

BWW Review: David Mamet's Tense and Terse THE PENITENT Debates Moral Issues

by Michael Dale — March 2, 2017
A night out at David Mamet's tense and terse new play, The Penitent, now getting a hard-edged premiere by director Neil Pepe via Atlantic Theatre Company, isn't so much an observance of human behavior as it is a debate of moral issues....
BWW Review: KUNSTLER at 59E59 Theaters is Timely and Captivating

BWW Review: KUNSTLER at 59E59 Theaters is Timely and Captivating

by Marina Kennedy — February 28, 2017
'Kunstler,' a compelling portrayal of the high profile trial lawyer William Kunstler, is now being performed at 59E59 Theaters through Sunday, March 12th....
BWW Review: Tyne Daly Brings Jerry Herman's DEAR WORLD To The York Theatre

BWW Review: Tyne Daly Brings Jerry Herman's DEAR WORLD To The York Theatre

by Michael Dale — February 28, 2017
Listening to the original Broadway cast album of Jerry Herman's 1969 entry, DEAR WORLD, it's almost unimaginable to think you're hearing the score of a show that shuttered on Broadway after less than four months worth of performances....
BWW Review: Will Eno's WAKEY, WAKEY Offers Punch, Cake and Ruminations on Life

BWW Review: Will Eno's WAKEY, WAKEY Offers Punch, Cake and Ruminations on Life

by Michael Dale — February 28, 2017
You can't say that playwright/director Will Eno doesn't go out big with his new piece, WAKEY, WAKEY. Just before curtain calls, an extra-bright video montage, set to The Olivia Tremor Control's “Love Athena,” wreaks havoc with audience members' pupils. Once eyes are able to adjust, they'll not...
BWW Review:  John Kander Musicalizes Another Dark and Dangerous Subject In KID VICTOR

BWW Review: John Kander Musicalizes Another Dark and Dangerous Subject In KID VICTORY

by Michael Dale — February 24, 2017
Though the brilliant musicals that composer John Kander created with his late lyricist partner Fred Ebb frequently tackled dark and violent issues (CABARET, CHICAGO, KISS OF THE SPIDER WOMAN and THE SCOTTSBORO BOYS among them), they did so with a shiny, often cynical veneer of show-biz. Snazzy melo...
BWW Review: 120 Variations of Life and Death in Branden Jacobs-Jenkins' EVERYBODY

BWW Review: 120 Variations of Life and Death in Branden Jacobs-Jenkins' EVERYBODY

by Michael Dale — February 23, 2017
'We're dealing with some fairly old and ancient material, so maybe let's trust it to be really wise and meaningful, okay?' asks a character acting as a kind of host at the beginning of Branden Jacobs-Jenkins' fun and breezy new play, Everybody....
BWW Review:  Caryl Churchill's ESCAPED ALONE Yearns For a Post-Apocalyptic Return To

BWW Review: Caryl Churchill's ESCAPED ALONE Yearns For a Post-Apocalyptic Return To Normalcy

by Michael Dale — February 22, 2017
When tragedy strikes a community, after the initial shock and the effort to neutralize the situation, there's always a strong desire to return to normalcy....
BWW Review: PRETTY FILTHY (Original Cast Recording) is Humorous and Heartfelt

BWW Review: PRETTY FILTHY (Original Cast Recording) is Humorous and Heartfelt

by David Clarke — February 20, 2017
The hilarious, sexy, and surprisingly touching musical PRETTY FILTHY made a splash Off-Broadway in early 2015. Ghostlight Records' PRETTY FILTHY (Original Cast Recording) perfectly captures the humor of the show. Michael Friedman's often blunt but always-relatable lyrics are uncompromised on the rec...
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