Jukebox Junction with The Glenn Miller Orchestra & The Diamonds Set for MPAC, 4/29

The Glenn Miller Orchestra performs your favorite big band hits, followed by your favorite doo-wop and rock and roll classics as sung by The Diamonds in Jukebox Junction at the Mayo Performing Arts Center on Friday, April 29, 2016 at 8 pm. Tickets are $29 - $59.

Alton Glenn Miller was born in Clarinda, Iowa on March 1, 1904. In 1923, Miller entered the University of Colorado, although he spent more time traveling to auditions and playing where and whenever he could. After flunking three of his five courses one semester, Glenn dropped out to concentrate on his career as a professional musician. He toured with several orchestras and ended up in Los Angeles where he landed a spot in Ben Pollack's group, a band that included a guy named Benny Goodman. Here, Miller also got the chance to write some arrangements. Arriving in New York City, he soon sent for, and married his college sweetheart, Helen Burger in 1928, and for the next three years, earned his living as a free-lance trombonist and arranger.

Miller played and recorded with the likes of Tommy and Jimmy Dorsey (who on several of their records, featured an up-and-coming singer by the name of Bing Crosby), Gene Krupa, Eddie Condon and Coleman Hawkins. In addition, during that time, Glenn cut 18 sides for Goodman, and also worked for radio studio conductors like Victor Young, Carl Fenton and Jacques Renard. In 1934, Miller became the musical director of the Dorsey Band, and later went on to organize The Ray Noble Orchestra, which included such players as Charlie Spivak, Peewee Erwin, Bud Freeman, Johnny Mince, George Van Eps and Delmar Kaplan, among others.

In 1937, Glenn Miller stepped out to form his own band. There were a few recordings - one for Decca and one for Brunswick - a couple of week-long stints in New Orleans and Dallas, and many one-nighters, but it was not to be. Though the group would play one more date several days later in Bridgeport, Connecticut, Glenn gave his men their final notice on New Year's Eve at the Valencia Ballroom in York, Pennsylvania. Broke, depressed and having no idea what he was going to do, he returned to New York City.

It is said that Miller could never remember precisely the moment he decided to emphasize his new reed section sound. But it was during this disheartening interim, that he realized the unique sound - produced by the clarinet holding the melodic line while the tenor sax plays the same note, and supported harmonically by three other saxophones - just might be the individual and easily recognizable style that would set his band apart from all the rest.

Formed in March 1938, the second Glenn Miller Orchestra - which would later include the likes of Tex Beneke, Marion Hutton, Ray Eberle, Paul Tanner, Johnny Best, Hal McIntyre, and Al Klinck - soon began breaking attendance records all up and down the East Coast. At the New York State Fair in Syracuse it attracted the largest dancing crowd in the city's history. The next night it topped Guy Lombardo's all-time record at the Hershey Park Ballroom in Pennsylvania. The Orchestra was invited by ASCAP to perform at Carnegie Hall with three of the greatest bands ever - Paul Whiteman, Fred Waring and Benny Goodman - and created more of a stir than any of them.

There were record-breaking recordings, as well, such as "Tuxedo Junction", which sold 115,000 copies in the first week. "In the Mood", and "Pennsylvania 6-5000?, all appearing on the RCA Victor Bluebird label. In early 1940, Down Beat Magazine announced that Miller had topped all other bands in its Sweet Band Poll, and capping off this seemingly sudden rise to the top, there was, of course, Glenn Miller's "Moonlight Serenade" radio series for Chesterfield cigarettes which aired three times a week over CBS. In 1941, it was off to Hollywood where the band worked on its first movie, "Sun Valley Serenade", which introduced the song - and soon-to-be million selling record -"Chattanooga Choo Choo", and featured the Modernaires and the Nicholas Brothers.

In 1957 The Diamonds released an instant million selling hit called "Little Darlin'." The song continues to sell worldwide and has been dubbed "the National Anthem of Rock and Roll". To date it has sold approximately 20 million copies.

Through the years since the release of "Little Darlin'" The Diamonds have learned one important lesson-the durability of this classic rock and roll music is as much about the future as it is about the past. As a result, The Diamonds continue to expand their audience to this day, performing in a variety of venues and settings worldwide. These performances include-with Symphony Orchestras, in Performing Arts Theatres and major concert halls, on cruise ships, in casinos, at county and state fairs, on tours of England, Ireland, Brazil, Chile, Korea, and Japan, for benefit concerts, corporate conventions and at nightclubs. "We've been pleased to find a growing audience among all age groups. They love songs they can understand, remember and actually sing the words to-today, tomorrow, or even 20 years from now."

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